'Soaringly beautiful, urgent and disturbing... A masterpiece.' Colm Toibin, from the introduction 'Dark and beautiful and brilliant' Sarah Moss, author of Ghost Wall Death in Spring is a dark and dream-like tale of a teenage boy's coming of age in a remote village in the Catalan mountains; a place cut off from the outside world, where cruel customs are blindly followed, and attempts at rebellion swiftly crushed. When his father dies, he must navigate this oppressive society alone, and learn how to live in a place of crippling conformity. Often seen as an allegory for life under a dictatorship, Death in Spring is a bewitching and unsettling novel about power, exile, and the hope that comes from even the smallest gestures of independence. 'Rodoreda has bedazzled me' Gabriel Garcia Marquez 'Rodoreda's artistry is of the highest order' Diana Athill 'Read it for its beauty, for the way it will surprise and subvert your desires, and as a testament to the human spirit in the face of brutality and willful inhumanity.' Jesmyn Ward, author of Sing, Unburied, Sing 'Utterly extraordinary' Claire-Louise Bennett, author of Pond

In the winter of 1991, at a concert in Krakow, an older woman with a marvelously pitched violin meets a fellow musician who is instantly captivated by her instrument. When he asks her how she obtained it, she reveals the remarkable story behind its origin. . . . Imprisoned at Auschwitz, the notorious concentration camp, Daniel feels his humanity slipping away. Treasured memories of the young woman he loved and the prayers that once lingered on his lips become hazier with each passing day. Then a visit from a mysterious stranger changes everything, as Daniel's former identity as a crafter of fine violins is revealed to all. The camp's two most dangerous men use this information to make a cruel wager: If Daniel can build a successful violin within a certain number of days, the Kommandant wins a case of the finest burgundy. If not, the camp doctor, a torturer, gets hold of Daniel. And so, battling exhaustion, Daniel tries to recapture his lost art, knowing all too well the likely cost of failure. Written with lyrical simplicity and haunting beauty-and interspersed with chilling, actual Nazi documentation-The Auschwitz Violin is more than just a novel: it is a testament to the strength of the human spirit and the power of beauty, art, and hope to triumph over the darkest adversity.

First published in 1936, and considered one of the most groundbreaking and significant novels written in Catalan, "Waltz" tells the tale of an idle, introspective, and somewhat oblivious young "man without qualities" as he stumbles through a milieu of civic upheaval and bourgeois tragedy, waltzing from one prospective bride to another, never willing to compromise his ideals, and so never quite becoming an adult. With one foot in the romanticism of Goethe or Kleist, and another in the wildly differing takes on the modern novel provided by Aldous Huxley, James Joyce, and Marcel Proust, respectively, "Waltz" is an occasionally absurd comedy of indecision and indolence structured in imitation of the dance from which it takes its title.