Justine was the Marquis de Sade's first novella, written in 1787, whilst imprisoned for two weeks in the Bastille. Although published anonymously, de Sade was eventually indicted for blasphemy and obscenity (without trial) for the authorship of Justine at the behest of Napoleon Bonaparte.

Who suffers in the pursuit of desire?

The Countess de Lorsange reveals her history, in a tavern, to a young woman named Therese; where a young girl and her sister fight a battle of morality. Set in a period before the French Revolution, Justine shows the battle of virtue versus vice, where earning your keep takes on fresh connotations, and a titled lady holds a lifetime of illicit secrets."

WINNER OF THE 2017 SCOTT MONCRIEFF PRIZE A new translation of Sade's most notorious, shocking and influential novel. This disturbing but hugely important text has influenced countless individuals throughout history: Flaubert and Baudelaire both read Sade; the surrealists were obsessed with him; film-makers like Pasolini saw parallels with twentieth-century history in his writings; and feminists such as Andrea Dworkin and Angela Carter clashed over him. This new translation brings Sade's provocative novel into Penguin Classics for the first time, and will reignite the debate around this most controversial of writers.

When the immoral libertine Monsieur de Franval marries and fathers a daughter, he decides to inculcate in her a sense of absolute freedom, an unconventional education that involves the two becoming secret lovers. But Franval's virtuous, God-fearing wife becomes suspicious and confronts him, setting off a tragic chain of events. Part of Sade's The Crimes of Love cycle, this shocking tale - which was among the writings banned for publication until the twentieth century - tests the limits of morality and portrays the disastrous consequences of freedom and pleasure.

The 120 Days of Sodom by Marquis de Sade relates the story of four wealthy men who enslave 24 mostly teenaged victims and sexually torture them while listening to stories told by old prostitutes. The book was written while Sade was imprisoned in the Bastille and the manuscript was lost during the storming of the Bastille. Sade wrote that he "wept tears of blood" over the manuscript's loss. Many consider this to be Sade crowing acheivment.

Who but the Marquis de Sade would write not of the pain, tragedy, and joy of love but of its crimes? Murder, seduction, and incest are among the cruel rewards for selfless love in his stories--tragedy, despair, and death the inevitable outcome. Sade's villains will stop at nothing to satisfy their depraved passions, and they in turn suffer under the thrall of love.
This is the most complete selection from the Marquis de Sade's four-volume collection of short stories, The Crimes of Love. David Coward's vibrant new translation captures the verve of the original, and his introduction and notes describe Sade's notorious career. This new selection includes "An Essay on Novels," Sade's penetrating survey of the novelist's art. It also contains the preface to the collection and an important statement of Sade's concept of fiction and one of the few literary manifestoes published during the Revolution. Appendices include the denunciatory review of the collection that it received on publication, and Diderot's vigorous response. A skilled and artful story-teller, Marquis de Sade's is also an intellectual who asks questions about society, about ourselves, and about life. Psychologically astute and defiantly unconventional, these stories show Sade at his best.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

'Philosophy in the Boudoir' is the most concise, representative text of all the Marquis de Sade's works, containing his notorious doctrine of libertinage expounded in full, coupled with liberal doses of savage, unbridled eroticism, cruelty and violent sexuality.

El Marques de Sade (1740-1814), aristocrata con buena formacion clasica, inicio a temprana edad una larga carrera de desafueros que le depararon dilatadas estancias en prision, donde escribio la mayor parte de su obra. Convertida durante decadas en caso para la patologia sexual, saludada por los surrealistas y rescatada definitivamente por la critica moderna, el lector de hoy se encuentra ante una obra inserta en las tradiciones de su epoca, exasperada y moralizante, pero con una construccion rigurosa y claros valores literarios.

This is the first new translation in over forty years of Sade's novel Justine. It is also the first ever critical edition, based on the original 1791 version of the story, which is the most accessible and artistically successful of the three versions. The novel tells the story of the beautiful and devout Justine, whose steadfast faith and naive trust destine her from the outset for sexual exploitation and martyrdom. The unending catalog of disasters that befall her, during which she is subject to any number of perverse practices, illustrate Sade's belief in the primacy of Nature over civilization. Virtue is no match for vice, and as criminality and violence triumph, Justine is doomed to suffer. Indeed, the novel mounts a ferocious physical and intellectual assault on absolute notions of good and evil.
John Phillips's lively translation conveys the tone of Sade's original text and his introduction situates Sade's narrative in its historical, literary, and philosophical background, discussing such major themes as attitudes to women, the church, the justice system, and the world of finance, the sadistic and masochistic elements, and the novel's reception. The extensive notes shed light on religious and philosophical ideas and explain allusions to topical events.
About the Series For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

The name of the Marquis de Sade is synonymous with the blackest corners of the human soul, a byword for all that is foulest in human conduct. In his bleak, claustrophobic universe, there is no God, no morality, no human affection, and no hope. Power is given to the strong, and the strong are murderers, torturers, and tyrants. No quarter is given; compassion is the virtue of the weak. Yet Sade was a man of savage intelligence who carried the philosophy of the French Enlightenment to its logical extreme. His writings effectively release the individual from all social and moral constraint: for many, Sade is the Great Libertarian. The Victorians considered him `Divine' and Apollinaire called him `the freest spirit'; the Surrealists recognised him as a founding father, and he is a key figure in the history of modernism and post-modernism. With Freud and Marx, Sade has been one of the crucial shaping influences on this century, and reactions to him continue to be extreme. But he has always been more talked about than read. This selection of his early writings, some making their first appearance in this new translation, reveals the full range of Sade's sobering moods and considerable talents. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The secret journal of the Marquis de Sade takes readers beyond the prisoner who once fled the Vincennes fortress, and the prisoner of the Bastille whose imagination tortured him, both deliciously and cruelly.

'It is time to die, Madame: there shall be no mercy for you..!' It was one of the most shocking crimes of the seventeenth century, and would provide Sade with the inspiration for the last novel he published. The beautiful and virtuous Euphrasie, admired by the King himself, falls in love with the young and handsome Alphonse, Marquis de Gange. Within the forbidding walls of his castle in Provence, however, sinister forces are conspiring against the young couple. Alphonse's brothers, the Abbe and the Chevalier, want Euphrasie for themselves. Published in English for the first time, The Marquise de Gange is a neglected Gothic classic by one of the most notorious authors in the literary canon. Although a departure from his earlier pornographic and libertine works, beneath the novel's thin veneer of respectability lurks the same subversive presence of an author plotting against virtue in distress.

The Marquis de Sade is one of the most infamous men in all of history. His name, in fact, is where the word "sadism" is derived from. An infamous and perverse criminal, Sade was imprisoned for much of his life, where he had ample time to hone his talent for writing scandalous and mind-blowing erotic novels such as "Justine," "Juliette," and his magnum opus, "120 Days of Sodom." This book, "Adelaide of Brunswick," is one of Sade's historical novels, found among his papers after his death. It fully demonstrates the range and ability of a man whom history has vilified, but who was inarguably a philosopher, dramatist and author of the first magnitude.