This special issue presents an overview of recent research conducted in the field of language production. Its articles are based on talks presented at the first edition of the International Workshop on Language Production (Marseille, France, September 2004). The articles in the special issue deal with three different topics of general interest for models of language production: A. the general organizational principles of the language production system (representations, spread of activation, monitoring), B. several aspects of the lexical selection process and C. the representations and processes used during syntactic encoding.

Series Information:
Studies in Cognition

The architectures and mechanisms underlying language processing form one important part of the general structure of cognition. This book, written by leading experts in the field, brings together linguistic, psychological and computational perspectives on some of the fundamental issues. Several general introductory chapters offer overviews on important psycholinguistic research frameworks and highlight both shared assumptions and controversial issues. Subsequent chapters explore syntactic and lexical mechanisms; statistical and connectionist models of language understanding; the crucial importance of linguistic representations in explaining behavioural phenomena; evidence from a variety of studies and methodologies concerning the interaction of syntax and semantics; and the implications for cognitive architecture. The book concludes with a set of contributions on select issues of interpretation, including quantification, focus and anaphora in language understanding. Architectures and Mechanisms for Language Processing will appeal to students and scholars alike as a comprehensive and timely survey of recent work in this interdisciplinary area.

The architectures and mechanisms underlying language processing form one important part of the general structure of cognition. This book, written by leading experts in the field, brings together linguistic, psychological, and computational perspectives on some of the fundamental issues. Several general introductory chapters offer overviews on important psycholinguistic research frameworks and highlight both shared assumptions and controversial issues. Subsequent chapters explore syntactic and lexical mechanisms, the interaction of syntax and semantics in language understanding, and the implications for cognitive architecture.

Language Processing questions what happens when we process language - what mental operations occur during processing and how they are organised over time. The last decade has seen real advances in the study of language processing that have wide ranging implications for human cognition in general. Language Processing gives an account of these developments both as they relate to experimental studies of processing and as they relate to computational modelling of the processes. In addition to chapters covering core topics, such as lexical processing, syntactic parsing and the comprehension of discourse, special topics of recent interest are also included.

This volume is the latest in a distinguished series of Renaissance editions, Monuments of Renaissance Music, which was founded by Edward E. Lowinsky and is now edited by Howard Mayer Brown. Four of the seven volumes published in the series to date have received the Otto Kinkeldey Award of the American Musicological Society.
Andrea Antico was one of the earliest and most important music publishers. Starting in Rome in 1510 and continuing in Venice, Antico produced elegant books of polyphonic music, cut with incredible skill on wood blocks. The repertory he published is central to understanding sixteenth-century music. It includes, for example, many pieces sung regularly in the Sistine Chapel. Since the best-represented composer in Antico's volumes if Jean Mouton, chapel master to the French king, these motet books provide insights into the character of music both at the Vatican and at the French court at the height of the Renaissance.
Martin Picker provides an exemplary edition of the four volumes of motets published by Antico in the early 1520s. His edition includes, in modern notation, all of the contents of these volumes not previously published in the Medici Codex (Monuments of Renaissance Music, Volumes III-V). Picker prefaces his edition with a history of Antico's publishing career and a discussion of each piece and its sources. The list of concordant sources and the discussions of important variants will be of enormous value to Renaissance scholars.