In Sissy Insurgencies Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how sissiness constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Whether examining Washington's practice of cleaning as an iteration of sissiness, Baldwin's self-fashioned sissy deportment, or sissiphobia in professional sports and black nationalism, Ross demonstrates that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy. In this way, sissiness constitutes a central element in modern understandings of race and gender.

In Sissy Insurgencies Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how sissiness constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Whether examining Washington's practice of cleaning as an iteration of sissiness, Baldwin's self-fashioned sissy deportment, or sissiphobia in professional sports and black nationalism, Ross demonstrates that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy. In this way, sissiness constitutes a central element in modern understandings of race and gender.

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"This major effort describes and analyzes how African American men were socialized and imaged for their public and private roles in the early 20th Century. Ross takes readers deeper into new dimensions of the Harlem Renaissance and African American urban life."--"CHOICE"

"In this rich, eloquent, and indeed magisterial study, Marlon B. Ross explores how black manhood was constructed, produced, and reproduced under Jim Crow. At once cultural criticism and intellectual history, "Manning the Race" is a landmark contribution to the study of the deeply imbricated discourses of gender, sexuality, race, and nation." -- Valerie Smith, Princeton University

aAn ambitious intellectual history of black manhood reform in the New Negro Movement, dating roughly from the 1890s to the 1940s.a--"GC Advocate"

Manning the Race explores how African American men have been marketed, embodied, and imaged for the purposes of racial advancement during the early decades of the twentieth century. Marlon Ross provides an intellectual history of both famous and lesser-known men who have served--controversially--as models and foils for black masculine competence.

Ross examines a host of early twentieth-century cultural sites where black masculinity struggles against Jim Crow: the mobilization of the New Negro; the sexual politics of autobiography in the post-emancipation generation; the emergence of black male sociology; sexual rivalry and networking in biracial uplift institutions; Negro Renaissance arts patronage; and the sexual construction of the black urban folk novel. Focusing on the overlooked dynamics of symbolic fraternity, intimatefriendship, and erotic bonding within and across gender, Manning the Race is the first book to integrate same-sexuality into the cultural history of black manhood. By approaching black manhood as a culturally contested arena, this important new work reveals the changing meanings and enactments of race, gender, nation, and sexuality in modern America.

Manning the Race opens new approaches to the study of black manhood in relation to U.S. culture. Where previous books tended to emphasize how individual black men's identities have been reactively informed by the U.S. regime of race and sexuality, Manning the Race makes the case for understanding how black men themselves have been primary agents and subjects in formulating the identity and practices of black manhood.

View the Table of Contents.
Read the Introduction.

"This major effort describes and analyzes how African American men were socialized and imaged for their public and private roles in the early 20th Century. Ross takes readers deeper into new dimensions of the Harlem Renaissance and African American urban life."--"CHOICE"

"In this rich, eloquent, and indeed magisterial study, Marlon B. Ross explores how black manhood was constructed, produced, and reproduced under Jim Crow. At once cultural criticism and intellectual history, "Manning the Race" is a landmark contribution to the study of the deeply imbricated discourses of gender, sexuality, race, and nation." -- Valerie Smith, Princeton University

aAn ambitious intellectual history of black manhood reform in the New Negro Movement, dating roughly from the 1890s to the 1940s.a--"GC Advocate"

Manning the Race explores how African American men have been marketed, embodied, and imaged for the purposes of racial advancement during the early decades of the twentieth century. Marlon Ross provides an intellectual history of both famous and lesser-known men who have served--controversially--as models and foils for black masculine competence.

Ross examines a host of early twentieth-century cultural sites where black masculinity struggles against Jim Crow: the mobilization of the New Negro; the sexual politics of autobiography in the post-emancipation generation; the emergence of black male sociology; sexual rivalry and networking in biracial uplift institutions; Negro Renaissance arts patronage; and the sexual construction of the black urban folk novel. Focusing on the overlooked dynamics of symbolic fraternity, intimatefriendship, and erotic bonding within and across gender, Manning the Race is the first book to integrate same-sexuality into the cultural history of black manhood. By approaching black manhood as a culturally contested arena, this important new work reveals the changing meanings and enactments of race, gender, nation, and sexuality in modern America.

Manning the Race opens new approaches to the study of black manhood in relation to U.S. culture. Where previous books tended to emphasize how individual black men's identities have been reactively informed by the U.S. regime of race and sexuality, Manning the Race makes the case for understanding how black men themselves have been primary agents and subjects in formulating the identity and practices of black manhood.