First published in 2005, this collection of essays brings together British, European and North American literary critics and cultural historians with diverse specialities and interests to demonstrate the range of contemporary perspectives through which George Gissing's fiction can be viewed. It offers both closely contextualised historical readings and broader cultural and philosophical assessments and engages with a number of themes including: the cultural and social formation of class and gender, social mobility and its unsettling effects on individual and collective identities, the place of writing in emerging mass culture, and the possibility and limits of fiction as critical intervention. This book will be of interest to those studying the works of George Gissing, and 19th century literature more broadly.

Once seen as a relatively marginal figure, George Gissing (1857-1903) persists in sparking interest among new generations of radical critics who continue to be inspired by his work and to develop fresh approaches to it. This essay collection, bringing together British, European, and North American literary critics and cultural historians with diverse specialities and interests, demonstrates the range of contemporary perspectives through which his fiction can be viewed. Offering both closely contextualized historical readings and broader cultural and philosophical assessments, the contributions will engage not only the specialist but those interested in the diverse themes that absorbed Gissing: the cultural and social formation of class and gender, social mobility and its unsettling effects on individual and collective identities, the place of writing in emerging mass culture, and the possibilities and limits of fiction as critical intervention.

Once seen as a relatively marginal figure, George Gissing (1857-1903) persists in sparking interest among new generations of radical critics who continue to be inspired by his work and to develop fresh approaches to it. This essay collection, bringing together British, European, and North American literary critics and cultural historians with diverse specialities and interests, demonstrates the range of contemporary perspectives through which his fiction can be viewed. Offering both closely contextualized historical readings and broader cultural and philosophical assessments, the contributions will engage not only the specialist but those interested in the diverse themes that absorbed Gissing: the cultural and social formation of class and gender, social mobility and its unsettling effects on individual and collective identities, the place of writing in emerging mass culture, and the possibilities and limits of fiction as critical intervention.

First published in 2005, this collection of essays brings together British, European and North American literary critics and cultural historians with diverse specialities and interests to demonstrate the range of contemporary perspectives through which George Gissing's fiction can be viewed. It offers both closely contextualised historical readings and broader cultural and philosophical assessments and engages with a number of themes including: the cultural and social formation of class and gender, social mobility and its unsettling effects on individual and collective identities, the place of writing in emerging mass culture, and the possibility and limits of fiction as critical intervention. This book will be of interest to those studying the works of George Gissing, and 19th century literature more broadly.

This volume offers a reasoned critical account of a wide range of travel writing about rural Ireland. The focus is on work by English travellers who visited Ireland for pleasure, from the 'scenic tourists' of the post-Romantic period to Eric Newby in the 1980s. Ryle also discusses accounts by American and English anthropologists, as well as writing by Irish authors including J.M. Synge, George Moore, Sean O'Faolain and Colm TA(3)ibA n. The materials reviewed and discussed here, including many books which are now difficult to find, offer illuminating and sometimes entertaining evidence about the development of tourism. Ryle also shows how the discourses and practices of pleasurable travel have intersected with and been marked by the dimensions of power and proprietorship, hegemony, and resistance, which have characterised Anglo-Irish and Hiberno-English cultural relations over the last two centuries. Journeys in Ireland will interest all those concerned with the literature and history of those relations, and will be an invaluable resource for scholars, teachers and students concerned with travel writing and tourism with and beyond these islands.

Liberalism and democracy have long been assumed to exist in a complementary relationship, if not always an entirely easy one. This book scrupulously investigates the reason for this alliance and the sources of its tensions, providing a lucid and succinct introduction to some of the subject's central concepts and concerns.

More than 130 years from Matthew Arnold's pronouncement that human beings 'must be compelled to relish the sublime', education in the humanities still relies on the ideal of culture as the means of intellectual development. In this distinctive and original work, Martin Ryle and Kate Soper explore the growing tensions and contradictions between this and the contemporary world of work, pleasure, and consumption. While critical of the hypocrisies and elitism that can attach to notions of cultural self-realization, the authors nonetheless defend its overall educational and social value. Their wide-ranging discussion takes in critiques of philosophers from Kant and Schiller to Nietzsche and Marx, and includes historically contextualized readings of novels by Wollstonecraft, Hardy, Gissing, London, and Woolf. In their sustained defense of a conception of personal worth and self-fulfillment for its own sake, Ryle and Soper not only offer a powerful critique of the continuing dominance of work in contemporary society, but also provide a compelling alternative to the standard postmodern skepticism about the relevance of high culture.

Sifting the available evidence, Carlo Ginzburg builds up a vivid portrait of Piero della Francesca's patrons and convincingly explains the contemporary intrigues resonant in his painting. This new edition, extensively illustrated, includes additional material by Ginzburg dealing with the work of Roberto Longhi, the dating of the Arezzo Cycle, and the rediscovery of della Francesca in the twentieth century.