Essays considering the relationship between Gower's texts and the physical ways in which they were first manifested. The media in which Gower's works were first transmitted, whether in print of manuscript form, are of vital importance to an understanding of both the poet and his audience. However, in comparison with those of his contemporary Chaucer, they have been relatively little studied. This volume represents a major collaboration between specialist scholars in manuscript and book history, and experts in Gower more generally, breaking new ground in approaching Gower through first-hand study of his publications in manuscript and print. Its chapters consider such matters as manuscript and book illumination, provenance, variant texts and editions, scribes, and printers, looking at how, and to what degree, the materiality of the vellum, paper, ink and binding illuminates - and even implicates - the poet and his poetry. MARTHA DRIVER is Distinguished Professor of English and Women's and Gender Studies at Pace University; the late DEREK PEARSALL was Gurney Professor of English Literature, Emeritus, Harvard University; R.F. YEAGER Is Professor of English and Foreign Languages, Emeritus, University of West Florida. Contributors: Stephanie L. Batkie, Julia Boffey, Margaret Connolly, Sian Echard, A.S.G. Edwards, Robert Epstein, Brian W. Gastle, Amanda J. Gerber, Yoshiko Kobayashi, Aditi Nafde, Tamara Perez-Fernandez, Wendy Scase, Karla Taylor, David Watt.

Every generation reinvents Shakespeare for its own needs, imagining through its particular choices and emphases the Shakespeare that it values. The man himself was deeply involved in his own kind of historical reimagining. This collection of essays examines the playwright's medieval sources and inspiration, and how they shaped his works. With a foreword by Michael Almereyda (director of the ""Hamlet"" starring Ethan Hawke) and dramaturge Dakin Matthews, these thirteen essays analyze the ways in which our modern understanding of medieval life has been influenced by our appreciation of Shakespeare's plays.

Influential scholars from Britain and North America discuss future directions in rapidly expanding field of manuscript study. The study of manuscripts is one of the most active areas of current research in medieval studies: manuscripts are the basic primary material evidence for literary scholars, historians and art-historians alike, and there has been an explosion of interest over the past twenty years. Manuscript study has developed enormously: codices are no longer treated as inert witnesses to a culture whose character has already been determined by the modern scholar, but are active participants in a process of exploration and discovery. The articles collected here discuss the future of this process and vital questions about manuscript study for tomorrow's explorers. They deal with codicology and book production, with textual criticism, with the material structure of the medieval book, with the relation of manuscripts to literary culture, to social history and to the medieval theatre, and with the importance to manuscript study of the emerging technology of computerised digitisation and hypertext display. The essays provide an end-of-millennium perspective on the most vigorous developments in a rapidly expanding field of study. Contributors: A.I. Doyle, C. David Benson, Martha W. Driver, J.P. Gumbert, Kathryn Kerby-Fulton, Linne R. Mooney, Eckehard Simon, Alison Stones, John Thompson. DEREK PEARSALL is former Professor and Co-Director of the Centre for Medieval Studies, York, and Professor of English at Harvard University.

New perspectives on one of the most important medieval poets. The essays in this volume pay tribute to the distinguished career of Professor R.F. Yeager. Appropriately for one who has done so much to advance scholarship and critical debate on this poet, they focus on John Gower. The approaches taken range widely, from poetics to palaeography, from close critical interpretation to ecocriticism, offering important new readings of Gower and his age. Particular topics addressed include Gower's revisions to the Tale ofRosiphilee; theological and philosophical positions within Gower's work; the violence of manuscript images of Confessio Amantis; and the views of a fellow poet on Gower - Edward Thomas.

