A new edition of a modern classic of photography. Martin Parr is Europe's premier contemporary photographer, and "The Last Resort" is the book that is considered to have launched his career. Taken at the height of the Thatcher years, it depicts the "great British seaside" in all its garish glory. Described by some as cruel and voyeuristic and by others as a stunning satire on the state of Britain, early editions are now much sought after by collectors worldwide. Includes a new essay by Gerry Badger, photographer, architect, curator, and critic.

Following on the heels of Martin Parr’s limited-edition, album-style presentation of Life’s a Beach, released last season, Aperture is delighted to introduce a new beach-bag-sized edition. Parr has been photographing beaches for many decades, documenting all aspects of them, including close-ups of sunbathers, rambunctious swimmers caught mid-plunge, and the eternal sandy picnic underway. His international career, in fact, could well be traced to the launch of The Last Resort, a 1986 book depicting the seaside resort of New Brighton, near Liverpool. What may be less known is that this obsession has led Parr to photograph beaches around the world. This compilation, his first on the topic, presents photos of beachgoers on far-flung shores, including Argentina, Brazil, China, Spain, Italy, Latvia, Japan, the United States, Mexico, Thailand, and of course, the U.K. The compilation brings to the forefront Parr’s engagement with a cherished subject matter—that rare public space in which general absurdities and local quirks seamlessly fuse together. This book shows Parr at his best, startling us with moments of captured absurdity and immersing us in rituals and traditions associated with beach life the world over.

Leading photographer Martin Parr, author of the highly successful 'Boring Postcards' has put together another wonderful book from his personal collection of cards. This time he celebrates the American Christmas card. These are a fascinating eye-opener into American culture, as proud families everywhere (pets included) pose before the camera to send their Christmas greetings across the nation.

Since 1982, Paris Audiovisual and the Maison Europeenne de la Photographie (MEP) have commissioned great photographers to capture their views of Paris. Taking up the task after Henri Cartier-Bresson, Edouard Boubat, Ralph Gibson, Mimmo Jodice, Bruce Davidson and others, Martin Parr (born 1952) hones in on the city, and on Parisians and the tourists who inundate the French capital. He visits the Notre Dame cathedral, sightseer-laden riverboats, the Champs-Elysees on Bastille Day, the Paris Air Show, the Agricultural Show, along with fashion shows, museums and art fairs. "Martin Parr: Grand Paris" collects more than 40 of Parr's photographs, most of which are previously unpublished, that range from newly conceived images to the iconic and the oldest of Parisian cliches. This volume, an astonishing and uncompromising portrayal of the French capital, is presented as an accurate Paris map in layout--even including the street index--with Parr's photographs taking the place of the traditional maps.

A compelling social and cultural history of Britain since the Second World War, showing how photographers have depicted the country over the last seventy years. Another Country offers a lively, vital rethinking of British documentary photography over the last seven decades. This collection includes a diverse range of photographers working in an exciting array of photographic and artistic modes, encompassing images from iconic reportage to photo-text pieces, from self-portraits to political photo-collages. As Britain takes an increasingly significant place in the history of documentary photography, award-winning photography writer and critic Gerry Badger brings vital context and breadth to the conversation. Organized chronologically, each chapter spans a particular period of social and cultural history, focusing on the major photographers, figures, institutions, publications and galleries that shaped the photographic climate of their time, as well as the broader tastes of the era. Chapter-by-chapter picture sections present famous works alongside forgotten masterpieces, interspersed with focused commentaries on selected photographs by both Badger and a range of contributors. This multilayered approach provides a rich understanding of the evolution and sheer variety of British documentary photography. With more than 165 photographers represented - including work by Bert Hardy, Lee Miller, Bill Brandt, Nigel Henderson, Don McCullin, Jane Bown, Yinka Shonibare, Maud Sulter, Nadav Kander, Tom Hunter, Chloe Dewe Matthews, Cold War Steve and many more - this book is a comprehensive overview of how photographers and photo-artists have depicted Britain and British society over the last seventy years.

Newly revised histories of photography as recorded via the photobook have added enormously to our understanding of the medium's culture, particularly in places that are often marginalized, such as Latin America and Africa. However, until now, only a handful of Chinese books have made it onto historians' short lists. Yet China has a fascinating history of photobook publishing, and The Chinese Photobook reveals for the first time the richness and diversity of this heritage. This now available in a smaller size, more accessibly priced hardcover edition, volume is based on a collection compiled by Martin Parr and Beijing- and London-based Dutch photographer team WassinkLundgren. And while the collection was inspired initially by Parr's interest in propaganda books and in finding key works of socialist realist photography from the early days of the Communist Party and the Cultural Revolution era, the selection of books includes key volumes published as early as 1900, as well as contemporary volumes by emerging Chinese photographers.

