Pollsters called it a foregone conclusion. Columnists said Theresa May's snap general election wouldn't just return her a thumping majority in the House of Commons - it would plunge the opposition into existential crisis. For Labour MPs, concerns about "job security" in an age of zero-hours contracts suddenly felt uncomfortably close to home. And then something happened. Momentum got to work. Grime4Corbyn gathered steam. Clicktivists were transformed into door-knocking, flag-waving activists. Soon, a familiar chant - "Oh, Jeremy Corbyn" - was reverberating around football stadiums and venues across the country. All this while Theresa turned Maybot and the Conservatives released a manifesto that looked bad for people and even worse for animals. Featuring work by many of the UK's best-known cartoonists, including Martin Rowson, Steve Bell and Stephen Collins, The Corbyn Comic Book captures the qualities, quirks and flaws of a man whose startling rise to prominence has been the defining story of 2017. He didn't win, but he did cause a political earthquake. Corbynmania is a thing now - and so is Comix4Corbyn.

We live with the idea of sin every day - from the greatest transgressions to the tiniest misdemeanours. But surely the concept was invented for an age where divine retribution and eternal punishment dominated the collective consciousness? In this lively collection of new writing, Nicola Barker, Dylan Evans, David Flusfeder, Todd McEwen, Martin Rowson, John Sutherland and Ali Smith go head to head with the capital vices to explore what we really mean when we talk about sin. The resulting mixture of erudite and playful essays and startling new fiction might not make you a better person, but it will certainly give you pause for thought when you're next laying the law down or - heaven forfend - about to do something beyond the pale yourself.

FROM THE WINNER OF THE BAILIE GIFFORD PRIZE After the Second World War, new international rules heralded an age of human rights and self-determination. Supported by Britain, these unprecedented changes sought to end the scourge of colonialism. But how committed was Britain? In the 1960s, its colonial instinct ignited once more: a secret decision was taken to offer the US a base at Diego Garcia, one of the islands of the Chagos Archipelago in the Indian Ocean, create a new colony (the 'British Indian Ocean Territory') and deport the entire local population. One of those inhabitants was Liseby Elysé, twenty years old, newly married, expecting her first child. One suitcase, no pets, the British ordered, expelling her from the only home she had ever known. For four decades the government of Mauritius fought for the return of Chagos, and the past decade Philippe Sands has been intimately involved in the cases. In 2018 Chagos and colonialism finally reached the World Court in The Hague. As Mauritius and the entire African continent challenged British and American lawlessness, fourteen international judges faced a landmark decision: would they rule that Britain illegally detached Chagos from Mauritius? Would they open the door to Liseby Elysé and her fellow Chagossians returning home - or exile them forever? Taking us on a disturbing journey across international law, THE LAST COLONY illuminates the continuing horrors of colonial rule, the devastating impact of Britain's racist grip on its last colony in Africa, and the struggle for justice in the face of a crime against humanity. It is a tale about the making of modern international law and one woman's fight for justice, a courtroom drama and a personal journey that ends with a historic ruling.

THE INSTANT SUNDAY TIMES TOP 10 BESTSELLER After the Second World War, new international rules heralded an age of human rights and self-determination. Supported by Britain, these unprecedented changes sought to end the scourge of colonialism. But how committed was Britain? In the 1960s, its colonial instinct ignited once more: a secret decision was taken to offer the US a base at Diego Garcia, one of the islands of the Chagos Archipelago in the Indian Ocean, create a new colony (the 'British Indian Ocean Territory') and deport the entire local population. One of those inhabitants was Liseby Elyse, twenty years old, newly married, expecting her first child. One suitcase, no pets, the British ordered, expelling her from the only home she had ever known. For four decades the government of Mauritius fought for the return of Chagos, and the past decade Philippe Sands has been intimately involved in the cases. In 2018 Chagos and colonialism finally reached the World Court in The Hague. As Mauritius and the entire African continent challenged British and American lawlessness, fourteen international judges faced a landmark decision: would they rule that Britain illegally detached Chagos from Mauritius? Would they open the door to Liseby Elyse and her fellow Chagossians returning home - or exile them forever? Taking us on a disturbing journey across international law, THE LAST COLONY illuminates the continuing horrors of colonial rule, the devastating impact of Britain's racist grip on its last colony in Africa, and the struggle for justice in the face of a crime against humanity. It is a tale about the making of modern international law and one woman's fight for justice, a courtroom drama and a personal journey that ends with a historic ruling.

