Martha Banta reaches across several disciplines to investigate America's early quest to shape an aesthetic equal to the nation's belief in its cultural worth. Marked by an unusually wide-ranging sweep, the book focuses on three major "testing grounds" where nineteenth-century Americans responded to Ralph Waldo Emerson's call to embrace "everything" in order to uncover the theoretical principles underlying "the idea of creation." The interactions of those who rose to this urgent challenge--artists, architects, writers, politicians, and the technocrats of scientific inquiry--brought about an engrossing tangle of achievements and failures. The first section of the book traces efforts to advance the status of the arts in the face of the aspersion that America lacked an Art Soul as deep as Europe's. Following that is a hard look at heated political debates over how to embellish the architecture of Washington, D.C., with the icons of cherished republican ideals. The concluding section probes novels in which artists' lives are portrayed and aesthetic principles tested.

In his scathing The Theory of the Leisure Class, Thorstein Veblen produced a landmark study of affluent American society that exposes, with brilliant ruthlessness, the habits of production and waste that link invidious business tactics and barbaric social behavior. Veblen's analysis of the evolutionary process sees greed as the overriding motive in the modern economy, and with an impartial gaze he examines the human cost paid when social institutions exploit the consumption of unessential goods for the sake of personal profit. Fashion, beauty, animals, sports, the home, the clergy, scholars--all are assessed for their true usefulness and found wanting. Indeed, Veblen's critique covers all aspects of modern life from dress, class, the position of women, home decoration, industry, business, and sport, to religion, scholarship, and education. The targets of Veblen's coruscating satire are as evident today as they were a century ago, and his book still has the power to shock and enlighten. Martha Banta's introduction illuminates Veblen's uncompromising arguments as it highlights the literary force of Veblen's writing and its influence on later American writers such as Edith Wharton, Henry James, Dos Passos, and F. Scott Fitzgerald. She also sheds light on his critique of the plight of women and his evolutionary arguments as they relate to modern society.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

The American (1877) was written the very year Henry James committed himself to making his way as an author outside America. It thus formed part of the brief that James had to draw up both for and against his countrymen. This collection of original essays casts new light on this and other major aspects of the novel: the French literary influences on James as he gravitated between the genres of the romantic and the realistic novel; the many-layered French political scene that he incorporated into the novel; the complex gender roles of his characters; and the pervasive effect of capitalism upon them.

Henry James's classic tale of romance in urban nineteenth-century America, Washington Square is edited with an introduction and notes by Martha Banta in Penguin Classics. When timid and plain Catherine Sloper is courted by the dashing and determined Morris Townsend, her father, convinced that the young man is nothing more than a fortune-hunter, delivers an ultimatum: break off her engagement, or be stripped of her inheritance. Torn between her desire to win her father's love and approval and her passion for the only man who has ever declared his love for her, Catherine faces an agonising dilemma, and becomes all too aware of the restrictions that others seek to place on her freedom. James's masterly novel deftly interweaves the public and private faces of nineteenth-century New York society; it is also a deeply moving study of innocence destroyed. This edition of Washington Square includes a chronology, suggested further reading, notes and an introduction discussing the novel's lasting influence and James's depiction of the quiet strength of his heroine. Henry James (1843-1916) son of a prominent theologian, and brother to the philosopher William James, was one of the most celebrated novelists of the fin-de-siecle. His novella 'Daisy Miller' (1878) established him as a literary figure on both sides of the Atlantic, and his other novels in Penguin Classics include Washington Square (1880), The Portrait of a Lady (1881), The Awkward Age (1899), The Wings of the Dove (1902), The Ambassadors (1903) and The Golden Bowl (1904). If you enjoyed Washington Square, you might like Edith Wharton's The House of Mirth, also available in Penguin Classics. 'Washington Square is a perfectly balanced novel... a work of surpassing refinement and interest' Elizabeth Hardwick 'Perhaps the only novel in which a man has successfully invaded the feminine field and produced a work comparable to Jane Austen's' Graham Greene

