What would an artefact-based anthropology look like if it were not about material culture? And could such a project aspire, not to create a new sub-genre within the discipline, but to reconfigure anthropologys analytic methodologies more generally? Thinking Through Things is an ambitious foray by a group of young anthropologists who share common concerns about the place of objects and materiality in their interpretive struggles. More than simply a critique of existing anthropological reasoning, the volume puts forward a positive programme for the re-fashioning of anthropological endeavours. Testing the limit of the persistent analytical assumption that meanings are fundamentally distinct from their material manifestations, Thinking Through Things attempts to explore the consequences of an apparently counter-intuitive analytic possibility: that artifacts might be treated as sui generis meanings.

This volume responds to the often-proclaimed 'death of the subject' in post-structuralist theorizing, and to calls from across the social sciences for 'post-humanist' alternatives to liberal humanism in a distinctively anthropological manner. It asks: can we use the intellectual resources developed in those approaches and debates to reconstruct a new account of how individual human subjects are contingently put together in diverse historical and ethnographic contexts? Anthropologists know that the people they work with think in terms of particular, distinctive, individual human personalities, and that in times of change and crisis these individuals matter crucially to how things turn out. The volume features a classic essay by Caroline Humphrey, 'Reassembling individual subjects', that provides a focus for the debate, and it brings together a distinguished collection of essays, which exhibit a range of theoretical approaches and rich and varied ethnography.

Drawing upon the work of some of the most influential theorists in the field, Thinking Through Things demonstrates the quiet revolution growing in anthropology and its related disciplines, shifting its philosophical foundations. The first text to offer a direct and provocative challenge to disciplinary fragmentation - arguing for the futility of segregating the study of artefacts and society - this collection expands on the concerns about the place of objects and materiality in analytical strategies, and the obligation of ethnographers to question their assumptions and approaches.

The team of leading contributors put forward a positive programme for future research in this highly original and invaluable guide to recent developments in mainstream anthropological theory.

How might the anthropological study of cosmologies - the ways in which the horizons of human worlds are imagined and engaged - illuminate understandings of the contemporary world? This book addresses this question by bringing together anthropologists whose research is informed by a concern with cosmological dimensions of social life in different ethnographic settings. Its overall aim is to reaffirm the value of the cosmological frame as a continuing source of analytical insight. Attending to the novel cosmological formations that emerge in such fields as modern markets, political landscapes, digital media and popular cinema, the book's key task is to explore how modern circumstances are constituted within the variable imagination of worlds and their horizons. It will be of interest to all students and researchers in anthropology, as well as scholars in fields as diverse as film studies, cultural studies, comparative religion, science and technology studies, and broader social theory. -- .

In the current world disorder, security is on everyone's lips. But what is security from a cross-cultural perspective? How is it imagined and experienced by people on the ground? Crucially, what visions of the future are at stake in people's potentially divergent concerns with security: what, and when, is the time of security? Exploring diverse notions and experiences of time involved in security practices across the globe, this volume brings together a selection of international scholars who conduct ethnographic research in a broad ambit of securitized contexts - from the experience of Palestinian detainees in Israel or forms of popular violence in Bolivia, to efforts to normalize social relations in post-conflict Yugoslavia and ways of imagining threat in left-radical protest movements in Northern Europe. Interrogating recent debates about the role of "securitization" in contemporary politics, the book paves the way for novel forms of security analysis at the crossroads between anthropology and political science, focusing on the comparative study of the temporalities of securitization in a multi-polar world. Offering a pioneering synthesis, the book will be of interest not only to anthropologists, but also to students and scholars in political science and the growing field of Security Studies in International Relations.

In the current world disorder, security is on everyone's lips. But what is security from a cross-cultural perspective? How is it imagined and experienced by people on the ground? Crucially, what visions of the future are at stake in people's potentially divergent concerns with security: what, and when, is the time of security? Exploring diverse notions and experiences of time involved in security practices across the globe, this volume brings together a selection of international scholars who conduct ethnographic research in a broad ambit of securitized contexts - from the experience of Palestinian detainees in Israel or forms of popular violence in Bolivia, to efforts to normalize social relations in post-conflict Yugoslavia and ways of imagining threat in left-radical protest movements in Northern Europe. Interrogating recent debates about the role of "securitization" in contemporary politics, the book paves the way for novel forms of security analysis at the crossroads between anthropology and political science, focusing on the comparative study of the temporalities of securitization in a multi-polar world. Offering a pioneering synthesis, the book will be of interest not only to anthropologists, but also to students and scholars in political science and the growing field of Security Studies in International Relations.

How might the anthropological study of cosmologies - the ways in which the horizons of human worlds are imagined and engaged - illuminate understandings of the contemporary world? This book addresses this question by bringing together anthropologists whose research is informed by a concern with cosmological dimensions of social life in different ethnographic settings. Its overall aim is to reaffirm the value of the cosmological frame as a continuing source of analytical insight. Attending to the novel cosmological formations that emerge in such fields as modern markets, political landscapes, digital media and popular cinema, the book's key task is to explore how modern circumstances are constituted within the variable imagination of worlds and their horizons. It will be of interest to all students and researchers in anthropology, as well as scholars in fields as diverse as film studies, cultural studies, comparative religion, science and technology studies, and broader social theory. -- .

