Philip Massinger's tragedy The Roman Actor, was first performed in 1626, as King James I's reign came to an end and his son Charles I acceded to the throne. Three years later, when the play was published, relations between the king and many in parliament and the country had worsened. The Roman Actor - until recently neglected in the theatre but regarded by many critics, and Massinger himself, as his finest play - explores the balance between private and public moralities, effectively condemns tyranny, and defends plays, anatomising both the theatre of power and the power of theatre. This new Revels Plays volume provides a modernised text, with a thorough introduction that sets out Massinger's intervention in the political tensions of his own time and examines his clear-eyed portrayal of the pleasures and perils of performance. It also includes a detailed commentary on the play designed to be of value to students, specialist readers and performers, and an appendix discussing the play's textual history. The edition focuses on the play's theatrical life in its own time and ours and, in addition to a detailed stage history, includes an interview with Sir Antony Sher, who played the role of the tyrannical Roman emperor, Domitian, in the Royal Shakespeare Company's acclaimed production in 2002. -- .

"A Midsummer Night's Dream" is one of the most read and performed of Shakespeare's plays. This book provides an introductory guide to the play, offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of three or four key performances and productions, a survey of film and TV adaptation, and wide sampling of critical opinion and annotated further reading.

Renaissance Drama in Action is a fascinating exploration of Renaissance theatre practice and staging. Covering questions of contemporary playhouse design, verse and language, staging and rehearsal practices, and acting styles, Martin White relates the characteristics of Renaissance theatre to the issues involved in staging the plays today. This refreshingly accessible volume: * examines the history of the plays on the English stage from the seventeenth century to the present day * explores questions arising from reconstructions, with particular reference to the new Globe Theatre * includes interviews with, and draws on the work and experience of modern theatre practitioners including Harriet Walter, Matthew Warchus, Trevor Nunn, Stephen Jeffreys, Adrian Noble and Helen Mirren * includes discussions of familiar plays such as The Duchess of Malfi and 'Tis Pity She's A Whore, as well as many lesser known play-texts Renaissance Drama in Action offers undergraduates and A-level students an invaluable guide to the characteristics of Elizabethan and Jacobean drama, and its relationship to contemporary theatre and staging.

Renaissance Drama in Action is a fascinating exploration of Renaissance theatre practice and staging. Covering questions of contemporary playhouse design, verse and language, staging and rehearsal practices, and acting styles, Martin White relates the characteristics of Renaissance theatre to the issues involved in staging the plays today.
This refreshingly accessible volume:
* examines the history of the plays on the English stage from the seventeenth century to the present day
* explores questions arising from reconstructions, with particular reference to the new Globe Theatre
* includes interviews with, and draws on the work and experience of modern theatre practitioners including Harriet Walter, Matthew Warchus, Trevor Nunn, Stephen Jeffreys, Adrian Noble and Helen Mirren
* includes discussions of familiar plays such as The Duchess of Malfi and 'Tis Pity She's A Whore, as well as many lesser known play-texts
Renaissance Drama in Action offers undergraduates and A-level students an invaluable guide to the characteristics of Elizabethan and Jacobean drama, and its relationship to contemporary theatre and staging.

Stimulating and thought-provoking, this important new text looks at the welfare problems and philosophical and ethical issues that are caused by changes made to an animal's telos, behaviour and physiology, both positive and negative, to make them more productive or adapted for human uses. These changes may involve selective breeding for production, appearance traits, or competitive advantage in sport, transgenic animals or the use of pharmaceuticals or hormones to enhance production or performance. Changes may impose duties to care for these animals further and more intensely, or they may make the animal more robust. The book considers a wide range of animals, including farm animals, companion animals and laboratory animals. It reviews the ethics and welfare issues of animals that have been adapted for sport, as companions, in work, as ornaments, food sources, guarding and a whole host of other human functions. This important new book sparks debate and is essential reading for all those involved in animal welfare and ethics, including veterinarians, animal scientists, animal welfare scientists and ethologists.

This 'lamentable and true tragedy', as it is announced on its title page, dramatises a domestic murder of the sort that nowadays scandalises and thrills the readers of tabloid newspapers. Although the title advertises 'the great malice and dissimulation of a wicked woman' and her 'unsatiable desire of filthie lust', the unknown playwright with great dramatic skill and psychological insight manages to balance the motivations of all the main characters. Thomas Arden, one of the rapacious landlords so reviled in mid-Elizabethan social drama, was murdered at his own house in Faversham, Kent, in 1551. His murderers, it turned out, had been hired by his wife Alice, thrall to Mosby, who hoped to rise socially by marrying a rich widow. As the introduction to this edition shows, sexual and material covetousness is the central theme running through the play, which is commonly rated 'unquestionably the best of all Elizabethan domestic tragedies'.

"To Catch the Conscience of the King" is set against the background of King Edward II's downfall and is told from the perspective of Brother Stephen, who, as the king's confessor, sets out to save the royal soul, but instead places his own in jeopardy.

Title: Sailing Directions for the English Channel ... Second edition (revised).Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The HISTORY OF TRAVEL collection includes books from the British Library digitised by Microsoft. This collection contains personal narratives, travel guides and documentary accounts by Victorian travelers, male and female. Also included are pamphlets, travel guides, and personal narratives of trips to and around the Americas, the Indies, Europe, Africa and the Middle East. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library White, Martin; 1850. 8 . 10496.aaa.11.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

'Tis Pity She's a Whore is one of the most controversial plays ever staged in the English theatre. In this illuminating Handbook, Martin White: - Offers an in-depth, moment-by-moment analysis of the play, looking at how it might be performed on stage - Provides vital contextual material on John Ford's social and literary influences - Reconstructs the play's performances in Ford's own time and examines later stage, television and film productions - Guides the reader through the often heated critical and theatrical responses to the dramatic work

There are many benefits in using content management software (CMS) to support content authoring and site management for both intranets and websites. These benefits can only be realized when the organization has developed a content management strategy and undertaken a rigorous analysis of the functionality that the CMS must provide, taking into account the Total Cost of Implementation of a CMS application. Information professionals will increasingly play an important role in developing content management strategies and managing intranets and websites, using their professional skills in carrying out information audits, identifying the information needs of users, and developing information architectures and metadata schemes. This essential book provides step-by-step guidance on how to develop a content management strategy, sets out the elements of a content management system and provides advice on the specification, selection, implementation and management of content management software. Readership: This practical handbook takes advantage of the author's extensive consulting experience in supporting CMS implementations in a wide range of organizations in the UK, Europe and the USA, including government agencies, charities and multinational businesses. It is of great value to information staff at all levels who are involved in the process of using a CMS to support the development of websites and intranets.