Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Prostitution is a taboo fringe area of society, about which there is hardly any well-founded information and scientific knowledge. Women who work in prostitution have to struggle with social prejudices, social discrimination and legal disadvantages and therefore need specific counseling and low-threshold services. Social work has a long tradition of helping this target group on a case-by-case basis and advocates for the rights and dignity of women. From the perspective of professional social work, this volume provides an overview of the complexity of the field of prostitution and presents theoretical and methodological approaches. This book is a translation of the original German 1st edition Soziale Arbeit und Prostitution by Martin Albert and Julia Wege, published by Springer Fachmedien Wiesbaden GmbH, part of Springer Nature in 2015. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). A subsequent human revision was done primarily in terms of content, so that the book will read stylistically differently from a conventional translation. Springer Nature works continuously to further the development of tools for the production of books and on the related technologies to support the authors.

Studienarbeit aus dem Jahr 2010 im Fachbereich Philosophie - Sonstiges, einseitig bedruckt, Note: 1,0, Carl von Ossietzky Universitat Oldenburg, Sprache: Deutsch, Abstract: Ausgehend von der Annahme, der Horrorfilm lose Furcht und Schrecken aus, so muss er dem Betrachter auch eine Identifikation mit den dargestellten Figuren ermoglichen. Denn nur wenn dieser die Bedrohung im Film auf seine eigenen, realen Lebensumstande ubertragen kann, nimmt er die Gefahr auch ernst. Als Projektionsflache fur die Angste des Menschen muss das Horrorgenre die sozialen Gemeinschaften, in denen der Mensch lebt, abbilden und deren Zerstorung thematisieren. Daher widmet sich diese Arbeit der Frage, auf welche Art und Weise gesellschaftliche Strukturen im Horrorfilm dargestellt und destruiert werden. Hierzu werden einige der bedeutendsten Werke des Genres beleuchtet - neben Wienes "Das Cabinet des Dr. Caligari" und Murnaus "Nosferatu - Eine Symphonie des Grauens" sind dies auch Hitchcocks "Psycho" und "A Nightmare on Elm Street" von Wes Craven.