Academic attention to science fiction and fantasy began in 1958, when the Modern Language Association scheduled its first seminar on science fiction at its New York meeting. Over the years science fiction emerged as a popular subject that achieved critical attention and acceptance as an academic discipline. A Research Guide to Science Fiction Studies, originally published in 1977, is designed to provide the reader - whether they be scholar, teacher, librarian, or fan - with a comprehensive listing of the important research tools that have been published in the United States and England through 1976. The volume contains over 400 selected, annotated entries covering both general and specialized sources, including general surveys, histories, genre studies, author studies, bibliographies, and indices, which span the entire range of science fiction and fantasy scholarship.

Academic attention to science fiction and fantasy began in 1958, when the Modern Language Association scheduled its first seminar on science fiction at its New York meeting. Over the years science fiction emerged as a popular subject that achieved critical attention and acceptance as an academic discipline. A Research Guide to Science Fiction Studies, originally published in 1977, is designed to provide the reader - whether they be scholar, teacher, librarian, or fan - with a comprehensive listing of the important research tools that have been published in the United States and England through 1976. The volume contains over 400 selected, annotated entries covering both general and specialized sources, including general surveys, histories, genre studies, author studies, bibliographies, and indices, which span the entire range of science fiction and fantasy scholarship.

"This will be the basic tool for researchers studying the 100-year history of science fiction, fantasy, and weird fiction magazines." Reference Books Bulletin

The Celebration of the Fantastic reaffirms the wide range and validity of the subject, treatment, and approach that the fantastic demands. Twenty-five essays, selected from among the more than 230 presented at the Tenth Anniversary Conference of the IAFA, consider writers as diverse as Stephen King, Doris Lessing, Rudyard Kipling, Loren Eiseley, Mary Stewart, Bernard Malamud, Orson Scott Card, Toni Morrison, Henry James, and Ray Bradbury as well as television personalities, film directors, and German and Hungarian visual artists. Also included are essays on science fiction writers Robert Silverberg, Joe Haldeman, and Greg Bear. Some of the more provocative work is on Feminist Fantasy and Open Structure, The Greatest Fantasy on Earth: The Superweapon in Fiction and Fact, Virtual Space and Its Boundaries in Science Fiction Film and Television, The Fantastic in German Democratic Republic Literature, Csontvary: The Painter of the Sun's Path, and The Shaman in Modern Fantasy. The essays illustrate the essential theme of the fantastic: the testing of the limits of civilization and the questioning of commonly accepted values and ideas as writers and artists explore the hidden and the repressed.