The future of deconstruction lies in the ability of its practitioners to mobilise the tropes and interests of Derrida's texts into new spaces and creative readings. In Deconstruction without Derrida, Martin McQuillan sets out to do just that, to continue the task of deconstructive reading both with and without Derrida. The book's principal theme is an attention to instances of deconstruction other than or beyond Derrida and thus imagining a future for deconstruction after Derrida. This future is both the present of deconstruction and its past. The readings presented in this book address the expanded field of deconstruction in the work of Jean-Luc Nancy, Helene Cixous, Paul de Man, Harold Bloom, J. Hillis Miller, Judith Butler, Gayatri Spivak and Catherine Malabou. They also, necessarily, address Derrida's own readings of this work. McQuillan accounts for an experience of otherness in deconstruction that is, has been and always will be beyond Derrida, just as deconstruction remains forever tied to Derrida by an invisible, indestructible thread.

Oxi (Gr. Determiner, lit. 'No', fig. 'Resistance', pronounced 'ochi') retells Sophocles' Antigone through the contemporary Greek crisis and modern European philosophy. A collaboration between the renowned British auteur Ken McMullen and the literary theorist Martin McQuillan, the film draws upon and responds to the importance of the Antigone of modern thought (Hegel, Arendt, Lacan, Derrida, Butler), while coming up close to the politics of the street and the malign effects of the austerity experiment in Greece today. The screenplay weaves together a range of idioms, including performance, fiction, documentary, interview and literary collage. The result is an intensely moving reflection on the tragedy of austerity today, with contributions from Helene Cixous, Etienne Balibar and Antonio Negri, as well as several significant figures in Greek cultural life. The volume includes full transcripts of the interviews with Cixous, Balibar and Negri, and a previously unpublished interview with Jacques Derrida on the question of Oedipus, as well as critical commentary from the filmmakers.

What happens when deconstruction reads politics? This collection of essays by some of Derrida's most significant readers thinks through deconstruction's relation to politics by explicating the text of Derrida in relation to political examples. Neither 'deconstruction' nor 'reading' nor 'politics' is left untouched in the encounters explored by the contributors to this volume. This book dispels any notion of the separation of deconstruction from the everyday and demonstrates the importance of deconstructive thought for the political.

Roland Barthes was one of the most influential thinkers of the twentieth century, but why should the reader of today, or tomorrow, be concerned with him? Martin McQuillan provides a fresh perspective on Barthes, addressing his political and institutional inheritance and considering his work as the origins of a critical cultural studies.
This stimulating study:
- provides a biographical consideration of Barthes' writing
- offers an extended reading of his 1957 text Mythologies as a text for our own time, drawing Barthes' work into a historical relation to the present
- examines his connection to what we call cultural studies
- features an annotated bibliography of Barthes' published work.
Thought-provoking and insightful, "Roland Barthes" is essential reading for anyone who is interested in the writings of this key theorist and his continuing relevance in our post-9/11 world.

In this book Martin McQuillan brings Derrida's writing into the immediate vicinity of geo-politics today, from the Kosovan conflict to the war in Iraq. The chapters in this book follow both Derrida's writing since Specters of Marx and the present political scene through the former Yogoslavia and Afghanistan to Palestine and Baghdad. His 'textual activism' is as impatient with the universal gestures of philosophy as it is with the complacency and reductionism of policy-makers and activists alike. This work records a response to the war on thinking that has marked western discourse since 9/11.

Sir Salman Rushdie is perhaps the most significant living novelist in English. His second novel, Midnight's Children, is regularly cited as the 'Booker of Bookers' and its impact is still being felt throughout in world literature. His fourth novel, The Satanic Verses, led to the 'Rushdie Affair' certainly the most significant literary-political event since the Second World War. Rushdie has continued to produce challenging fiction, controversial, thought-provoking non-fiction and has a presence on the world stage as a public intellectual. This collection brings together leading scholars to provide an up-to-date critical guide to Rushdie's writing from his earliest works up to the most recent, including his 2012 memoir of his time in hiding, Joseph Anton. Contributors offer new perspectives on key issues, including: Rushdie as a postcolonial writer; Rushdie as a postmodernist; his use and reuse of the canon; the 'Rushdie Affair'; his responses to 9/11 and to the 'War on Terror'; and issues of more complex philosophical weight arising from his fiction.

