Martina Devlin, an award-winning columnist for the Irish Independent and podcaster for Dublin City of Literature #CityofBooks, has delivered a new novel based on the life of Edith Somerville of 'Somerville and Ross' fame - authors of The Irish R.M. In this work, set during the turbulent period of Irish Independence 1921-22, Somerville finds herself at a crossroads. Her position as a member of the Ascendancy is perilous as she struggles to keep her family home, Drishane House in West Cork, while others are burned out. After years in a successful writing partnership with Violet Martin, Edith continues to write after her partner's death, comforted in the belief they continue to connect through automatic writing and seances. Against a backdrop of Civil War politics and lawlessness erupting across the country via IRA flying columns, people across Ireland are forced to consider where their loyalties lie. In Edith, Devlin limns a vivid historical context in this story of proto-feminist Edith Somerville courageously trying to keep home and heart in one piece.

A warm, witty and wise novel about love, friendship and being in your thirties. Gloria, Eimear and Kate have been friends since they were a trio of six-year-olds cast as the Three Wise Men in the nativity play. Twenty-five years on, they've left Omagh for Dublin and grown up to be Three Unwise Women, all too prone to misuse the gifts they've been given. Eimear's beauty captivates men but robs her of independence. Kate's dazzling wit blinds her to the consequences of betraying a friend. And Gloria's urge to nurture, thwarted by infertility, threatens to destroy everything she holds dear. Aided and abetted in their misdeeds by the irresistible Jack, philandering poet and seducer extraordinaire, the troika find themselves putting their friendship to a test from which it may never recover. To this black comedy Martina Devlin brings a delightful lightness of touch, a turn of phrase to treasure, and three characters to take to your heart.

Mapping the changes that have occurred in Irish literature over the past fifty years, this volume includes twenty-one writers, poets, and playwrights from the North and South of Ireland, who tell their own stories. They are funny, tragic, angry, philosophical, but all are vivid personal accounts of their experiences as women writing during a pivotal period in the history of Ireland. With a foreword by Martina Devlin, and an introduction by Eilis Ni Dhuibhne, the anthology includes essays by Cherry Smyth, Mary Morrissy, Lia Mills, Moya Cannon, Aine Ni Ghlinn, Catherine Dunne, Eilis Ni Dhuibhne, Mary O'Donnell, Mary O'Malley, Ruth Carr, Evelyn Conlon, Anne Devlin, Ivy Bannister, Sophia Hillan, Medbh McGuckian, Mary Dorcey, Celia de Freine, Mairide Woods, Liz McManus, Mary Rose Callaghan, and Phyl Herbert.