Ranging widely over a span of three hundred and fifty years of discussion and controversy, Martha Banta's book makes a fundamental contribution to the continuing debate on the nature of success and failure in a specifically American context. Her Whitmanesque view of the debate takes in the work of innumerable writers, particularly Emerson, Thoreau, Twain, Melville, Henry Adams, William and Henry James, Faulkner, Gertrude Stein, and Norman Mailer. She draws on the work of philosophers, psychologists, and historians as well. Rather than discussing failure and success as merely economic or political statistics, Professor Banta explores them in terms of attitudes and concepts. She asks what it feels like for an American to succeed or fail in a country that is often defined in relation to its own success or failure as an idea and as an experience. While examining the thoughts, feelings, and language of Americans caught in the dialectic between winning and losing, the author reveals the strain Americans feel in fulfilling the overall scheme of their own lives as well as the life or destiny of their country. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Ranging widely over a span of three hundred and fifty years of discussion and controversy, Martha Banta's book makes a fundamental contribution to the continuing debate on the nature of success and failure in a specifically American context. Her Whitmanesque view of the debate takes in the work of innumerable writers, particularly Emerson, Thoreau, Twain, Melville, Henry Adams, William and Henry James, Faulkner, Gertrude Stein, and Norman Mailer. She draws on the work of philosophers, psychologists, and historians as well. Rather than discussing failure and success as merely economic or political statistics, Professor Banta explores them in terms of attitudes and concepts. She asks what it feels like for an American to succeed or fail in a country that is often defined in relation to its own success or failure as an idea and as an experience. While examining the thoughts, feelings, and language of Americans caught in the dialectic between winning and losing, the author reveals the strain Americans feel in fulfilling the overall scheme of their own lives as well as the life or destiny of their country. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Since its publication in 1905 The House of Mirth has commanded attention for the sharpness of Wharton's observations and the power of her style. Its heroine, Lily Bart, is beautiful, poor, and unmarried at 29. In her search for a husband with money and position she betrays her own heart and sows the seeds of the tragedy that finally overwhelms her. The House of Mirth is a lucid, disturbing analysis of the stifling limitations imposed upon women of Wharton's generation. Herself born into Old New York Society, Wharton watched as an entirely new set of people living by new codes of conduct entered the metropolitan scene. In telling the story of Lily Bart, who must marry to survive, Wharton recasts the age-old themes of family, marriage, and money in ways that transform the traditional novel of manners into an arresting modern document of cultural anthropology. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The American (1877) was written the very year Henry James committed himself to making his way as an author outside America. It thus formed part of the brief that James had to draw up both for and against his countrymen. This collection of original essays casts new light on this and other major aspects of the novel: the French literary influences on James as he gravitated between the genres of the romantic and the realistic novel; the many-layered French political scene that he incorporated into the novel; the complex gender roles of his characters; and the pervasive effect of capitalism upon them.

"Barbaric Intercourse" tells the story of a century of social upheaval and the satiric attacks it inspired in leading periodicals in both England and America. Martha Banta explores the politics of caricature and cartoon from 1841 to 1936, devoting special attention to the original "Life" magazine. For Banta, "Life" embodied all the strengths and weaknesses of the Progressive Era, whose policies of reform sought to cope with the frenetic urbanization of New York, the racist laws of the Jim Crow South, and the rise of jingoism in the United States. "Barbaric Intercourse" shows how "Life's" take on these trends and events resulted in satires both cruel and enlightened.
Banta also deals extensively with London's "Punch," a sharp critic of American nationalism, and draws from images and writings in magazines as diverse as "Puck," "The Crisis," "Harper's Weekly," and "The International Socialist Review." Orchestrating a wealth of material, including reproductions of rarely seen political cartoons, she offers a richly layered account of the cultural struggles of the age, from contests over immigration and the role of the New Negro in American society, to debates over Wall Street greed, women's suffrage, and the moral consequences of Western expansionism.