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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Prostitution is a taboo fringe area of society, about which there
is hardly any well-founded information and scientific knowledge.
Women who work in prostitution have to struggle with social
prejudices, social discrimination and legal disadvantages and
therefore need specific counseling and low-threshold services.
Social work has a long tradition of helping this target group on a
case-by-case basis and advocates for the rights and dignity of
women. From the perspective of professional social work, this
volume provides an overview of the complexity of the field of
prostitution and presents theoretical and methodological
approaches. This book is a translation of the original German 1st
edition Soziale Arbeit und Prostitution by Martin Albert and Julia
Wege, published by Springer Fachmedien Wiesbaden GmbH, part of
Springer Nature in 2015. The translation was done with the help of
artificial intelligence (machine translation by the service
DeepL.com). A subsequent human revision was done primarily in terms
of content, so that the book will read stylistically differently
from a conventional translation. Springer Nature works continuously
to further the development of tools for the production of books and
on the related technologies to support the authors.
Studienarbeit aus dem Jahr 2010 im Fachbereich Philosophie -
Sonstiges, einseitig bedruckt, Note: 1,0, Carl von Ossietzky
Universitat Oldenburg, Sprache: Deutsch, Abstract: Ausgehend von
der Annahme, der Horrorfilm lose Furcht und Schrecken aus, so muss
er dem Betrachter auch eine Identifikation mit den dargestellten
Figuren ermoglichen. Denn nur wenn dieser die Bedrohung im Film auf
seine eigenen, realen Lebensumstande ubertragen kann, nimmt er die
Gefahr auch ernst. Als Projektionsflache fur die Angste des
Menschen muss das Horrorgenre die sozialen Gemeinschaften, in denen
der Mensch lebt, abbilden und deren Zerstorung thematisieren. Daher
widmet sich diese Arbeit der Frage, auf welche Art und Weise
gesellschaftliche Strukturen im Horrorfilm dargestellt und
destruiert werden. Hierzu werden einige der bedeutendsten Werke des
Genres beleuchtet - neben Wienes "Das Cabinet des Dr. Caligari" und
Murnaus "Nosferatu - Eine Symphonie des Grauens" sind dies auch
Hitchcocks "Psycho" und "A Nightmare on Elm Street" von Wes Craven.
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