Martin Prechtel continues the narrative of his unique life in Santiago, Atitlan in "Long Life, Honey in the Heart, " an eloquent memoir replete with the subtle intelligence and sophistication of Mayan culture. Set against the dramatic backdrop of Guatemala's political upheaval in the 1980s, this heady mix of magic, humor, and spirituality immerses the reader in the experiences of Mayan birth, courting, marriage, childrearing, old age, death, and beyond, using the true story of Prechtel's own family and friends.

Following the acclaimed Secrets of "The Talking Jaguar" and "Long Life, Honey in the Heart," this is an expansive, lyrical novel in the tradition of indigenous oral storytelling. Based on the author's many years of living in a Guatemalan village, "Stealing Benefacio's Roses" interweaves dramatic recountings of village life and the political horrors of civil war with lyric retellings of sacred Mayan myths. The story shifts expertly from timeless, with archetypal characters like Raggedy Boy and the goddess known as the Water-Skirted Beauty, to timely in the book's striking first-person narrative set in the 1980s. Prechtel shows how ancient myths can become a part of life for everyone and help nurture spiritual survival in the modern world. Though it comes third in sequence with the author's other two books, "Stealing Benefacio's Roses" also stands on its own as a classic work of spiritual seeking and adventure.

Martin Prechtel's experiences growing up on a Pueblo Indian reservation, his years of apprenticing to a Guatemalan shaman, and his flight from Guatemala's brutal civil war inform this lyrical blend of memoir, cultural mythology, and spiritual call to arms. "The Unlikely Peace at Cuchumaquic "is both an epic story and a cry to the heart of humanity based on the author's realization that human survival depends on keeping alive the seeds of our "original forgotten spiritual excellence."
Prechtel relates the current eco-crisis to the rapid disappearance of biodiversity, indigenous cultures, and shared human values. He demonstrates how real human culture is exterminated when real (not genetically modified) seeds are lost. Like plants that become extinct once their required conditions are no longer met, authentic, unmonetized human cultures can no longer survive in the modern world. To "keep the seeds alive"--both literally and metaphorically--they must be planted, harvested, and replanted, just as human culture must become truly engaging and meaningful to the soul, as necessary as food is to the body. The viable seeds of spirituality and culture that lie dormant within us need to "sprout" into broad daylight to create real sets of cultures welcome on Earth.

Author and illustrator Martin Prechtel is internationally known for his explorations of ancient folklore and uncovering the lessons therein for modern readers. In "The Disobedience of the Daughter of the Sun," he revives a hitherto unknown Guatemalan Tzutujil Mayan tale of the beginnings of the world with a poetic retelling of the story, 28 evocative drawings, and a critical analysis that both enlightens and entertains. Having lived with the Mayans and learned their language, Prechtel authoritatively retells the powerful tale of the Tall Girl who weaves the world in a loom, her parents the Sun and the Moon who repudiate her suitors, and the mysterious man who disguises himself as a hummingbird to lure her away. Prechtel expands this archetypal story with five layers of commentary, each teasing out a different wisdom and revealing its relevance to the world today.