The world of Westminster laid bare in cool, understated prose brimming with irony and complemented by Martin Rowson's sharp, satirical drawings.A brief guide to how democracy works, or fails to work. The big answers to all the questions you should have asked, but never did-but here it is: your guide to democracy, elections, referendums and what lurks in cyber space. The hilarious joint creation of Bob Marshall Andrews, author, barrister, former Labour MP for Medway, thorn in Tony Blair's side and multi award winning cartoonist Martin Rowson.

Since 2010, Martin Rowson has been documenting the highs and lows - mainly the lows - of the Tory-Lib Dem coalition week after week in The Guardian, as well as in The Morning Star, Tribune and many other publications. This book collects Rowson's best, most brutally funny, cartoons from a period that began with a "big, open, comprehensive offer" to Nick Clegg, continued on through riots, phone-hacking, double-dip recession, and endless debates on Europe, and will end (perhaps) with the general election in 2015. Accompanied by witty explanatory text, The Coalition Book takes a biting satirical look at Cameron and Clegg's first - and perhaps last - five years in charge. The book contains a foreword by Will Self.

Published in 1848, at a time of political upheaval in Europe, Karl Marx and Friedrich Engels's Manifesto for the Communist Party was at once a powerful critique of capitalism and a radical call to arms. It remains the most incisive introduction to the ideas of Communism and the most lucid explanation of its aims. Much of what it proposed continues to be at the heart of political debate into the 21st century. It is no surprise, perhaps, that The Communist Manifesto (as it was later renamed) is the second bestselling book of all time, surpassed only by the Bible. The Guardian's editorial cartoonist Martin Rowson employs his trademark draftsmanship and wit to this lively graphic novel adaptation. Published to coincide with the 200th anniversary of Marx's birth, The Communist Manifesto is both a timely reminder of the politics of hope and a thought-provoking guide to the most influential work of political theory ever published.

Every week since 2006, the award-winning cartoonist and writer Martin Rowson has been making a fool of himself in The Independent on Sunday by reducing the work of some of the world s best-loved writers to a series of puerile and filthy limericks. Following the success of the first two volumes of The Limerickad (from Gilgamesh to Jane Austen) The Limerickiad volume III lays waste to the literary greats of the nineteenth-century. Rowson mangles Melville, put the boot into the Bront s and defaces the complete works of Dickens. He even finds time to write a limerick in homage to its inventor ( When a runcible fellow called Lear... ).

Hans Holbein's 16th-century masterpiece, The Dance of Death, reminds its readers that no one, no matter their rank or position, can escape the great leveller, Death. In a foreboding series of woodcuts, Death, depicted as a skeleton, intrudes on the lives of people from every level of society, from the sailor to the judge, the ploughman to the king. By highlighting our common fate, Holbein exposes the folly of greed and ambition, and in doing so brings a corrupt and callous elite crashing back down to earth. In this darkly satirical update, Guardian cartoonist Martin Rowson sharpens and reshapes Holbein's vision for the 21st century. Death seizes the City banker by his braces and offers a light to the oligarch; it joins the surgeon in theatre and the Hollywood star on the red carpet. Filled with wit and doom-laden drama, Martin Rowson's The Dance of Death is a masterful reimagining of a book which, in its uncompromising treatment of the rich and powerful, paved the way for the great, levelling craft of political cartooning.

A stocking-fodder sensation of classic Christmas carols told through the brilliantly British medium of pun, by the internationally renowned Guardian cartoonist, Martin Rowson. Carol Carnage takes the first verse and chorus line of five world-famous carols and renders them into stunning pen-and-ink puns, brimming with English eccentricity, invention and Christmas-crackerly bawdiness. Whether it is the frosty beauty of In the Bleak Midwinter maliciously misheard as the vomit-spackled Ian the Greek, Mid-wine Tour or the trumpeting joy of God Rest Ye Merry, Gentlemen spitefully styled as a husband and wife drunkenly heckling one another in Got Dressed Yet Mary? Gin Till Morn!, the internationally renowned cartoonist Martin Rowson unrepentantly takes aim at po-faced carol enthusiasts and dangerously earnest Christmassers the world over.

