This collection includes twelve popular and lesser-known pieces by Verdi arranged for organ, covering a variety of styles and moods, and serving both church and concert organists.

for organ
This is a marvellous collection of pieces by Henry Purcell newly arranged for the organ by concert organist Martin Setchell. Purcell's music works perfectly on the organ, and a number of his pieces have long been popular with players. This volume brings together all those must-have pieces - the trumpet tunes, rondeau from Abdelazer, and so on - and combines these with a wonderful selection of lesser-known pieces from across Purcell's work. There are sprightly curtain tunes and hornpipes from the stage pieces, lovely reflective songs and airs, and a wide range of dances and chaconnes. The result is a set of pieces with wide and varied church and concert use, perfectly accessible to intermediate players. Publication in 2009 coincides with the 350th anniversary of the composer's birth, and the volume makes a valuable addition to any organist's repertoire.

This collection presents a selection of varied repertoire by J. S. Bach in new arrangements for the organ. Bringing a wealth of popular pieces under the fingers and feet of intermediate players, the volume caters for all parts of a church service, as well as providing recital repertoire and popular encores. Taking its cue from the Baroque practice of transcription, and with the needs of modern players in mind, this volume presents a set of pieces with wide and varied use and makes a valuable addition to any organist's repertoire.

This is a wonderful collection of popular and some less well-known pieces. It contains three movements from The Carnival of the Animals, the slow movement and the famous Maestoso section from the 'Organ' Symphony (No. 3), the meltingly beautiful aria 'Softly awakes my heart' from the opera Samson and Delilah, the opening section of the Danse Macabre, and several other pieces illustrating the range of Saint-Saens' compositional style. All the pieces are immensely playable and have been chosen to suit the needs of both church and concert organists.

The 2019 re-opening of the Christchurch Town Hall is celebrated in this richly illustrated volume. Threatened with demolition following earthquake damage in 2011, the building has been renewed through seismic strengthening, restoration and repair. With contributions from those who shaped its original design, along with accounts of the renewal project and the story of the hall's Rieger organ, this book explains why the Christchurch Town Hall is of both national and international significance. It will appeal to a diverse range of readers, from architects and acousticians, to musicians and those who seek a better understanding of what makes it such an outstanding performance venue, as well as to citizens who take pride in their town hall. Opened in 1972, the Christchurch Town Hall was acclaimed for its architectural excellence and established the national reputation of its designers, Warren & Mahoney. Harold Marshall's acoustic design brought international recognition and helped to transform the way concert halls were designed around the world. Serving as the city's leading concert venue for almost forty years, the Christchurch Town Hall has been acclaimed by performers as diverse as Leonard Bernstein, Kiri Te Kanawa and Carlos Santana. Yet it was always more than just a performance venue, becoming the focus for many of the city's civic, social, cultural and educational rituals. In 2019 the renewed town hall became, once more, Christchurch's `public living room'.