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A first-of-its-kind guide for new media times, this book provides
practical, step-by-step instructions for writing first-person
features, essays, and digital content. Combining journalism
techniques with self-exploration and personal storytelling,
First-Person Journalism is designed to help writers to develop
their personal voice and establish a narrative stance. The book
introduces nine elements of first-person journalism-passion,
self-reporting, stance, observation, attribution, counterpoints,
time travel, the mix, and impact. Two introductory chapters define
first-person journalism and its value in building trust with a
public now skeptical of traditional news media. The nine practice
chapters that follow each focus on one first-person element,
presenting a sequence of "voice lessons" with a culminating writing
assignment, such as a personal trend story or an open letter.
Examples are drawn from diverse nonfiction writers and journalists,
including Ta-Nehisi Coates, Joan Didion, Helen Garner, Alex Tizon,
and James Baldwin. Together, the book provides a fresh look at the
craft of nonfiction, offering much-needed advice on writing with
style, authority, and a unique point of view. Written with a
knowledge of the rapidly changing digital media environment,
First-Person Journalism is a key text for journalism and media
students interested in personal nonfiction, as well as for
early-career nonfiction writers looking to develop this narrative
form.
A first-of-its-kind guide for new media times, this book provides
practical, step-by-step instructions for writing first-person
features, essays, and digital content. Combining journalism
techniques with self-exploration and personal storytelling,
First-Person Journalism is designed to help writers to develop
their personal voice and establish a narrative stance. The book
introduces nine elements of first-person journalism-passion,
self-reporting, stance, observation, attribution, counterpoints,
time travel, the mix, and impact. Two introductory chapters define
first-person journalism and its value in building trust with a
public now skeptical of traditional news media. The nine practice
chapters that follow each focus on one first-person element,
presenting a sequence of "voice lessons" with a culminating writing
assignment, such as a personal trend story or an open letter.
Examples are drawn from diverse nonfiction writers and journalists,
including Ta-Nehisi Coates, Joan Didion, Helen Garner, Alex Tizon,
and James Baldwin. Together, the book provides a fresh look at the
craft of nonfiction, offering much-needed advice on writing with
style, authority, and a unique point of view. Written with a
knowledge of the rapidly changing digital media environment,
First-Person Journalism is a key text for journalism and media
students interested in personal nonfiction, as well as for
early-career nonfiction writers looking to develop this narrative
form.
This scarce antiquarian book is included in our special Legacy
Reprint Series. In the interest of creating a more extensive
selection of rare historical book reprints, we have chosen to
reproduce this title even though it may possibly have occasional
imperfections such as missing and blurred pages, missing text, poor
pictures, markings, dark backgrounds and other reproduction issues
beyond our control. Because this work is culturally important, we
have made it available as a part of our commitment to protecting,
preserving and promoting the world's literature.
This scarce antiquarian book is included in our special Legacy
Reprint Series. In the interest of creating a more extensive
selection of rare historical book reprints, we have chosen to
reproduce this title even though it may possibly have occasional
imperfections such as missing and blurred pages, missing text, poor
pictures, markings, dark backgrounds and other reproduction issues
beyond our control. Because this work is culturally important, we
have made it available as a part of our commitment to protecting,
preserving and promoting the world's literature.
This scarce antiquarian book is included in our special Legacy
Reprint Series. In the interest of creating a more extensive
selection of rare historical book reprints, we have chosen to
reproduce this title even though it may possibly have occasional
imperfections such as missing and blurred pages, missing text, poor
pictures, markings, dark backgrounds and other reproduction issues
beyond our control. Because this work is culturally important, we
have made it available as a part of our commitment to protecting,
preserving and promoting the world's literature.
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