Witty and tongue-in-cheek, over the past five years Martin Rowson's limericks and cartoons have retold the story of world literature, appearing each week in the Independent on Sunday. Now collected together, 'The Limerickiad' takes us from John Donne to Jane Austen, showcasing the author's reverence for texts.

Witty and tongue-in-cheek, over the past five years Martin Rowson's limericks and cartoons have retold the story of world literature, appearing each week in the Independent on Sunday. Now collected together, 'The Limerickiad' takes us from Gilgamesh to the complete works of Shakespeare, showcasing the author's reverence for texts.

In Martin Rowson's "The Waste Land", private detective Chris Marlowe is tasked with getting to the bottom of the most impenetrable of all modernist mysteries: namely T. S. Eliot's "The Wasteland". Cunningly contrived, this irreverent graphic parody is inspired in equal parts by the classic modernist poem and by the American noir novels of Raymond Chandler. Marlowe, searching for his dead partner's killers, is lured into a web of murder, deceit, lust, despair, and, of course, a frantic quest for the Holy Grail. Doped, duped, pistol-whipped, framed by the cops, and going nowhere fast, Marlowe enters a nightmare world where Robert Frost, Norman Mailer, and Edmund Wilson drink in the gloom of a London pub; where Auden is glimpsed entering the men's room; where Henry James, Aldous Huxley, and Richard Wagner share an ice cream aboard a Thames pleasure steamer; and where, out of luck and out of clues, Marlowe finally tracks down T. S. Eliot and Ezra Pound. Available again for the first time in a decade, this is an unforgettably strange trip through modern literature with one of Britain's best writers and illustrators.

'A must read for anyone who wants to understand not only our media, but power in Britain' - OWEN JONES, author The Establishment 'Top court reporting' - NICK DAVIES, THE GUARDIAN Go behind the doors of Court 12 of the Old Bailey for what was billed as 'the trial of the century' - the phone hacking trial of journalists from Rupert Murdoch's two biggest British tabloid newspapers. Every twist and turn of the longest-running criminal trial in English legal history is covered by Peter Jukes in this edition, crowdfunded by members of the public. Heard in London in 2013 and 2014, the phone hacking trial had a heady brew of criminal eavesdropping, media rights, political intrigue, and Hollywood stardust. Rebekah Brooks and Andy Coulson were accused of phone hacking and corrupting public officials while editing the Sun and the News of the World newspapers respectively. Brooks and her husband Charlie and her former PA, Cheryl Carter, were also accused of perverting the course of justice in an attempt to thwart detectives investigating the hacking. The trial took place after years of cover up of phone hacking at Britain's biggest newspaper group News International (now News UK), the country's biggest police force, the Metropolitan Police, and the Conservative government led by David Cameron, who employed Coulson as his director of communications. After they were sworn in, the judge, Justice Saunders, told the jury: "British justice is on trial". The long-running trial laid bare the intense illegal surveillance of individuals carried out by the politically-connected News of the World. Employing an array of private detectives, pried deeply into the private lives of anyone who mattered to them at the time: a Hollywood actress, a missing schoolgirl, a Cabinet minister. Sometimes the surveillance was based on well-founded intelligence that revealed a legitimate story, sometimes it was on a whim or the result of a malicious tip-off. The trial pitted London's most extravagantly paid barristers against each other. Rupert Murdoch's millions hired top Queens Counsel to represent the seven defendants. The GBP5,000-a-day barrister, Jonathan Laidlaw, for instance, represented Rebekah Brooks. The multi-million pound case tottered on the brink of collapse several times as a result media misbehaviour, illness and delay. Drawing on verbatim court exchanges and exhibits, Jukes reveals the daily reality and grand strategies of this major criminal case. He reveals a secret about Rebekah Brooks' 14 days in the witness box. He explains why a defence lawyer gave him a wry smile during a cigarette break. And he discloses the failings of the Crown Prosecution Service which contribute to the verdicts. Like Dial M for Murdoch by Tom Watson and Martin Hickman and Hack Attack by Nick Davies, this book will fascinate anyone wanting to know about the phone hacking scandal. It is also ideal for anyone who wants to know the twists and turns of a major criminal trial. REVIEWS 'Remarkable. I feel I now know all the key players and why some defendants were found guilty and some not, despite never having spent a minute at the trial.' - PROFESSOR STEWART PURVIS, FORMER ITN EDITOR 'Written in a chatty, gossipy style that brings the courtroom drama alive.' - NIGEL PAULEY, DAILY STAR JOURNALIST