Oxi (Gr. Determiner, lit. 'No', fig. 'Resistance', pronounced 'ochi') retells Sophocles' Antigone through the contemporary Greek crisis and modern European philosophy. A collaboration between the renowned British auteur Ken McMullen and the literary theorist Martin McQuillan, the film draws upon and responds to the importance of the Antigone of modern thought (Hegel, Arendt, Lacan, Derrida, Butler), while coming up close to the politics of the street and the malign effects of the austerity experiment in Greece today. The screenplay weaves together a range of idioms, including performance, fiction, documentary, interview and literary collage. The result is an intensely moving reflection on the tragedy of austerity today, with contributions from Helene Cixous, Etienne Balibar and Antonio Negri, as well as several significant figures in Greek cultural life. The volume includes full transcripts of the interviews with Cixous, Balibar and Negri, and a previously unpublished interview with Jacques Derrida on the question of Oedipus, as well as critical commentary from the filmmakers.

Love in the Post (2013) is inspired by Jacques Derrida s book The Post Card. Like the book, the film plays with fact and fiction, weaving together the stories of a scholar of literature and a film director, alongside insights from critics and philosophers. Theo Marks works in a university department that is soon to be closed. His wife Sophie, enigmatic and distant, is in analysis. Filmmaker Joanna struggles to make a film about The Post Card. These people are set on a collision course prompted by a series of letters that will change their lives. The film features a never before seen interview with Derrida, alongside contributions from Geoffrey Bennington, Ellen Burt, Catherin Malabou, J. Hillis Miller and Samuel Weber. Alongside the original screenplay, Martin McQuillan provides an extended commentary on Derrida s original text, the film and its making. Joanna Callaghan reflects on her practice as a filmmaker and her engagement with philosophy as a director. The volume concludes with interviews between McQuillan and five leading Derrida scholars."

Love in the Post (2013) is inspired by Jacques Derrida s book The Post Card. Like the book, the film plays with fact and fiction, weaving together the stories of a scholar of literature and a film director, alongside insights from critics and philosophers. Theo Marks works in a university department that is soon to be closed. His wife Sophie, enigmatic and distant, is in analysis. Filmmaker Joanna struggles to make a film about The Post Card. These people are set on a collision course prompted by a series of letters that will change their lives. The film features a never before seen interview with Derrida, alongside contributions from Geoff Bennington, Ellen Burt, Catherin Malabou, J. Hillis Miller and Samuel Weber. Alongside the original screenplay, Martin McQuillan provides an extended commentary on Derrida s original text, the film and its making. Joanna Callaghan reflects on her practice as a filmmaker and her engagement with philosophy as a director. The volume concludes with interviews between McQuillan and five leading Derrida scholars."

In this book Martin McQuillan brings Derrida's writing into the immediate vicinity of geo-politics today, from the Kosovan conflict to the war in Iraq. The chapters in this book follow both Derrida's writing since Specters of Marx and the present political scene through the former Yogoslavia and Afghanistan to Palestine and Baghdad. His 'textual activism' is as impatient with the universal gestures of philosophy as it is with the complacency and reductionism of policy-makers and activists alike. This work records a response to the war on thinking that has marked western discourse since 9/11.

What is the relationship between theory and practice in the creative arts today? In this book, Martin McQuillan offers a critical interrogation of the idea of practice-led research. He goes beyond the recent vocabulary of research management to consider the more interesting question of the emergence of a cultural space in which philosophy, theory, history and practice are becoming indistinguishable. McQuillan considers the work of a number of writers and thinkers whose work crosses the divide between theoretical (academic) and creative practice, including Alain Badiou and Terry Eagleton, and the longer tradition of 'theory-writing' that runs through the work of Helene Cixous, Roland Barthes and Louis Althusser. His aim is to elucidate the contemporary ramifications of a relationship that has been contested throughout the long history of philosophy, from Plato's dialogues to Derrida's 'Envois'.

