Elles is the first bilingual anthology of its kind. It introduces English-speaking readers to some of the best French poetry written by women over the last twenty years. Martin Sorrell has chosen a selection of work from seventeen distinctive and diverse poets, and provided lively facing-page verse translations, poems in their own right, alongside the originals. Martin Sorrell's Introduction situates the poets in their context and discusses the issues which confronted him as compiler and translator, not least as a man responding to creative work written by women. Each poet introduces herself with an essay on her conception of poetry and her own position as a writer. These biographical pieces are published in French and in an English translation. There is also a selected bibliography for each poet. The Afterword, by Jacqueline Chenieux-Gendron - Director of Research at the Centre National de la Recherche Scientifique in Paris, and a leading specialist in modern French literature - is also published in French and in an English translation. The poets represented in ELLES are Marie-Claire Bancquart, Christiane Baroche, Genevieve Bon, Claude de Burine, Andree Chedid, Louise Herlin, Jeanne Hyvrard, Leslie Kaplan, Josee Lapeyrere, Jo-Ann Leon, Anne Portugal, Gisele Prassinos, Jacqueline Risset, Amina Said, Sylvia Baron Supervielle, Marguerite Yourcenar, Celine Zins

Federico Garcia Lorca is perhaps the most celebrated of all twentieth-century Spanish writers, known not only for his plays but also for several collections of poems published both in his short lifetime and after. Lorca's poetry is steeped in the land, climate, and folklore of his native Andalusia, though he writes memorably of New York and Cuba too. Writing often in modernist idiom, and full of startling imagery, he evokes a world of intense feelings, silent suffering, and dangerous love.
This unique parallel-text edition balances poems from Lorca's early collections with his better-known later work, providing a clear vision of his poetic development and drawing attention to the brilliance and originality of some of the earlier work. Key poems from all Lorca's collections appear here, including the recently discovered Sonnets of Dark Love. Martin Sorrell's translations are thoughtful and accomplished, and D. Gareth Walters's shrewd Introduction, with its distinctive focus on the achievements of the poet, gives a clear and balanced appraisal of the poetry, while steering away from the tendency to mythologize Lorca's life and death. This edition also includes helpful notes, a bibliography, a chronology, and an index of titles.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more."

Set in a modern, urban Paris, the prose pieces in this volume constitute a further exploration of the terrain Baudelaire had covered in his verse masterpiece, The Flowers of Evil: the city with all its squalor and inequalities, the pressures of time and mortality, and the liberation provided by the sensual delights of intoxication, art and women. Published posthumously in 1869, Paris Spleen was a landmark publication in the development of the genre of prose poetry - a form which Baudelaire saw as particularly suited for expressing the feelings of uncertainty, flux and freedom of his age - and one of the founding texts of literary Modernism.

The Bestiary, 30 short poems celebrating mammals, birds, fish, insects and the mythical poet Orpheus appeared in 1911 and was Apollinaire's first published work. Although they appear slight, the poems inspired the artist Raoul Dufy to illustrate each of them with a woodcut (5 of the 30 woodcuts are reproduced in the chapbook) and the composer Francis Poulenc to set six of them to music. The poems - witty, ironical and full of surprising images - show Apollinaire's mastery of short form poetry, and Martin Sorrell's superb rhyming translation perfectly preserves the spirit of the original. Although many individual poems from The Bestiary have been published in translation, this chapbook is one of the very few complete editions to appear, and with an introduction and explanatory notes by the translator, it is a perfect introduction to Apollinaire's poetry.

'Rimbaud, the poet of revolt, and the greatest' Albert Camus Rimbaud is the enfant terrible of French literature, the precocious genius whose extraordinary poetry is revolutionary in its visionary, hallucinatory content and its often liberated forms. He wrote all his poems between the ages of about 15 and 21, after which he turned his back on family, friends, and France to roam the world. In his final years he was a trader in the Horn of Africa. Out of the brief, colourful life and the poetry of sensory wildness has been created the myth of Rimbaud, an enduring icon of youth, rebellion, and freedom. But behind the myth lies a poetic adventure of high ambition and painful rigour, poignant yet heroic. Rimbaud is one of the greatest French poets of all times. This bilingual edition provides all of Rimbaud's poems, with the exception of his Latin verses and some small fragments. It also includes some of his prose pieces, chosen because they offer a commentary on his poetic concerns. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