Paddy McGuffin turns his bilious wit on a procession of fools, liars, hypocrites and war criminals from David Cameron to the Queen in this collection of his best columns for the Morning Star, the daily socialist newspaper

1948 is a comic verse-novel, auaciously rewriting George Orwell's Nineteen Eighty-four in Pushkin sonnets. Set during the 1948 Olympics, it offers a radical alternative history of the Cold War, in which Britain has a Labour-Communist coalition government, the Royal Family has fled to Rhodesia and the US threatens to impose an economic blockade on Britain. Featuring cartoons drawn especially for the book, 1948 combines hard-boiled detective novels and Pushkin sonnetry, film-noir and Ealing comedy.

THE INSTANT SUNDAY TIMES TOP 10 BESTSELLER After the Second World War, new international rules heralded an age of human rights and self-determination. Supported by Britain, these unprecedented changes sought to end the scourge of colonialism. But how committed was Britain? In the 1960s, its colonial instinct ignited once more: a secret decision was taken to offer the US a base at Diego Garcia, one of the islands of the Chagos Archipelago in the Indian Ocean, create a new colony (the 'British Indian Ocean Territory') and deport the entire local population. One of those inhabitants was Liseby Elyse, twenty years old, newly married, expecting her first child. One suitcase, no pets, the British ordered, expelling her from the only home she had ever known. For four decades the government of Mauritius fought for the return of Chagos, and the past decade Philippe Sands has been intimately involved in the cases. In 2018 Chagos and colonialism finally reached the World Court in The Hague. As Mauritius and the entire African continent challenged British and American lawlessness, fourteen international judges faced a landmark decision: would they rule that Britain illegally detached Chagos from Mauritius? Would they open the door to Liseby Elyse and her fellow Chagossians returning home - or exile them forever? Taking us on a disturbing journey across international law, THE LAST COLONY illuminates the continuing horrors of colonial rule, the devastating impact of Britain's racist grip on its last colony in Africa, and the struggle for justice in the face of a crime against humanity. It is a tale about the making of modern international law and one woman's fight for justice, a courtroom drama and a personal journey that ends with a historic ruling.

A SUNDAY TIMES BESTSELLER A concise, sharp-witted and illuminating account of the lives of Britain's prime ministers from Walpole to May, illustrated by Martin Rowson. For the reader who has heard of such giants as Gladstone and Disraeli, and has drunk in a pub called the Palmerston, but has only the haziest idea of who these people were, Gimson's Prime Ministers offers a short account of them all which can be read for pleasure, and not just for edification. With Gimson's wonderful prose once again complemented by Martin Rowson's inimitable illustrations, this lively and entertaining aide-memoire and work of satirical genius brings our parliamentary history to life as never before. PRAISE FOR GIMSON'S PRIME MINISTERS: 'The most engaging and insightful account of PMs to have been published' Arthur Seldon, Standpoint 'Learned witty and wise, and splendidly illustrated' Tibor Fischer 'Hugely enjoyable' Tom Holland Gimson's Kings and Queens is also available.

Tolerated in Britain for over 300 years-and ubiquitous throughout the world for much longer - visual satire gives offence in the quickest way and in its purest form. Cartoons have long since established themselves as a legitimate part of the general political discourse. As a cartoonist, it is Rowson's job to give offence. But the flip side of giving offence is, of course, giving comfort to the opponents or victims of the offended. In "Giving Offence", Rowson explains how and why cartoons work, why they matter and why the reactions of the offended are often an even blunter political weapon than the cartoons themselves. This book is in collaboration with "Index on Censorship".