How might the organic link between theatre-making and political action be revitalised? And how might a spontaneous vision of a theatre of and for ordinary people be reignited? Since his political exile from Argentina in 1977, theatre director and producer Horacio Czertok has devoted his life to re-imagining the art of the theatre, taking it out of its comfort zone into places of social conflict such as deprived suburban areas, prisons and mental hospitals, as well as open, public spaces, engaging directly with audiences in a spirit of abiding, carnivalesque, and deeply political theatrical experimentation. Adapting a rigorous Stanislavskian theatrical training to the exigencies of raw, immediate encounters with audiences in marginal and open spaces, Czertok's theatre-making is unique, not only in the kinds of capacities and skills it allows actors to develop, but also in the way it renders the question of political efficacy immanent to the very process of making theatre. Providing Czertok's own, highly personal account of his trajectory in the global scene of theatre-making over the past half-century, this is a book about the theatre of exile - a theatre of streets, prisons, hospitals, open to direct and unexpected encounters with audiences and their life-experiences. Photos by Luca Gavagna

A new and often controversial theoretical orientation that resonates strongly with wider developments in contemporary philosophy and social theory, the so-called 'ontological turn' is receiving a great deal of attention in anthropology and cognate disciplines at present. This book provides the first anthropological exposition of this recent intellectual development. It traces the roots of the ontological turn in the history of anthropology and elucidates its emergence as a distinct theoretical orientation over the past few decades, showing how it has emerged in the work of Roy Wagner, Marilyn Strathern and Viveiros de Castro, as well a number of younger scholars. Distinguishing this trajectory of thinking from related attempts to put questions of ontology at the heart of anthropological research, the book articulates critically the key methodological and theoretical tenets of the ontological turn, its prime epistemological and political implications, and locates it in the broader intellectual landscape of contemporary social theory.

How might the organic link between theatre-making and political action be revitalised? And how might a spontaneous vision of a theatre of and for ordinary people be reignited? Since his political exile from Argentina in 1977, theatre director and producer Horacio Czertok has devoted his life to re-imagining the art of the theatre, taking it out of its comfort zone into places of social conflict such as deprived suburban areas, prisons and mental hospitals, as well as open, public spaces, engaging directly with audiences in a spirit of abiding, carnivalesque, and deeply political theatrical experimentation. Adapting a rigorous Stanislavskian theatrical training to the exigencies of raw, immediate encounters with audiences in marginal and open spaces, Czertok's theatre-making is unique, not only in the kinds of capacities and skills it allows actors to develop, but also in the way it renders the question of political efficacy immanent to the very process of making theatre. Providing Czertok's own, highly personal account of his trajectory in the global scene of theatre-making over the past half-century, this is a book about the theatre of exile - a theatre of streets, prisons, hospitals, open to direct and unexpected encounters with audiences and their life-experiences. Photos by Luca Gavagna

Embarking on an ethnographic journey to the inner barrios of Havana among practitioners of Ifa, a prestigious Afro-Cuban tradition of divination, "Truth in Motion" reevaluates Western ideas about truth in light of the practices and ideas of a wildly different, and highly respected, model. Acutely focusing on Ifa, Martin Holbraad takes the reader inside consultations, initiations, and lively public debates to show how Ifa practitioners see truth as something not so much to be represented, but transformed. Central to this position is Holbraad's description of Ifa truth as a motile event that is forged in the ritual of divination, rather than a static state simply needing to be unveiled. Ifa truth, Holbraad shows, is to be conceived as something that moves, literally, and is transformed when different trajectories of meaning are made to collide. Going further, he brings this ethnographic analysis to bear on the discipline of anthropology itself, recasting conflicts of truth and the problem of otherness in anthropological inquiry as rooted not in epistemological differences but ontological ones - truth, he argues, does not simply appear in different forms but exists in them.

A new and often controversial theoretical orientation that resonates strongly with wider developments in contemporary philosophy and social theory, the so-called 'ontological turn' is receiving a great deal of attention in anthropology and cognate disciplines at present. This book provides the first anthropological exposition of this recent intellectual development. It traces the roots of the ontological turn in the history of anthropology and elucidates its emergence as a distinct theoretical orientation over the past few decades, showing how it has emerged in the work of Roy Wagner, Marilyn Strathern and Viveiros de Castro, as well a number of younger scholars. Distinguishing this trajectory of thinking from related attempts to put questions of ontology at the heart of anthropological research, the book articulates critically the key methodological and theoretical tenets of the ontological turn, its prime epistemological and political implications, and locates it in the broader intellectual landscape of contemporary social theory.

This book is the first to collect the most influential essays and lectures of Eduardo Viveiros de Castro. Published in a wide variety of venues, and often difficult to find, the pieces are brought together here for the first time in a one major volume, which includes his momentous 1998 Cambridge University Lectures, "Cosmological Perspectivism in Amazonia and Elsewhere." Rounded out with new English translations of a number of previously unpublished works, the resulting book is a wide-ranging portrait of one of the towering figures of contemporary thought - philosopher, anthropologist, ethnographer, ethnologist, and more. With a new afterword by Roy Wagner elucidating Viveiros de Castro's work, influence, and legacy, The Relative Native will be required reading, further cementing Viveiros de Castro's position at the center of contemporary anthropological inquiry.

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. What can anthropological thinking contribute to the study of revolutions? The first book-length attempt to develop an anthropological approach to revolutions, Anthropologies of Revolution proposes that revolutions should be seen as concerted attempts to radically reconstitute the worlds people inhabit. Viewing revolutions as all-embracing, world-creating projects, the authors ask readers to move beyond the idea of revolutions as acts of violent political rupture, and instead view them as processes of societal transformation that penetrate deeply into the fabric of people's lives, unfolding and refolding the coordinates of human existence.