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Showing 1 - 15 of 15 matches in All Departments
In her sixth full-length collection, Martha Deborah Hall
explores the shifting lights and shadows that fall on a woman in
her so-called golden years, offering us a voice that sweeps the
full register from sassy to gritty to tender. In elegant free verse
and stunning twists on traditional forms, she gives us a darkly
shining world, deftly measuring out "the weight of light"--and
life. Martha Deborah Hall's Weight of Light is playful, vibrant--both
witty and poignant. With a brash, bold, invincible voice, her poems
explode off the page in celebrations of living. While the poems
abound in the sheer joy of physical existence, the presence of time
and death renders them deeply human, universal." Martha Hall has outlined her mission in life to live strong and
expects others to do likewise. In her poems she advances a new
model for deliberate and conscious aging where action is the key.
Her poems are thought-provoking, striking, and sometimes
surprising. She crisscrosses class and generational divides,
sometimes offering caustic, hard line opinions while at others,
heartwarming gestures of a giving self. Weight of Light is a
collection of intimate, powerful, and inspiring poetry. We witness
the author learn to define herself, find her own path, her own
voice. It's a rewarding read. Cover Art: Pigeon Point Lighthouse by Linnea Gershenberg
Martha Deborah Hall goes through the major decades of her life
and transforms singular moments into images and lines that speak
with a voice that is raw, spare, luminous. She holds the mirror of
reflection up to us as we see what we have overlooked as she
expresses her innermost feelings on love, faith, life, artful
living, mortality and self-actualization as daughter, wife, mother,
friend, artist and independent woman. As the years pass, she
chooses to leave behind the messy, burned parts, the
disappointments, the unloved parts, the betrayals, and instead
embraces the strength, hope and joy that brings peace and purpose
to the very essence of the self. In her fifth full-length collection, Martha Deborah Hall
explores the gifts and vagaries of aging in a voice that is both
arresting and as clear as a vinegar-scrubbed window through which
she shows us slices of the human condition with poignancy, humor,
and a hard-earned gravitas. An astute observer of contemporary life
- both inside and out - she offers poems that sparkle with fresh
imagery, well-placed turns of phrase, and a deftly-crafted music
that never loses the clean edge of ordinary speech. From her
compelling free verse to her dazzling use of traditional forms, she
asks the vital question of the later stage of life: "As we achieve
our sunset / and head toward silver dust / what will be our
testimony?" - and answers it in kind. A must-read In Heading Toward Silver Dust, the fifth expose in the life of
Martha Deborah Hall, she travels through middle age and beyond,
staring down the questions we are afraid to ask. Reflecting upon
regrets, angry seas, poignant memories, she resolves to continue
along the uncharted road, pondering, "Whose engine will my leftover
car keys start?" With a zest for life, humorous insight, and
tangled emotions, Hall steers down the path of the human
experience, with tender hands and the grace of a seasoned
poet. Cover art: Kathleen Andrews Memorial Bench
In her commanding second full-length collection, Martha Deborah
Hall offers readers more of what they have come to love about her
poetry: elegant craft, precise detail, concise language and
considerable emotion. These poems are concerned with the every day,
with the acutely experienced moments that make up a full life,
replete with joys and grief. Here "red leaves checker lawns," "a
snowplow clangs it's iron song," "lipstick's smeared from
so-longs," and "a first dahlia beats through the soil." When you
visit My Side of the Street arrive hungry because you'll be treated
to a feast of "leftover turkey for supper," "pizza-cake," "purple
ice cream," and Hall's thoroughly nourishing verse.
The author writes evocative, succinct, graphic poems portraying the
lives of five women who survived great hardship. Through carefully
crafted persona prose poetry, Hall captures the anguish of these
women who despite their tumultuous childhoods achieved prominence.
Hall's bountiful reservoir of metaphor is unmatched.
Martha Deborah Hall's Two Grains In Time is a journey from
innocence through loss toward wisdom. These are poems of careful
observation. The voice is direct, intimate, certain. The title poem
refers to the narrator's identical twin sister and closest
companion who predeceased her, but who she knows will be waiting
for her at the end of her life with "a cup of tea in hand." All of
the senses are sumptuously attended to in this rich first
collection by a poet of mature sensibilities. Two Grains In Time is
a poetry collection well worth all your time.
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