Can you find the clues and solve the murder first?

Six people with links to the world of crime writing have been invited to play a game this Christmas by the mysterious Midwinter Trust.

Solve the murder of a fictional crime writer in a remote village in north Yorkshire and win a life-changing prize.

Each guest has been meticulously vetted by the shadowy Trust, which has staff on-hand to make sure everyone plays fair. But with the village about to be cut off by a snow storm, they must be extra vigilant.

The game is set - but playing fair isn't on everyone's Christmas list.

And when the prize is to die for, it's so tempting to inject a little murder into the mystery...

The perfect gift for crime fiction lovers and fans of Janice Hallett, Alexandra Benedict and Alex Pavesi.

Included in the i newspaper's best new crime and thriller books to read in September 2025.

'The red robe concealed the blood until it made my hand sticky. Father Christmas had been stabbed in the back, and he was certainly dead.' The murder of Father Christmas at one of London’s great toy shops is just one of many yuletide disasters in this new collection of stories from the Golden Age of crime writing and beyond. Masters of the genre such as Patricia Moyes and John Dickson Carr present perfectly packaged short pieces, and Martin Edwards delivers a sackful of rarities from authors such as Ellis Peters, Gwyn Evans and Michael Innes. The answer to any classic crime fiction fan’s Christmas wish – and the only way for you to answer Who Killed Father Christmas? – this new anthology is set to muddle, befuddle, surprise and delight.

Sharp left by the school and down the lane to the gas works. The gasworks? I, a dentist, heading for the gasworks in a small Welsh market town? It was the furnace I wanted... From the dramatic scenery of Snowdonia and the Gower to the stunning coastlines and hushed valleys, the landscapes of Wales have inspired many writers of Golden Age mystery stories - from within and without its borders. Centred around a lost novella by Cledwyn Hughes, this new collection features the best stories from celebrated Welsh authors such as Mary Fitt and Ethel Lina White, as well as short mysteries inspired by or set in the cities and wilds of the country by both beloved Golden Age writers and authors from the 1960s and 70s who continued to push the boundaries of the genre.

'Then the rhythm of the train changed, and she seemed to be sliding backwards down a long slope. Click-click-click-click. The wheels rattled over the rails, with a sound of castanets.' Iris Carr's holiday in the mountains of a remote corner of Europe has come to an end, and since her friends left two days before, she faces the journey home alone. Stricken by sunstroke at the station, Iris catches the express train to Trieste by the skin of her teeth and finds a companion in Miss Froy, an affable English governess. But when Iris passes out and reawakens, Miss Froy is nowhere to be found. The other passengers deny any knowledge of her existence and as the train speeds across Europe, Iris spirals deeper and deeper into a strange and dangerous conspiracy. First published in 1936 and adapted for the screen as The Lady Vanishes by Alfred Hitchcock in 1938, Ethel Lina White's suspenseful mystery remains her best-known novel, worthy of acknowledgement as a classic of the genre in its own right.

"A very neat version of the 'sealed room' mystery ... provides [Miss Brand] with excellent opportunities to indulge her sense of character and her pleasantly malicious wit, as well as her gift for posing an ingenious problem." - Times Literary Supplement, 1949 At Elysian Hall, a grand exhibition space in post-War London, a cast has been assembled for a medieval-themed pageant show replete with knights in coloured armour, real horses and a damsel in a rickety tower on high. With death threats discovered by members of the troupe before the show, the worst comes to pass when the leading lady is thrown from the tower before the eyes of the audience by an unknown assailant - with all doors backstage also under observation. Faced with a seemingly impossible case, the wizened Inspector Cockrill and the fresh-faced Inspector Charlesworth begrudgingly join forces to uncover the killer hiding in plain sight. First published in Britain in 1949, Brand's exuberant novel is still regarded as one of the great masterpieces of the classic mystery genre for its fiendishly constructed puzzle, memorable setting, dumbfounding acts of misdirection and thrilling denouement.

It is 1942, and struggling up the hill to the new military hospital, Heron's Park, Kent, postman Higgins has no idea that the sender of one of the seven letters of application he is delivering will turn out to be a murderer in a year's time. When Higgins is brought in following injuries from a bombing raid in 1943, his inexplicable death from asphyxiation at the operating table casts four nurses and three doctors under suspicion, and a second death in quick succession invites the presence of the irascible - yet uncommonly shrewd - Inspector Cockrill to the scene. As the prospect of driving back across Kent amid falling bombs detains the inspector for the night, a tense and claustrophobic investigation begins to determine who committed the foul deeds, and how it was possible to kill with no evidence left behind.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.