`Verlaine, possessed by the madnesses of love, brimming over with desires and prayers, the rebel railing against the complacent platitudes of society, of love, of language'. Jean Rousselot Verlaine ranks alongside Baudelaire, Mallarme, and Rimbaud as one of the most outstanding poets of late nineteenth-century France whose work is associated with the early Symbolists, the Decadents, and the Parnassiens. Remarkable not only for his delicacy and exquisitely crafted verse, Verlaine is also the poet of strong emotions and appetites, with an unrivalled gift for the sheer music of poetry, and an inventive approach to its technique. This bilingual edition provides the most comprehensive selection of his poetry yet, offering some 170 poems in lively and fresh translations and providing a lucid introduction which illuminates Verlaine's poetic form within the context of French Impressionism and the poetry of sensation. Parallel text ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Campaigns that Shook the World provides the inside story on a selection of the greatest campaigns of the last four decades, while narrating the development of the PR and communications business. The book provides the definitive case studies of nine campaigns - political, corporate and entertainment - from the 1970s to the present day. It explains their strategies and tactics, looks at the imagery and icons they created and interviews the powerful, flamboyant personalities who crafted and executed these seminal projects. The book examines Thatcherism, New Labour, Britain's royal family, the Rolling Stones, David Beckham, the London 2012 Olympics, Product (RED), Obama for America and Dove's Campaign for Real Beauty. In addition, Campaigns that Shook the World: - contains exclusive interviews with campaign gurus such as Alastair Campbell, Matthew Freud, Simon Fuller and Lord Tim Bell - investigates the relationship between communication techniques, the media and evolving public opinion, using real-world examples - features campaigns by Saatchi & Saatchi, Edelman, Bell Pottinger, Ogilvy, Freuds and other well-known marketing consultancies Campaigns that Shook the World grapples with PR's uneasy place at the nexus of politics and celebrity, holding the best campaigns up to scrutiny and showcasing just how powerful PR can be as an instrument of change. It contains insights from Alan Edwards, Paddy Harverson and many others.

'In the end you're tired of this antiquated world' Guillaume Apollinaire (1880-1918) is the most significant French poet of early modernism, and the most colourful. His exuberant, adventurous poetry matched the eventful times through which he lived, and his experimentalism heralded a new artistic order. In the Paris of the belle epoque, Apollinaire's prolific writing - poems, short stories, erotic novels, art criticism - as well as his magnetic personality brought him fame and even some notoriety. His two great collections of poetry, Alcools and Calligrammes, made his reputation, and they include love poems as well as the war poetry for which he is best known. Apollinaire coined the word 'surrealism', and he led the literary and artistic avant-garde right up to his death two days before the Armistice, weakened by injuries received earlier in the War. This new selection by Martin Sorrell covers the full range of Apollinaire's career, and includes some of the poet's inventive pictorial calligrams. The introduction and notes explore his seminal role in the culture of the twentieth century. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Drama Classics: The World's Great Plays at a Great Little Price Moliere's story of a covetous old miser, obsessively protecting his hoard of gold and neglecting his long-suffering children. Harpagon is obsessed with the wealth he has amassed and always ready to save expenses. Now a widower, he has a son, Cleante, and a daughter, Elise. Although he is over sixty, he is attempting to marry his son's own sweetheart, Mariane. But it seems that Harpagon's pinchpenny paranoia is finally catching up with him - his gold is missing, and this time it might really have disappeared for good... The Miser was first performed in 1668, at the theatre of the Palais-Royal, Paris. This English version, in the Nick Hern Books Drama Classic series, is translated and introduced by Martin Sorrell.

Drama Classics: The World's Great Plays at a Great Little Price Moliere's classic farce, Le Malade Imaginaire, in a fresh and performable translation. The 'imaginary invalid' Argan is so obsessed with his health that he fails to notice what is happening around him in his own family. His scheming wife and loving daughter are finally revealed to him in their true light by Argan's brother, who poses as a quack doctor and suggests he feigns death to test their loyalty. This English version of Moliere's The Hypochondriac, in the Nick Hern Books Drama Classics series, is translated and introduced by Martin Sorrell.

Drama Classics: The World's Great Plays at a Great Little Price Moliere's comic masterpiece about an irreclaimable hypocrite - one of the most famous French plays of all time. The pious Tartuffe is lodging with Orgon and his family, ingratiating himself with both his host and his host's mother to such a degree that both are blinded to his true - rather less virtuous - designs. Like marrying Orgon's daughter Mariane, whilst seducing his wife, Elmire. This English version of Tartuffe, in the Nick Hern Books Drama Classics series, is translated and introduced by Martin Sorrell.