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Dynamic Fair Dealing argues that only a dynamic, flexible, and
equitable approach to cultural ownership can accommodate the
astonishing range of ways that we create, circulate, manage,
attribute, and make use of digital cultural objects. The Canadian
legal tradition strives to balance the rights of copyright holders
with public needs to engage with copyright protected material, but
there is now a substantial gap between what people actually do with
cultural forms and how the law understands those practices. Digital
technologies continue to shape new forms of cultural production,
circulation, and distribution that challenge both the practicality
and the desirability of Canada's fair dealing provisions. Dynamic
Fair Dealing presents a range of insightful and provocative essays
that rethink our relationship to Canadian fair dealing policy. With
contributions from scholars, activists, and artists from across
disciplines, professions, and creative practices, this book
explores the extent to which copyright has expanded into every
facet of society and reveals how our capacities to actually deal
fairly with cultural goods has suffered in the process. In order to
drive conversations about the cultural worlds Canadians imagine,
and the policy reforms we need to realize these visions, we need
Dynamic Fair Dealing.
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