This book provides a summary of the manifold audio- and web-based approaches to music information retrieval (MIR) research. In contrast to other books dealing solely with music signal processing, it addresses additional cultural and listener-centric aspects and thus provides a more holistic view. Consequently, the text includes methods operating on features extracted directly from the audio signal, as well as methods operating on features extracted from contextual information, either the cultural context of music as represented on the web or the user and usage context of music. Following the prevalent document-centered paradigm of information retrieval, the book addresses models of music similarity that extract computational features to describe an entity that represents music on any level (e.g., song, album, or artist), and methods to calculate the similarity between them. While this perspective and the representations discussed cannot describe all musical dimensions, they enable us to effectively find music of similar qualities by providing abstract summarizations of musical artifacts from different modalities. The text at hand provides a comprehensive and accessible introduction to the topics of music search, retrieval, and recommendation from an academic perspective. It will not only allow those new to the field to quickly access MIR from an information retrieval point of view but also raise awareness for the developments of the music domain within the greater IR community. In this regard, Part I deals with content-based MIR, in particular the extraction of features from the music signal and similarity calculation for content-based retrieval. Part II subsequently addresses MIR methods that make use of the digitally accessible cultural context of music. Part III addresses methods of collaborative filtering and user-aware and multi-modal retrieval, while Part IV explores current and future applications of music retrieval and recommendation.>

This book provides a summary of the manifold audio- and web-based approaches to music information retrieval (MIR) research. In contrast to other books dealing solely with music signal processing, it addresses additional cultural and listener-centric aspects and thus provides a more holistic view. Consequently, the text includes methods operating on features extracted directly from the audio signal, as well as methods operating on features extracted from contextual information, either the cultural context of music as represented on the web or the user and usage context of music. Following the prevalent document-centered paradigm of information retrieval, the book addresses models of music similarity that extract computational features to describe an entity that represents music on any level (e.g., song, album, or artist), and methods to calculate the similarity between them. While this perspective and the representations discussed cannot describe all musical dimensions, they enable us to effectively find music of similar qualities by providing abstract summarizations of musical artifacts from different modalities. The text at hand provides a comprehensive and accessible introduction to the topics of music search, retrieval, and recommendation from an academic perspective. It will not only allow those new to the field to quickly access MIR from an information retrieval point of view but also raise awareness for the developments of the music domain within the greater IR community. In this regard, Part I deals with content-based MIR, in particular the extraction of features from the music signal and similarity calculation for content-based retrieval. Part II subsequently addresses MIR methods that make use of the digitally accessible cultural context of music. Part III addresses methods of collaborative filtering and user-aware and multi-modal retrieval, while Part IV explores current and future applications of music retrieval and recommendation.>

This book constitutes the thoroughly refereed proceedings of the 22nd International Conference on Web Engineering, ICWE 2022, held in Bari, Italy, in July 2022. The 23 revised full papers and 5 short papers presented were carefully reviewed and selected from 81 submissions. The books also contains 6 demonstration and poster papers, 7 symposium and 5 tutorial papers. They are organized in topical sections named: recommender systems based on web technology; social web applications; web applications modelling and engineering; web big data and web data analytics; web mining and knowledge extraction; web security and privacy; web user interfaces.

Music Information Retrieval surveys the young but established field of research that is Music Information Retrieval (MIR). In doing so, it pays particular attention to the latest developments in MIR, such as semantic auto-tagging and user-centric retrieval and recommendation approaches. It starts by reviewing the well-established and proven methods for feature extraction and music indexing, from both the audio signal and contextual data sources about music items, such as web pages or collaborative tags. These in turn enable a wide variety of music retrieval tasks, such as semantic music search or music identification ("query by example""). Subsequently, it elaborates on the current work on user analysis and modeling in the context of music recommendation and retrieval, addressing the recent trend towards user-centric and adaptive approaches and systems. A discussion follows about the important aspect of how various MIR approaches to different problems are evaluated and compared. It concludes with a discussion about the major open challenges facing MIR.

Music-related metadata is becoming more and more important in times of digital music distribution. Methods for automatically extracting such information from the WWW have been elaborated, implemented, and analyzed. On sets of Web pages that are related to a music artist or band, Web content mining techniques are applied to address the following categories of information: similarities between music artists, prototypicality of an artist for a genre, descriptive properties of an artist, band members and instrumentation, images of album cover artwork. Different approaches to retrieve the corresponding pieces of information for each of these categories have been elaborated and evaluated thoroughly on a considerable variety of music repositories. Moreover, visualization methods and user interaction models for prototypical and similar artists as well as for descriptive terms will be presented. Based on the insights gained by the conducted experiments, the core application of this thesis, the Automatically Generated Music Information System (AGMIS) was build. AGMIS demonstrates the applicability of the elaborated techniques on a large collection of more than 600,000 artists.

Personalized recommender systems have become indispensable in today's online world. Most of today's recommendation algorithms are data-driven and based on behavioral data. While such systems can produce useful recommendations, they are often uninterpretable, black-box models that do not incorporate the underlying cognitive reasons for user behavior in the algorithms' design. This survey presents a thorough review of the state of the art of recommender systems that leverage psychological constructs and theories to model and predict user behavior and improve the recommendation process - so-called psychology-informed recommender systems. The survey identifies three categories of psychology-informed recommender systems: cognition-inspired, personality-aware, and affect-aware recommender systems. For each category, the authors highlight domains in which psychological theory plays a key role. Further, they discuss selected decision-psychological phenomena that impact the interaction between a user and a recommender. They also focus on related work that investigates the evaluation of recommender systems from the user perspective and highlight user-centric evaluation frameworks, and potential research tasks for future work at the end of this survey.