With the help of over 100 illustrations, many of them little known, Martin Henig shows that the art produced in Britannia--particularly in the golden age of Late Antiquity--rivals that of other provinces and deserves comparison with the art of metropolitan Rome. The originality and breadth of Henig's study is shown by its systematic coverage, embracing both the major arts--stone and bronze statuary, wall-painting and mosaics--and such applied arts as jewelery-making, silversmithing, furniture design, figure pottery, figurines and appliques. The author explains how the various workshops were organized, the part played by patronage and the changes that occurred in the fourth century.

Apart from Christianity and the Oriental Cults, religion in Roman Britain is often discussed as though it remained basically Celtic in belief and practice, under a thin veneer of Roman influence. Using a wide range of archaeological evidence, Dr Henig shows that the Roman element in religion was of much greater significance and that the natural Roman veneration for the gods found meaningful expression even in the formal rituals practised in the public temples of Britain.

Apart from Christianity and the Oriental Cults, religion in Roman Britain is often discussed as though it remained basically Celtic in belief and practice, under a thin veneer of Roman influence. Using a wide range of archaeological evidence, Dr Henig shows that the Roman element in religion was of much greater significance and that the natural Roman veneration for the gods found meaningful expression even in the formal rituals practised in the public temples of Britain.

With the help of over 100 illustrations, many of them little known, Martin Henig shows that the art produced in Britannia--particularly in the golden age of Late Antiquity--rivals that of other provinces and deserves comparison with the art of metropolitan Rome. The originality and breadth of Henig's study is shown by its systematic coverage, embracing both the major arts--stone and bronze statuary, wall-painting and mosaics--and such applied arts as jewelery-making, silversmithing, furniture design, figure pottery, figurines and appliques. The author explains how the various workshops were organized, the part played by patronage and the changes that occurred in the fourth century.

This is a collection of eighteen papers presented at a conference that was held at the Hatfield Campus of the University of Hertfordshire with 122 members and guests from the United Kingdom, the United States of America, Germany and Norway were present. The papers are on the research on various aspects of the art and architecture of the abbey, at St Albans and provides an ideal forum for bringing together many aspects of the abbey's history.

Villas, Sanctuaries and Settlement in the Romano-British Countryside had its genesis in a conference held at the British Museum in 2009 and brings together a range of papers on buildings that have been categorised as 'villas', mainly in Roman Britain, from the Isle of Wight to Shropshire. It comprises the first such survey for almost half a century. While some of these structures were indeed country houses and the centres of agricultural estates as their designation as 'villas' implies, others are here shown to have been administrative or industrial centres, hunting lodges or religious sanctuaries, or a combination of more than one such function. The art associated with these prestige structures and its relevance to their function is also considered.

Water in the Roman World: Engineering, Trade, Religion and Daily Life offers a wide and expansive new treatment of the role water played in the lives of people across the Roman world. Individual papers deal with ports and their lighthouses; with water engineering, whether for canals in the north-west provinces, or for the digging of wells for drinking water, and for multiple other purposes; with baths for swimming; and with spas. Further papers explore religion in water-sanctuaries and the deposition of objects in rivers as well as deities connected with water, including river gods and nymphs. A final chapter provides an overview of subjects not fully covered elsewhere, including warships and naval battles, trade and navigation, aqueducts, fishing and fish-farming, and literary response to watery landscapes, rivers and lakes. The latter include works by great landowners such as the younger Pliny with his Laurentine villa beside the sea west of Rome or by poets, among them Catullus enjoying Lake Garda and Ausonius with his loving description of the River Moselle. The contributors address the subject in a variety of different ways, as Classicists drawing largely on literature, archaeologists with experience of excavating the watery environment, and art-historians. The papers range from the theoretical, with particular interest in materiality, to more lyrical approaches which address the Romans with their problems as well as their pleasures.

This volume comprises a collection of essays in memory of the late John Rhodes by some of his many friends and colleagues. They salute a remarkable individual of wide tastes and interests. His achievements in the conservation, study and recording of the past from the Roman period to the present day, both in museums and in the field, were prodigious. The aim of the book is to follow the tradition of English antiquarian scholarship by taking three approaches: the study of individual monuments and objects, the investigation of the manner in which that study is reflected in their present-day care and interpretation, and the study of the wider implications of such approaches.

Papers in Honour of Martin Biddle and Birthe Kjolbye-Biddle. Contents: Preface (Martin Henig and Nigel Ramsay); Martin Biddle and Birthe Kjolbye-Biddle: An Appreciation (Martin Henig, Thomas Beaumont James, Anthony King and Nigel Ramsay); List of Publications of Martin Biddle and of Birthe Kjolbye-Biddle (Compiled by Anthony King); Commendation by Queen Margrethe II of Denmark; 1) A Roman Silver Jug with Biblical Scenes from the Treasure found at Traprain Law (Kenneth Painter); 2) Hand-washing and Foot-washing, Sacred and Secular, in Late Antiquity and the Early Medieval Period (Anthea Harris and Martin Henig); 3) Christian Origins at Gloucester: A Topographical Inquiry (Carolyn Heighway); 4) New Evidence for the Transition from the Late Roman to the Saxon Period at St Martin-in-the-Fields, London (Alison Telfer); 5) Ethnic Identity and the Origins, Purpose and Occurrence of Pattern-Welded Swords in Sixth-Century Kent: The Case of the Saltwood Cemetery (Brian Gilmour);"

This collection of essays brings together some of the biggest names in British archaeology to pay tribute to Sonia Chadwick Hawkes. The bulk of the essays are, as one might expect on Anglo-Saxon archaeology, culture and society, amny of them on sites in Kent, with a section on antiquarianism and collecting, and a section looking back at the life and career of Sonia Chadwick Hawkes.

