A perennially popular collection of colour cartoon illustrations, with accompanying texts, on the endearing oddities of our British life and character. Drawing on their many years' experience of teaching English as a Foreign Language the authors also offer the wider world a tongue-in-cheek guide on how to get around in English and at the same time make sense of our 'funny ways'. It's a gentle brand of satire, and although there's the occasional barbed arrow for bland food, fashion disasters or dubious standards of hygiene, the tone of The "How To Be British Collection" is more nostalgic than scornful, and the pet-loving, royal-watching, tea drinking characters that populate its pages are viewed with wry affection. Cartoons like "How to be Polite" and "How to Complain" have been reproduced in publications all over the world, perhaps because they put a finger on that peculiar tentativeness that foreigners find so puzzling (and so funny) about us. In order to be British, or at any rate to pass unnoticed in British society, the visitor must learn not to 'make a fuss'. A fuss is something that the true Brit cannot stand. It is nearly as bad as a 'scene', and in the same category as 'drawing attention to yourself'. In the first frame of How To Be Polite, a man -- presumably an uninitiated foreign visitor -- has fallen into a river. He's clearly in trouble and is shouting HELP! -- at the top of his voice, judging by the speech bubble. An English gentleman is walking his dog along the river bank. There's a lifebelt prominently displayed beside them, but the gent and his dog are walking away from the emergency with disapproving expressions. In the next frame, the man in the river has changed his strategy and is calling out: "Excuse me, Sir. I'm terribly sorry to bother you, but I wonder if you would mind helping me a moment, as long as it's no trouble, of course...". And this time, naturally, the English gent is rushing to his aid, throwing the lifebelt into the water. Even the dog is smiling. Much of the material in The "How to be British Collection" is about how cultural differences can prove a minefield for the unwary. To that extent its appeal - in an age where so many of us travel and even set up home overseas - is universal. Every visitor to Britain comes knowing that our favourite conversational gambit is the weather. But how many can successfully do it at 1) Elementary 2) Intermediate and 3) Advanced levels? The book's enduring popularity comes from the recognition factor -- how exposed we can be once we stray away from the comfort zone of our own native language. A hapless visitor, phrase book in hand, stops to ask an old lady in the street for directions. He looks pleased with himself for phrasing the question so nicely, but then is utterly at a loss to understand her long, rambling, minutely detailed reply. We've all been there. To help the poor innocent abroad around these cultural and linguistic booby-traps, the book includes on most pages collectible Expressions to learn and (of course) Expressions to avoid. Thus, under the entry for Real English, which negotiates the difficult area of colloquial speech including "idioms, slang and even the occasional taboo word, as used by flesh and blood native speakers" we find -- Expressions to learn:"'E nicked it off of a lorry and now the coppers 'ave done 'im for it." Expressions to avoid: "That's not correct English, Mrs. Jones -- it says so here in my grammar book".

A comforting story tonight for a happy day tomorrow . . . A gorgeous gift to treasure for years to come, this collection of bedtime stories is brimming with hope and positivity as an antidote to the at times challenging world we live in. Fabulously illustrated by Sarah McIntyre, the stories promote modern-day messages of inclusivity, acceptance and bravery in the face of adversity. With brand new stories from: Aisha Bushby, Ann Jungman, Ayesha Braganza, Claire Barker, Emma Carroll, Hannah Lee, Ingrid Persaud, Kate Saunders, Kieran Larwood, Lou Kuenzler, Lucy Farfort, Martyn Ford, Michael Mann, Natasha Farrant, Pip Jones, Rashmi Sirdeshpande and Reba Khatun.

A perennially popular collection of colour cartoon illustrations, with accompanying texts, on the endearing oddities of our British life and character. Drawing on their many years' experience of teaching English as a Foreign Language the authors also offer the wider world a tongue-in-cheek guide on how to get around in English and at the same time make sense of our 'funny ways'. It's a gentle brand of satire, and although there's the occasional barbed arrow for bland food, fashion disasters or dubious standards of hygiene, the tone of The "How To Be British Collection" is more nostalgic than scornful, and the pet-loving, royal-watching, tea drinking characters that populate its pages are viewed with wry affection.

Killed in a flying accident in February 1944, Flying Officer William Marsh left behind a personal insight into the life of a desert flyer. Desert Flyer follows Bill Marsh from his early days as a schoolboy, through his RAF training in England and Canada, joins him in his first operational squadron and ultimately his life in North Africa. Originally posted to No. 605 Squadron, Bill Marsh was to have served in the unit in the Far East. However, fate dictated that he was destined for the desert war. He joined No. 274 Squadron and flew Hurricane fighter/bombers against Rommels forces in the North African desert. Graphic descriptions of Marshs eyewitness accounts of the sinking of the Royal Navys aircraft Ark Royal, the aerial dogfights with the Luftwaffe and Regia Aeronautica, as well as details of his day-to-day life are all recorded within these pages. Over 230 previously unpublished photographs, taken by Bill Marsh, support the text. Utilizing private journals, personal letters, photographs, and flying log books, together with details from squadron operational record books, the author has brought to life the words and photographs recorded by William Marsh, the Desert Flyer.

There was a sabre-toothed tiger in the playground. Wandering thoughts, Tim had come to realise, were extremely dangerous things. Nearly a year has passed since Tim, Dee and Phil the finger monkey (with the help of some fire-breathing bear-sharks) defeated Wilde Tech Inc and destroyed the imagination space. But since then, it's become increasingly clear that there's something wrong with Tim. His imagination seems limitless - anything he imagines immediately appears in front of him, with no need for the imagination box. Which has both good and bad consequences. