This critical interdisciplinary volume investigates modern and contemporary Asian cultural products in the non-westernized transpacific context of Asian and Latin American intellectual and cultural connections. It focuses on the Latin American intellectual, literary, and cultural influences on Asia, which have long been overshadowed by the dominance of Europe/North America-oriented discourse and by the predominance of academic research by both Asian and western intellectuals that focuses only on the West. Moving beyond the western intellectual paradigm, the volume examines how Asian literature, films, and art interact with Latin American literature and ideas to reexamine, reconsider, and re-explore issues related to the two regions' historical traumas, cultural identities, indigenous/vernacular traditions, and peripheral global-ness. The volume argues that Asian and Latin American literary and cultural endeavors are part of these regions' broader efforts to search for the forms of modernity that best fit their unique sociohistorical and sociocultural conditions.

This critical interdisciplinary volume investigates modern and contemporary Asian cultural products in the non-westernized transpacific context of Asian and Latin American intellectual and cultural connections. It focuses on the Latin American intellectual, literary, and cultural influences on Asia, which have long been overshadowed by the dominance of Europe/North America-oriented discourse and by the predominance of academic research by both Asian and western intellectuals that focuses only on the West. Moving beyond the western intellectual paradigm, the volume examines how Asian literature, films, and art interact with Latin American literature and ideas to reexamine, reconsider, and re-explore issues related to the two regions' historical traumas, cultural identities, indigenous/vernacular traditions, and peripheral global-ness. The volume argues that Asian and Latin American literary and cultural endeavors are part of these regions' broader efforts to search for the forms of modernity that best fit their unique sociohistorical and sociocultural conditions.

This collection of essays examines the city of Stockton, California from an interdisciplinary perspective. Stockton is in the heart of the Central Valley, an agricultural region that comprises a diverse population and rich history. This book covers the economic downturn of the city that was ground zero for the housing market crisis during the Great Recession, which resulted in it becoming the first major American city to declare bankruptcy. Nevertheless, the city cannot be framed only on its economic misfortunes; Stockton has a vibrant community with important historical figures such as Martin Ramirez, an outsider painter who was a patient in the Stockton State Hospital. This book also covers topics such as food studies, religious communities, historical resources at the library at the University of the Pacific, business community programs such as "Puentes", an overview of the city's racial diversity, auto-ethnographies, the family connection to Mexican author Elena Poniatowska, and a program at the Stockton High School during WWII to send jeeps as part of the war effort. This book is informed by the perspectives of historians, sociologists, political scientists, economists, business scholars, and literary and cultural studies theorists to provide a wide range of approaches to a vital community in the Central Valley of California.