‘It almost seemed that the murder, if it was a murder, must have been committed by someone who could rise up unsupported in the air…’ When Miles Hammond is invited to a meeting of the Murder Club in London, he is met instead with just two other guests and is treated to a strange tale of an impossible crime in France from years before; the murder of a man on a tower with only one staircase, under watch at the time at which the murder took place. With theories of levitating vampires abounding, the story comes home to Miles when he realises that the librarian he has just hired for his home is none other than Fay Seton, a woman whose name still echoes from the heart of this bizarre and unsolved murder of the past. First published in 1946, in later years Carr considered this novel one of his finest works. It shows the masterful author at the height of his powers, boasting an ingenious plot delivered with an astounding pace and striking characters including none other than the great detective, Dr Gideon Fell.

While hot on the heels of serial coupon-racketeer Gordon Ginner, Chief Inspector MacDonald of Scotland Yard receives word of an intriguing incident up in Lancashire – the summer cottage of local farmer Giles Hoggett has been broken into, with an assortment of seemingly random items missing which include a complete reel of salmon line, a large sack, and two iron dogs from his fireplace. What first appears to Insp. MacDonald as a simple break-in quickly spirals into a mystery of contested land grabs for fishing between farmers, made all the more enticing to MacDonald when a body is then found in the river – the body of Gordon Ginner. It’s up to Insp. MacDonald, aided by the locals of Lunesdale, to determine who broke into Hoggett’s cottage, where his irons dogs have gone, and how Ginner met his watery end. First published in 1946 and set in the fell country of Lunesdale over the course of a rainy September, The Theft of the Iron Dogs is the very picture of a cosy crime mystery and showcases Lorac’s masterful attention to detail and deep affection for both Lunesdale and its residents.

'Then the rhythm of the train changed, and she seemed to be sliding backwards down a long slope. Click-click-click-click. The wheels rattled over the rails, with a sound of castanets.' Iris Carr's holiday in the mountains of a remote corner of Europe has come to an end, and since her friends left two days before, she faces the journey home alone. Stricken by sunstroke at the station, Iris catches the express train to Trieste by the skin of her teeth and finds a companion in Miss Froy, an affable English governess. But when Iris passes out and reawakens, Miss Froy is nowhere to be found. The other passengers deny any knowledge of her existence and as the train speeds across Europe, Iris spirals deeper and deeper into a strange and dangerous conspiracy. First published in 1936 and adapted for the screen as The Lady Vanishes by Alfred Hitchcock in 1938, Ethel Lina White's suspenseful mystery remains her best-known novel, worthy of acknowledgement as a classic of the genre in its own right.

'Then I felt his warm hand grow cold, it was as if he had been reminded of death. He wasn’t looking at me any more, but obliquely, across the restaurant. I turned round.' Sarah has been receiving threatening anonymous letters seemingly from a former lover. Just one day after revealing this information to her co- worker Nancy, Sarah is shot and found in her bedroom by one of her past flames, Donald. Desperate to clear any evidence of Donald’s presence at the scene for her own infatuations, Nancy finds herself as the key suspect when she is discovered in the apartment. As the real killer uses the situation to their advantage, Bennett crafts a tense and nuanced story through flashbacks to Sarah’s life and loves in this Gold- Dagger-award-winning story of deceit and murder.

Locked-room mysteries and other impossible crime stories have been relished by puzzle-lovers ever since the invention of detective fiction. Fiendishly intricate cases were particularly well suited to the cerebral type of detective story that became so popular during the 'golden age of murder' between the two world wars. But the tradition goes back to the days of Wilkie Collins, and impossible crime stories have been written by such luminaries as Arthur Conan Doyle, G.K. Chesterton, Dorothy L. Sayers and Margery Allingham. This anthology celebrates their work, alongside long-hidden gems by less familiar writers. Together these stories demonstrate the range and high accomplishment of the classic British impossible crime story over more than half a century.

'The red robe concealed the blood until it made my hand sticky. Father Christmas had been stabbed in the back, and he was certainly dead.' The murder of Father Christmas at one of London’s great toy shops is just one of many yuletide disasters in this new collection of stories from the Golden Age of crime writing and beyond. Masters of the genre such as Patricia Moyes and John Dickson Carr present perfectly packaged short pieces, and Martin Edwards delivers a sackful of rarities from authors such as Ellis Peters, Gwyn Evans and Michael Innes. The answer to any classic crime fiction fan’s Christmas wish – and the only way for you to answer Who Killed Father Christmas? – this new anthology is set to muddle, befuddle, surprise and delight.

