1000 years ago, a disparate group of heroes Hippolyta, Black Adam, Swamp Thing and the Viking Prince banded together to prevent the world from freezing at the hands of the Frost King, an exiled Norse god with the ability to control entire ecosystems. The heroes triumphed, but victory came at a terrible price, one that has been kept secret until now. When the Justice League discovers an extinction-level storm at the former site of Superman s Fortress of Solitude, their search for answers will put them in direct conflict with the Frost King, an ancient entity who wields great power and an army of loyal soldiers. What does he want? And what s his tie to some of the oldest heroes in the DC Universe? Justice League: Endless Winter is a crossover event collection that includes Aquaman #66, The Flash #767, Justice League #58, Justice League Dark #29, Justice League: Endless Winter #1-2, Teen Titans: Endless Winter Special #1, Black Adam: Endless Winter Special #1, and Superman: Endless Winter Special #1.

Animated adventure sequel featuring the voice talents of Jesse Eisenberg, Anne Hathaway, Jamie Foxx and Andy Garcia. Following their romantic escapades in the first film, Blu (voice of Eisenberg) and Jewel (Hathaway) are now happily married macaws with three children. Adventure lies in wait for the fledgling family when they leave Rio de Janeiro for the wilds of the Amazon to visit relatives. Not only does Jewel's estranged father Eduardo (Garcia) intimidate Blu - who is already out of his comfort zone so far from the city - but Nigel (Jermaine Clement), his nemesis, returns with his heart set on revenge. To complicate matters further, Blu and Jewel learn that the fragile habitat of the Amazon faces a grave threat. Can the couple save the environment that nourishes the creatures they visit and cope with the many challenges thrown their way?

Synthetic Polymers in Drug and Biotherapeutics Delivery covers recent advances in the design, synthesis and application of engineered polymers in the delivery of drugs and other biotherapeutic agents. The book covers new polymers that are fast replacing obsolete polymers in the field of drug delivery. Each chapter focuses on a specific polymer, detailing its design, synthesis, fabrication techniques and applications in drug and biotherapeutics delivery. This thorough examination provides a review of the latest research in this rapidly-changing field. Hence, it will be of interest to materials scientists, pharmaceutical scientists, biomedical engineers, chemical engineers and clinicians with an interest in materials development. Synthetic polymers provide a unique set of opportunities in drug and bio-therapeutic delivery due to their chemical versatility and tunable physicochemical properties. Such polymers can be formulated into nanoparticles, nanofibers, nanogels, microparticles, beads, hydrogels, and scaffolds to suit specific needs such as drug release rate and biodegradation with low toxicity.

A masterful, revelatory work of literary non-fiction about a teenage girl’s shocking crime — and its extraordinary aftermath. On a spring afternoon in 1985 in Gary, Indiana, a fifteen-year-old black girl kills a white elderly bible teacher in a violent home invasion. In a city with a history of racial tension the press swoops in. When Paula is sentenced to death, no one decries the impending execution of a tenth grader. But the tide begins to shift when the victim’s grandson Bill forgives the girl, against the wishes of his family, and campaigns to spare her life. This tragedy in a midwestern steel town soon reverberates across the United States and around the world — reaching as far away as the Vatican — as newspapers cover the story on their front pages and millions sign petitions in support of Paula. As Paula waits on death row, her fate sparks a debate that not only animates legal circles but raises vital questions about the value of human life. This story asks us to consider the nature of justice, and what radical acts of empathy we might be capable of.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.