The broad and developing scope of ergonomics - the application of scientific knowledge to improve people's interaction with products, systems and environments - has been illustrated for 27 years by the books which make up the Contemporary Ergonomics series. This book presents the proceedings of the international conference on Contemporary Ergonomics and Human Factors 2013. In addition to being the leading event in the UK that features ergonomics and human factors across all sectors, this is also the annual conference of the Institute of Ergonomics & Human Factors. Individual papers provide insight into current practice, present new research findings and form an invaluable reference source. The volumes provide a fast track for the publication of suitable papers from international contributors, with papers being subject to peer review since 2009. A wide range of topics are covered in these proceedings including human computer interaction, standards, accessibility, work & wellbeing, design, transport, safety culture, green ergonomics, healthcare, human cognition, biomechanics, crowd behaviour and the systems approach. As well as being of interest to mainstream ergonomists and human factors specialists, Contemporary Ergonomics and Human Factors will appeal to all those who are concerned with people's interactions with their working and leisure environment including designers, manufacturing and production engineers, health and safety specialists, occupational, applied and industrial psychologists, and applied physiologists.

The broad and developing scope of ergonomics - the application of scientific knowledge to improve people's interaction with products, systems and environments - has been illustrated for 25 years by the books which make up the Contemporary Ergonomics series. This book presents the proceedings of the international conference on Ergonomics and Human Factors 2011. In addition to being the leading event in the UK that features ergonomics and human factors across all sectors, this is also the annual conference of the Institute of Ergonomics and Human Factors.Individual papers provide insight into current practice, present new research findings and form an invaluable reference source. The volumes provide a fast track for the publication of suitable papers from international contributors, with papers being subject to peer review since 2009.A wide range of topics are covered in these proceedings, including transport, user centred design, safety culture, military, accidents, healthcare, manufacturing, human factors integration, education, the 24-hour society, sociotechnical systems and green ergonomics.As well as being of interest to mainstream ergonomists and human factors specialists, Contemporary Ergonomics and Human Factors will appeal to all those who are concerned with people's interactions with their working and leisure environment including designers, manufacturing and production engineers, health and safety specialists, occupational, applied and industrial psychologists, and applied physiologists.

An avid sportsman, Martin Anderson first visited Kenya on a hunting safari in 1960, three years before the country gained its independence from English colonial administration. Anxious to return and be a part of Kenya's new beginning and Jomo Kenyata's encouragement of "harambee" (working together with European settlers/farmers), he partnered with a Kenya settler and started to raise cattle. Four years later and with one more partner, he accepted the government's offer to develop a vast tract of raw African bush for a game and cattle ranch. This book is a history of that grand and remarkable journey.
"Galana" recounts the story of the creation, achievements, and demise of the largest cattle ranch in Kenya and perhaps all of Africa. Located on an arid 2,500-square-mile tract--1 percent of all the land in Kenya--the Galana Ranch was founded in 1968. Galana introduced cattle into a region with virulent insect-borne disease, adapted the animals to the land, and bred resistant stock. It conducted scientific research into the domestication of wildlife, and aimed to manage Galana's vast natural population of elephants, lions, rhino, lesser kudu, eland, oryx, and other game to help that population attain a level the land could support. In the 1970s and 80s, however, an epidemic of poaching nearly wiped out Galana's vast elephant herds, and the ranch shut down in 1989. This engrossing memoir goes to the heart of Kenya's wildlife management issues and political challenges through a personal tale of adventure and enterprise in Africa.

A Country Without Names offers a conspectus of human activity from its earliest imagined days and the formation of agrarian state sedentism to our own day. Its tesserae, gathered from beyond the boundaries of a single country or culture, constitute a mosaic in which might be gleaned all the fury and fatuity of the pursuit of that gilded phantasmagoria of a just and beneficent state. Whilst a certain sombreness - from Flowering Midnight's dark elegy for the English pastoral lyric, to the fate of Congo's Patrice Lumumba in the contemporary, and near contemporary, political parallels animating Under Jui-yi Shan - imbues the collection it should be seen, however, as no more than the corollary of an unsentimental probing of experience, in a collection which is both paean for the natural world and indictment of those human qualities and structures which threaten it. Ian Seed, reviewing Ice Stylus, the last volume, after Interlocutors of Paradise and Obsequy for Lost Things, in Anderson's Unsubdued Singing trilogy, noted "its highly charged lyricism ... the language ... sparse, staccato, pared down to a minimum." And pointed to "its timeless, archetypal quality" to "the sense of an epic journey into the darkness of the western psyche ... One is reminded above all, in the tension between the aesthetic qualities of the writing and its political, historical and philosophical subject matter, of the work of Ezra Pound ... In the current political climate this is a book which may also be read as ... a plea to begin anew with a narrative that acknowledges the humility of our place within the universe and our responsibility to it."