Essays bringing out the richness and vibrancy of pre-modern textual culture in all its variety. Linne R. Mooney, Emeritus Professor of Palaeography at the University of York, has significantly advanced the study of later medieval English book production, particularly our knowledge of individual scribes; this collection honours her distinguished scholarship and responds to her wide-ranging research on Middle English manuscripts and texts. The thirteen essays brought together here take a variety of approaches - palaeographical, codicological, dialectal, textual, art historical - to the study of the English medieval book and to the varied environments (professional, administrative, mercantile, ecclesiastical) where manuscripts were produced and used during the period 1300-1550. Acknowledging that books and readers are no respecters of borders, this collection's geographical scope extends beyond England in the east to Ghent and Flanders, and in the west to Waterford and the Dublin Pale. Contributors explore manuscripts containing works by key writers, including Geoffrey Chaucer, John Gower, John Wyclif, and Walter Hilton. Major texts whose manuscript traditions are scrutinized include Speculum Vitae, the Scale of Perfection, the Canterbury Tales, and Confessio Amantis, along with a wide range of shorter works such as lyric poems, devotional texts, and historical chronicles. London book-making activities and the scribal cultures of other cities and monastic centres all receive attention, as does the book production of personal miscellanies. By considering both literary texts and the letters, charters, and writs that medieval scribes produced, in Latin and Anglo-French as well as English, this collection celebrates Professor Mooney's influence on the field and presents a holistic sense of England's pre-modern textual culture.

Scholarly articles and reviews on the period of transition from manuscript to print; includes books reviews, notes on special collections, images.

The annual JOURNAL OF THE EARLY BOOK SOCIETY FOR THE STUDY OF MANUSCRIPTS AND PRINTING HISTORY covers the history of the book during the period of transition from manuscript to print between 1350 and 1550. Each issues includes several long, illustrated articles, book reviews, and notes on libraries and special collections

Scholarly articles and reviews on the period of transition from manuscript to print; includes books reviews, notes on special collections, images.

Journal of the Early Book Society for Manuscripts and Printing History contains articles, reviews, and notes on libraries and collections by internationally renowned scholars.

The annual Journal of the Early Book Society for the study of Manuscripts and Printing History is published by Pace University Press. The greater part of each volume is devoted to four or five substantial essays on the history of the book, with emphasis on the period of transition from manuscript to print. The main focus is on English and Continental works produced from 1350 to 1550. In addition, the journal includes brief notes on manuscripts and early printed books, descriptive reviews of recent works in the field, and notes on libraries and collections.

This volume features scholarly articles and reviews on the period of transition from manuscript to print. It includes books reviews, notes on special collections, and images.

The annual Journal of the Early Book Society for the study of Manuscripts and Printing History is published by Pace University Press. The greater part of each volume is devoted to four or five substantial essays on the history of the book, with emphasis on the period of transition from manuscript to print. The main focus is on English and Continental works produced from 1350 to 1550. In addition, the journal includes brief notes on manuscripts and early printed books, descriptive reviews of recent works in the field, and notes on libraries and collections.

The annual Journal of the Early Book Society for the Study of Manuscripts and Printing History is published by Pace University Press. The greater part of each volume is devoted to four or five substantial essays on the history of the book, with emphasis on the period of transmission from manuscript to print. The main focus is on English and Continental works produced from 1350 to 1550. In addition, the journal includes brief notes on manuscripts and early printed books, descriptive reviews of recent works in the field, and notes on libraries and collections.

The Early Book Society was founded in 1987 to bring together all those who are interested in any aspect of the study of medieval and Renaissance manuscripts and early printed books. Since 1987, EBS has sponsored special sessions at the International Congress of Medieval Studies, Western Michigan University, and smaller conferences of related interest. EBS also runs an international conference.

The annual Journal of the Early Book Society for the Study of Manuscripts and Printing History is published by Pace University Press. The greater part of each volume is devoted to four or five substantial essays on the history of the book, with emphasis on the period of transmission from manuscript to print. The main focus is on English and continental works produced from 1350 to 1550. In addition, the journal includes brief notes on manuscripts and early printed books, descriptive reviews of recent works in the field, and notes on libraries and collections.