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This handbook is an essential creative, critical and practical
guide for students and educators of screen production
internationally. It covers all aspects of screen production-from
conceptualizing ideas and developing them, to realizing and then
distributing them-across all forms and formats, including fiction
and non-fiction for cinema, television, gallery spaces and the web.
With chapters by practitioners, scholars and educators from around
the world, the book provides a comprehensive collection of
approaches for those studying and teaching the development and
production of screen content. With college and university students
in mind, the volume purposely combines theory and practice to offer
a critically informed and intellectually rich guide to screen
production, shaped by the needs of those working in education
environments where 'doing' and 'thinking' must co-exist. The
Palgrave Handbook of Screen Production fills an important gap in
creative-critical knowledge of screen production, while also
providing practical tools and approaches for future practitioners.
The participatory turn in media, arts and design along with
interrelated developments in the proliferation of social and
network media have changed our understanding of the contemporary
mediascape. Mobile Story Making in an Age of Smartphones reveals
how smartphones and storytelling are forming a symbiosis that
empowers twenty-first century citizens and creatives around the
world. The edited collection further develops definitions and
debate around creative mobile media and its impact on media, art
and design. It brings together mobile artists, digital
ethnographers, filmmakers working with smartphones, illustrators,
screenwriters as well as musicians utilizing apps and mobile
devices, who explore new directions in the creative arts with a
focus on screen production. Lastly, it demonstrates how mobile
devices and smartphones can make a difference in peoples' lives and
catalyses creativity in order to tackle current socio-cultural
issues.
De-Signing Design: Cartographies of Theory and Practice throws new
light on the terrain between theory and practice in
transdisciplinary discourses of design and art. The editors,
Elizabeth Grierson, Harriet Edquist, and Helene Frichot, bring
together diverse approaches to design theory, practice, and
philosophy from leading scholars in Australia, New Zealand, Japan,
and the United Kingdom. Themes include spatiality, difference,
cultural aesthetics, and identity in the expanded field of
place-making and being. The concept that design can be de-signed is
presented as a way of exploring different approaches to an
experimental and experiential thinking-doing that promises to
further open up research possibilities in the fields of design and
art thinking and practice. The book enacts a series of cartographic
devices to articulate the spaces between theory and practice.
This book investigates the convergence between locative, mobile and
social media in order to show how people use mobile media for their
creative practice-creative writing, photography, video and
filmmaking. The central thematic focus of this book explores how
mobile media has created new opportunities and contexts for
creative practitioners. It draws together creative practice
research with non-representational theory and digital ethnography
to provide a fresh perspective on the place mobile media has in our
everyday creative lives. Fictionalized and semi-fictional vignettes
are used to present empirical material taken from fieldnotes and
interviews to demonstrate how new forms and genres of art making
have arisen because of the affordances of mobile media. The
chapters in this volume have been arranged into a sequence
according to the kinds of actions that make up various creative
practices.
This handbook is an essential creative, critical and practical
guide for students and educators of screen production
internationally. It covers all aspects of screen production-from
conceptualizing ideas and developing them, to realizing and then
distributing them-across all forms and formats, including fiction
and non-fiction for cinema, television, gallery spaces and the web.
With chapters by practitioners, scholars and educators from around
the world, the book provides a comprehensive collection of
approaches for those studying and teaching the development and
production of screen content. With college and university students
in mind, the volume purposely combines theory and practice to offer
a critically informed and intellectually rich guide to screen
production, shaped by the needs of those working in education
environments where 'doing' and 'thinking' must co-exist. The
Palgrave Handbook of Screen Production fills an important gap in
creative-critical knowledge of screen production, while also
providing practical tools and approaches for future practitioners.
This book investigates the convergence between locative, mobile and
social media in order to show how people use mobile media for their
creative practice-creative writing, photography, video and
filmmaking. The central thematic focus of this book explores how
mobile media has created new opportunities and contexts for
creative practitioners. It draws together creative practice
research with non-representational theory and digital ethnography
to provide a fresh perspective on the place mobile media has in our
everyday creative lives. Fictionalized and semi-fictional vignettes
are used to present empirical material taken from fieldnotes and
interviews to demonstrate how new forms and genres of art making
have arisen because of the affordances of mobile media. The
chapters in this volume have been arranged into a sequence
according to the kinds of actions that make up various creative
practices.
"Finally, a collection of exquisite poetry to live
by...inspirational, magical, original...Kick off your shoes, rest
your head on your favorite cushion, sip a glass of wine, and open
to that first page of Marsha Berry's words ...touching your soul,
spurring you to action, creeping into your dreams, imagination. On
a scale from one to ten, Ms. Berry gets my eleven." - Jacqueline
Dick. "Vivid detail, surprising turns, and a touch of whimsy
carried me along the pathway of Marsha's poems. They are a treat
for all the senses, containing depth and riches, which reward each
new reading." - Matt Quinn.
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