Through these poems set within a major south east Asian city Anderson weaves, against the rotting entablatures of monumental imperial ambition, slowly degraded aspirations of native and non-native inhabitant.

The sequences of meditations which comprise Anderson's last two books Interlocutors of Paradise (Skylight Press) and Obsequy for Lost Things (Shearsman Books) trace fault lines deeply inscribed within the Judeo-Christian psyche of the West. Ice Stylus is the final volume of Anderson's Unsubdued Singing trilogy. Many of the sequences in Interlocutors of Paradise and Obsequy for Lost Things begin in a geography which is both real and subliminal: the Essex Thames-side salt marsh. This is also Isaiah's "parched wastes of salt": here manifestation of wilderness, the condition of spiritual inanition, which has so frequently been attributed by the West to the non-West to legitimise aggression whilst masking its real objective of the expropriation of other peoples' wealth, finds objective representation. It is the aggressor himself, the sequences suggest, not the victim, who suffers from inanition. From the salt marshes his questing voyages take him in search of things he covets and dreams of, only to confront him, finally, with the reality of their non-existence. In this "dark land", perhaps intimating archetypal adventure, his passage takes him through the trials and ordeals of many wastes of water. What such a journey eventually delivers to him, however, is not a sacred fire of illumination or boon of wisdom to take back to his old world to re-vivify it. Instead, he is vouchsafed the white isotope of destruction, turning everything dark and possessing the potential to annihilate the very products of time he has so violently sought to wrest from others.

Obsequy For Lost Things consists of three prose-poetry sequences. The first two share the setting of the Thames estuary. They all share, however, like the author's previous collection of prose-poetry sequences (from Skylight Press) Interlocutors of Paradise, and his The Hoplite Journals, a concern with history and the psychology of colonialism. As such they also confront, in "the defeat of colonialism", what Martin Jacques called "the most important event of the 20thC". An event, involving the attempt to brutally resist it, which coming-of-age British poets in the 1960s didn't confront, and which A. Alvarez in his essay in his influential anthology The New Poetry (1962) didn't deem worthy of inclusion alongside other manifestations of "Evil": nuclear war and the Nazi holocaust. If British poets today, however, are to acquire what he termed "a new seriousness, a willingness to face the full range of [their] experience with [their] full intelligence" then they need to avoid what Alvarez called "easy exits" and to redress such an omission.

Interlocutors of Paradise is a collection of five short meditations on colonialism and the Western mind. Written as a series of provocative, symbolist-tinged prose-poems, each section situates the reader in beautifully crafted spaces, hollows to be filled either by spiritual purpose or wilful invasion. It begins by evoking the historical formation and expression of national identity - an identity predicated on past colonial and imperial activities. This is followed by three meditations that are largely situated within that region of the Thames estuary where Joseph Conrad lived, set and conceived Heart of Darkness. The Thames, that river in the book on which floated "The dreams of men, the seed of commonwealths, the germs of empire," figures prominently also in the book's opening meditation, where it is the setting of, amongst other things, Edmund Spenser's poem Prothalamion and his friend Sir Walter Raleigh's departure and voyage to Roanoke in the New World. In the final meditation its presence fades, giving way instead to the aspirant spaces of a settled New World. But a world not 'settled' enough to have eradicated restlessness.

The Lower Reaches is framed within precise geography, the Lower Hope region of the Thames estuary where the author was born and grew up beside a river on which "the dreams of men, the seed of commonwealths, the germs of empire" floated. Anderson lived for decades in the Far East. His meditation interrogates the formation of national identity and freights with poignant significance the old maxim that so much of British history happened overseas.