Originally published in 1906, this book examines the oriental tale in England, meaning it considers all the oriental and pseudo-oriental fiction that appeared in English, whether written in English or translater from the French. The highlights fall upon the Arabian Nights, Dr. Johnson's Rasselas, Goldsmith's Citizen of the World, and Beckford's Vathek, and the presnet volume aims to depict clearly the interesting orientalizing tendency of which these apparently isolated works were the best manifestations - a tendency itself a part of the larger movement of English Romanticism.

First Published in 1967. Written in 1908, this essay is a study in eighteenth-century English literature. The aim is to give a clear and accurate description of a distinct component part of eighteenth century English fiction in its relation to its French sources and to the general current of English thought. The oriental fiction that was not original in English came, almost without exception, from French imitations or translations of genuine oriental tales; hence, as a study in comparative literature, a consideration of the oriental tale in England during the eighteenth century possesses distinct interest.

Originally published in 1906, this book examines the oriental tale in England, meaning it considers all the oriental and pseudo-oriental fiction that appeared in English, whether written in English or translater from the French. The highlights fall upon the Arabian Nights, Dr. Johnson's Rasselas, Goldsmith's Citizen of the World, and Beckford's Vathek, and the presnet volume aims to depict clearly the interesting orientalizing tendency of which these apparently isolated works were the best manifestations - a tendency itself a part of the larger movement of English Romanticism.

First Published in 1967. Written in 1908, this essay is a study in eighteenth-century English literature. The aim is to give a clear and accurate description of a distinct component part of eighteenth century English fiction in its relation to its French sources and to the general current of English thought. The oriental fiction that was not original in English came, almost without exception, from French imitations or translations of genuine oriental tales; hence, as a study in comparative literature, a consideration of the oriental tale in England during the eighteenth century possesses distinct interest.

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