This volume contains a range of papers from a seminar held in Oxford in 2005. What did art in its widest sense mean to them, the Romans, and what might it (or even should it), mean to us? The approach adopted avoids fashionable theory, mainly culled second-hand from the social sciences, and tries to engage directly with material culture.

Fourteen enjoyable papers, from the Theoretical Archaeology Conference held in Oxford in December 2000, which reflect on the relationship between archaeology and the outside world' and investigate the meaning of archaeology to the general public and the relevance of archaeology to society. Essays examine the development of archaeology as a discipline through the medieval, Romantic and Post-Modern eras, looking, for example, at the treatment of archaeological themes in the works of Mary Shelley and Byron. Contributors also consider the impact of Stonehenge on astronomical studies, the influence of Roman finds and sites, including Bath and Caerleon, on Edwardian jewellery and children's stories and the dramatisation of the Iceman's' discovery in a recent play.

The desire for things which are inspired by, imitate, or indeed are Greek, or Greco-Roman has been felt throughout history. The twenty contributions in this volume explore the presence and diffusion of what they term 'The Classical Taste' from the 5th century BC to the 20th century focusing on the methods and media through which this occurs. Including discussions on vase painting, ancient gems, the image of Alexander the Great, Roman medallions, cameos, statuettes and portraits, and the reception of Classicism in the medieval, Renaissance and modern periods.

A concise, clearly written introduction to the early past of Britain and Europe from the beginnings up to the twelfth century AD, which presents archaeological research in a readily understandable form. Written, and originally published in 1973, for readers with no specialist knowledge or the subject, a major virtue of this book is the way in which it brings into focus all the separate strands of evidence to present a coherent narrative development. The account starts with a brief survey of human evolution and a consideration of the evidence of tool-making in the Old Stone Age. It goes on to describe the origins and spread of farming and the subsequent development of metallurgy and full urban civilization and the contribution made by the urban civilization of Rome to the development of Europe. It looks at the Migration Period through to the reestablishment of urban culture in northern Europe concluding with a brief description of conditions in the twelfth century.

Binsey is a village to the west of Oxford, on the south bank of the main channel of the River Thames, opposite Port Meadow, which has been an open space belonging to the burgesses of Oxford since late Saxon times. Although now within the ring-road, the village is essentially rural and unspoilt. The hub of Binsey is a row of cottages and the Perch Inn on one side of the village green. At one time when the river was wider there was a ferry here taking travelers across to Oxford. The church, its present building no earlier than the 12th century though on an older site, lies a third of a mile distant. Its association with Oxford's patron saint St Frideswide alone makes this an evocative place for anyone with an interest in the origins of this great University city. Its holy well, dedicated to St Margaret like the church itself, was a place of resort for those with eye problems or desirous of a child: Katharine of Aragon's lack of success in conceiving a male heir after resort to the well in a sense precipitated the English Reformation! Later associations, which include Charles Dodgson and Alice Liddell as well as Gerard Manley Hopkins and C. S. Lewis, render Binsey a place for the literary as well as the religious pilgrim. This book is a collection of essays on aspects of Binsey and its environs. It is not a guidebook so much as an evocation of the place, dwelling on specific aspects from the busy river to the tranquil and silent churchyard; from the poplars, great-grandparents of the present trees along the river and Hopkins' great poem on them, to the personalities who served the village community; from the Binsey of St Frideswide's time to the community of the present day.

Contents: Religion and Art in St Alban's City; The late antique Passion of St Alban; Britain's Other Martyrs: Julius, Aaron and Alban at Caerleon; The Origins of St Albans Abbey: Romano-British Cemetery and Anglo-Saxon Monastery; Offa, AElfric and the Refoundation of St Albans: The Alban Cross; Early Recycling: The Anglo-Saxon and Norman Re-use of Roman Bricks with special reference to Hertfordshire; The Medieval Building Stones of St Albans ABbey; Remembering St Alban: the Site of the Shrine and the Discovery of the Twelfth-century Purbeck Marble Shrine Table; The Place of St Albans in Regional Sculpture and Architecture in the Second Half of the Twelfth Century; The Thirteenth-century West Front of St Albans Abbey; The Gothic Reconstruction of the Nave and Presbytery of St Albans Abbey; A Survey and Dating of the Timber Structures in the Central Tower of the Abbey Church; Pilgrims' Souvenir Badges of St Alban; The St Albans Monks and the Cult of St Alban: the Late Medieval Texts; The Chantry of Humphrey, Duke of Gloucester; The Great Screen and its Context. By a variety of contributors

This is the first comprehensive catalogue of the sculpture from this region of Roman Britain, including the first proper record of the sculpture from Wroxeter. The sculptures, all in local sandstone, were carved locally and provide an index of Romanisation in the far north-west of the Roman Empire - at the Fortress of Legio II Adivtrix and then Legio XX Valeria Victrix at Devra (Chester), and at the Fortress and subsequently the civil town of the Cornovii at Viroconium (Wroxeter). The sculpture from Letcetum (Wall, Staffs) is also considered. The works range in quality from highly accomplished and decorative altars and tombstones, to rather ham-fisted efforts which hint that it was not always possible to attract sculptors to these relatively remote places. Such factors are discussed in an extended introduction.