The headline from The Maningpool Telegraph read: TRAGIC DEATH OF SIR NOEL GRAMPIAN – shot during performance – Symphony Concert Calamity.

As a rousing Strauss piece is reaching its crescendo in Maningpool Civic Hall, the talented yet obnoxious conductor Sir Noel Grampian is shot dead in full view of the Municipal Orchestra and the audience. It was no secret that he had many enemies – musicians and music critics among them – but to be killed in mid flow suggests an act of the coldest calculation.

Told through the letters and documents sent by D.I. Alan Hope to his wife as he puzzles through the dauntingly vast pool of suspects and scant physical evidence in the case, this is an innovative and playful mystery underscored by the author’s extensive experience of the highly-strung world of music professionals. First published in 1941, this new edition returns Farr’s only crime novel to print to receive its long-deserved encore.

A rare gem of the mystery genre makes its first return to print since 1956

An honest policeman, Sergeant Wigan, escorts a drunk man home one night to keep him out of trouble and, seeing his fine book collection, slowly falls in to the gentle art of book collecting. Just as the friendship is blossoming, the policeman's book-collecting friend is murdered.

To solve the mystery of why the victim was killed, and which of his rare books was taken, Wigan dives into the world of 'runners' and book collectors, where avid agents will gladly cut you for a first edition and then offer you a lift home afterwards. This adventurous mystery, which combines exuberant characters with a wonderfully realised depiction of the second-hand book market, is sure to delight bibliophiles and classic crime enthusiasts alike.

On holiday in Keldstone visiting his nephew, Jim, blanket manufacturer Athelstan Digby agrees to look after the old bookshop on the ground floor of his lodgings while his hosts are away. On the first day of his tenure, a vicar, a chauffeur and an out-of-town stranger enquire after The Life and Death of Mr. Badman by John Bunyan. When a copy mysteriously arrives at the shop in a bundle of books brought in by a young scamp, and is subsequently stolen, Digby moves to investigate the significance of the book along with his nephew, and the two are soon embroiled in a case in which the stakes have risen from antiquarian book-pinching to ruthless murder. First published in a limited run in 1934, this exceedingly rare and fast-paced bibliomystery set against the landscapes of Yorkshire is long overdue its return to print.

'If much of the action is set in a bookshop or a library, it is a bibliomystery, just as it is if a major character is a bookseller or a librarian.' - Otto Penzler A bookish puzzle threatens an eagerly awaited inheritance; a submission to a publisher recounts a murder that seems increasingly to be a work of non-fiction; an irate novelist puts a grisly end to the source of his writer's block. There is no better hiding place for clues - or red herrings - than inside the pages of a book. But in this world of resentful ghost writers, indiscreet playwrights and unscrupulous book collectors, literary prowess is often a prologue to disaster. With Martin Edwards as librarian and guide, delve into an irresistible stack of tales perfect for every book-lover and armchair sleuth, featuring much-loved Golden Age detectives such as Nigel Strangeways, Philip Trent and Detective Chief Inspector Roderick Alleyn. But readers should be warned that the most riveting tales often conceal the deadliest of secrets...

Sharp left by the school and down the lane to the gas works. The gasworks? I, a dentist, heading for the gasworks in a small Welsh market town? It was the furnace I wanted... From the dramatic scenery of Snowdonia and the Gower to the stunning coastlines and hushed valleys, the landscapes of Wales have inspired many writers of Golden Age mystery stories - from within and without its borders. Centred around a lost novella by Cledwyn Hughes, this new collection features the best stories from celebrated Welsh authors such as Mary Fitt and Ethel Lina White, as well as short mysteries inspired by or set in the cities and wilds of the country by both beloved Golden Age writers and authors from the 1960s and 70s who continued to push the boundaries of the genre.

James Bennett has been invited to stay at White Priory for Christmas among the retinue of the glamorous Hollywood actress Marcia Tait. Her producer, her lover, the playwright for her next hit and her agent are all here, soon to become so many suspects when Tait is found murdered on a cold December morning in the lakeside pavilion. Only the footprints of her discoverer disturb the snow which fell overnight – and which stopped just shortly after Marcia was last seen alive. How did the murderer get in and out of the pavilion without leaving a trace?

When Bennett’s uncle, the cantankerous amateur sleuth Sir Henry Merrivale arrives from London to make sense of this impossible crime, the reader is treated to a feast of the author’s trademark twists, beguiling false answers and one of the most ingenious solutions in the history of the mystery genre.