The Narrative Reader aims to provide a comprehensive survey of narrative theories ranging from Plato to Post-Structuralism. The selection of texts is bold and broad, demonstrating the extent to which narrative permeates the entire field of literature and culture. It shows the ways in which narrative crosses disciplines, continents and theoretical perspectives and is a long overdue and welcome addition to the field. The Narrative Reader will fascinate students and researchers alike, providing a much needed point of entry to the increasingly complex field of narrative theory.

The Narrative Reader aims to provide a comprehensive survey of narrative theories ranging from Plato to Post-Structuralism. The selection of texts is bold and broad, demonstrating the extent to which narrative permeates the entire field of literature and culture. It shows the ways in which narrative crosses disciplines, continents and theoretical perspectives and is a long overdue and welcome addition to the field. The Narrative Reader will fascinate students and researchers alike, providing a much needed point of entry to the increasingly complex field of narrative theory.

'I have often declared my admiration for Helene Cixous, for the person and for the work: immense, powerful, so multiple but unique in this century.' - Jacques Derrida 'Insister of Jacques Derrida, so expertly translated by Derrida's principal and most faithful translator, Peggy Kamuf, is an indispensable, daring, heartfelt and moving book...It presents a flawless, committed reading that is in the spirit of Derrida in its serious playfulness, its poetic sinuousness, its elegant reasoning and rhetoric while also being wholly in Cixous' own singular voice. This is not merely a study of Derrida, it is a haunting dialogue with his memory and with his phantom.' - Julian Wolfreys, Professor of Modern Literature and Culture, Loughborough University Helene Cixous is arguably the most insightful and unbridled reader of Jacques Derrida today. In Insister she brings a unique mixture of theoretical speculation, breath-taking textual explication and scholarly erudition to an extremely close reading of Derrida's work, always attentive to the details of his thinking. At the same time, Insister is an extraordinarily poetic meditation, a work of literature and of mourning for Jacques Derrida the person, who was a close friend and accomplice of Cixous's from the beginning of their careers. Insister of Jacques Derrida joins Dream I Tell You by Helene Cixous and Geneses, Genealogies, Genres and Genius by Jacques Derrida, also published in The Frontiers of Theory series.

Sir Salman Rushdie is perhaps the most significant living novelist in English. His second novel, Midnight's Children, is regularly cited as the 'Booker of Bookers' and its impact is still being felt throughout in world literature. His fourth novel, The Satanic Verses, led to the 'Rushdie Affair' certainly the most significant literary-political event since the Second World War. Rushdie has continued to produce challenging fiction, controversial, thought-provoking non-fiction and has a presence on the world stage as a public intellectual. This collection brings together leading scholars to provide an up-to-date critical guide to Rushdie's writing from his earliest works up to the most recent, including his 2012 memoir of his time in hiding, Joseph Anton. Contributors offer new perspectives on key issues, including: Rushdie as a postcolonial writer; Rushdie as a postmodernist; his use and reuse of the canon; the 'Rushdie Affair'; his responses to 9/11 and to the 'War on Terror'; and issues of more complex philosophical weight arising from his fiction.

One of Derrida's most complex, intriguing and challenging texts, Glas is a work of resounding importance for literature, for philosophy, for literature, and for the relationship between the two. This collection of essays, featuring leading scholars in the field, seeks to trace its resonance four decades after its publication. A number of interconnected problems and themes will be examined, including Derrida's deconstruction of the Hegelian interpretation of Antigone, the philosophy and politics of familial and civil life, questions of sexual difference and dissidence, the question of the signature, the complex role played by figuration and language, and the continuing relevance of Glas today. While some of the essays undertake rigorous close readings of the text, at the same time as tracing the limits of such reading as they are indeed anticipated by Glas itself, others take this work as the occasion to explore its reverberations in other writings and in a host of topics and problems germane not only to literary and philosophical studies, but to cultural and political worlds far beyond the confines of academia.