Martin Parr's collection of photobooks is one of the finest to have ever been assembled and The Protest Box is a box set which brings together five books from that collection as facsimile reprints. Parr has selected diverse books which each deal with the subject of protest in quite different ways. From the documentation of various protest movements to the actual book being a form of protest, all these reprints are gems within the history of photographic publishing. A few are known but many are new, even to the connoisseur of photography books. All these books are virtually impossible to locate, so these reprints will make a substantial contribution to our understanding of this sub-genre of the photobook. The box set is accompanied by a booklet which includes an introduction by Martin Parr, an essay discussing the wider context of these books by Gerry Badger, and English translations of all the texts in the books. Enrique Bostelmann America: un Viaje a traves de la injustica First published in 1970 by Siglo XXI Editores, Mexico City; Bostelmann, a Mexican photographer, journeyed through Latin America looking for examples of injustice, such as the exploitation of indigenous Indians who were forced into factories and menial jobs. Paolo Gasparini Para verte major, America Latina First published in 1972 by Siglo XXI Editores, Mexico City; Gasparini, an Italian born photographer who has lived in Caracas most of his life, traversed Latin America to document the contrast between communism and capitalism. The book also documents and uses graffiti and graphics to emphasis his polemic. Dirk Alvermann Algeria First published in 1961 in Berlin, GDR; Alvermann, a photographer originally born in West Germany, published his book about both sides of the Algerian conflict in East Berlin. The radical design was inspired by Russian film stills. Kitai Kazuo Sanrizuka First published in 1971 by Nora-Sha, Tokyo; a classic protest book which shows the huge popular uprising inspired by the proposed building of Narita airport. Paolo Mattioli and Anna Candiani Immagini del No First published in 1974 by Occhio Magico No 11, Milan; this small format book documented various protests in Italy, from the Feminist Movement to Anti-Fascism marches.

ToiletMartin PaperParr Book limited edition is a high-impact visual volume revealing the most iconic images from the prolific archives of internationally celebrated artist Martin Parr and the duo who created Toiletpaper, Maurizio Cattelan and Pierpaolo Ferrari. Martin Parr's ironic, full color images combine perfectly with the irreverent and poignant wit created by Maurizio Cattelan and Pierpaolo Ferrari. The 120 vibrant back-to-back images included in this compelling volume are sensually and visually appealing, as well as reflecting reality. This book of the books shakes up our minds and leads us to move our gaze in multiple directions. This limited edition comes with a special cover and includes a surprise gift...

Emerging photographer Sam Mellish presents 'Watford Gap', an initmate study of the myriad different people who pass through the doors of the UK's 'first motorway service station'. Created in collaboration with celebrated UK poet David Harsent and prolific photographer Martin Parr, 'Watford Gap' is a light hearted and touching portrait of the UK on the move.

'Martin Parr is a chronicler of our age - His photographs are original and entertaining, accessible and understandable. But at the same time they show us in a penetrating way how we live, how we present ourselves to others, and what we value.' - Thomas Weski Over the last four years Martin Parr has been working on a commission for Multistory photographing the Black Country, It was an area he knew little of, other than its reputation as a densely populated, post-industrial area; one in decline. Many of the industries that once made the Black Country great have declined, but numerous small factories and manufacturing businesses remain in good health. A degree of regeneration has also come as a result of the many immigrant communities that have made the Black Country their home. The region is now populated with many different communities - Polish, Sikh and Somali to name but a few. Parr has explored workplaces, temples, churches, shops, clubs and societies, Wary of neglecting the day-to-day experience, he also photographed in the Merry Hill Shopping Centre, in shops such as Tesco, in bars, clubs and nightclubs as well as in leisure facilities such as gyms, sports centres and spas. One particular focus of this new series is on portraiture, an aspect of Parr's work that has really blossomed through the project

Each "Collector's Edition" comprises a special cloth-bound and boxed edition of a Phaidon book, with an original print, made, signed and numbered by the artist or photographer. Four different images from Martin Parr are available: "Steep Lane Baptist Chapel, Yorkshire, 1978"; "Jubilee Street Party, Elland, Yorkshire, 1977"; "Badminton Horse Trial"; and "Pink Pig Cakes". Martin Parr's work has always provoked discussion and debate. A pioneer of colour photography and an insightful commentator on the commercial culture of today as well as domestic and social life, he has revitalized and repositioned contemporary documentary photography. A member of Magnum since 1994, Parr has published over 20 books and been widely exhibited around the globe. This is his first major retrospective book documenting his complete career to date.

This special edition limited to 70 copies includes the book and one gelatin silver print signed and numbered by Parr. The picture is titled Glenbeigh Races, County Kerry, 1983. The print measures 20.0 x 29.0cm Martin Parr has been taking photographs in Ireland for 40 years. His work covers many of the most significant moments in Ireland's recent history, encompassing the Pope's visit in 1979, when a third of the country's population attended Mass in Knock and Phoenix Park in Dublin, as well as gay weddings and start-up companies in 2019. It is difficult to think of country that has changed so dramatically in this relatively short space of time. Parr lived in the West of Ireland between 1980-82. He photographed traditional aspects of rural life such as horse fairs and dances, but also looked at the first hint of Ireland's new wealth in the shape of the bungalows that were springing up everywhere, replacing more traditional dwellings. During subsequent trips to Ireland he explored the new estates around Dublin and the introduction of the first drive-through McDonald's. Parr also looked at the North and documented how, after the Good Friday agreement, the Troubles became the focus of a new tourist boom. The final chapter of this book portrays a contemporary Dublin where start-up companies are thriving, the docks area is being gentrified and where icons of wealth and modernity - such as the flat white - can be everywhere. Ireland has also now voted to allow both abortion and gay weddings, developments that would have been unthinkable 40 years ago. The book includes an introduction by the acclaimed journalist Fintan O'Toole.