The work of Jacques Derrida has been of singular importance in the development of contemporary political theory and political philosophy, being a major influence and inspiration to Slavoj Zizek, Richard Rorty, Ernesto Laclau, Judith Butler and many more contemporary thinkers. This text brings together a truly first class line up of Derrida scholars who are developing a deconstructive approach to politics. Deconstruction is an immanent critique, looking at the internal logic of any given text or discourse, revealing how particular concepts are established as authoritative principles through a variety of textual and rhetorical devices. A deconstructive reading would then expose how an apparently authoritative concept, when looked at closely, is contradictory and contingent on a host of external relations - with the effect of undermining the force of the text or discourse from which the concept originates. Such a critical method has proved revolutionary in much political analysis, particularly ideology critique.

Demonising Disney is nothing new. Disney films have long been synonymous with a certain conservative, patriarchal, heterosexual ideology, occupying a centre-stage position at the heart of the evil empire. Deconstructing Disney takes issue with knee-jerk polarities, overturning classical oppositions and recognising that, just as the Disney 'text' has changed, so too must the terms of critical engagement. This book is a sharply focused deconstruction of the political culture - and the cultural politics - of the Disney canon in the years since the emergence of the so-called New World Order. Eleanor Byrne and Martin McQuillan offer a critical encounter with Disney which alternates between readings of individual texts and wider thematic concerns such as race, gender and sexuality, the broader context of American contemporary culture, and the global ambitions and insularity of the last great superpower. The movies discussed include The Little Mermaid, The Lion King, Pocohontas, Snow White, Bedknobs and Broomsticks, Dumbo, Peter Pan, The Jungle Book, Hercules and Mulan.

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. What is the relationship between theory and practice in the creative arts today? In Critical Practice, Martin McQuillan offers a critical interrogation of the idea of practice-led research. He goes beyond the recent vocabulary of research management to consider the more interesting question of the emergence of a cultural space in which philosophy, theory, history and practice are becoming indistinguishable. McQuillan considers the work of a number of writers and thinkers who cross the divide between theoretical and creative practice, including Alain Badiou and Terry Eagleton, and the longer tradition of 'theory-writing' that runs through the work of Helene Cixous, Roland Barthes and Louis Althusser. His aim is to elucidate the contemporary ramifications of a relationship that has been contested throughout the long history of philosophy, from Plato's dialogues to Derrida's 'Envois'.

The future of deconstruction lies in the ability of its practitioners to mobilise the tropes and interests of Derrida's texts into new spaces and creative readings. In Deconstruction without Derrida, Martin McQuillan sets out to do just that, to continue the task of deconstructive reading both with and without Derrida. The book's principal theme is an attention to instances of deconstruction other than or beyond Derrida and thus imagining a future for deconstruction after Derrida. This future is both the present of deconstruction and its past. The readings presented in this book address the expanded field of deconstruction in the work of Jean-Luc Nancy, Helene Cixous, Paul de Man, Harold Bloom, J. Hillis Miller, Judith Butler, Gayatri Spivak and Catherine Malabou. They also, necessarily, address Derrida's own readings of this work. McQuillan accounts for an experience of otherness in deconstruction that is, has been and always will be beyond Derrida, just as deconstruction remains forever tied to Derrida by an invisible, indestructible thread.

This is not a Derrida Reader. It is the first volume to offer a selection of texts from the field of deconstruction in all its radical diversity. The collection examines the fortunes of the term deconstruction, and the ideas associated with it, in the work of the leading commentators on Derrida's texts. It includes previously untranslated, newly translated and uncollected work by Derrida and others. Deconstruction: A Reader begins with examples of pre-Derridean deconstruction, then divides into sections covering philosophy, literature, culture, sexual difference, psychoanalysis, politics, ethics, and memorial texts and interviews by Derrida. It covers a broad range of topics including: AIDS, architecture, art, feminism, ghosts, law, Marxism, postmodernism, race, revolution, Shakespeare, technology, telepathy and theology. This is an indispensable anthology and a guide both to the history of deconstruction and to its current scene. It provides a significant introduction to the challenge of deconstruction. Features * The first anthology devoted to deconstruction * Broad thematic and interdisciplinary coverage * The introductory essay provides a cogent and sustained set of definitions of deconstruction * Includes previously untranslated, newly translated and uncollected work by Derrida and others * Provides a comprehensive introduction to the field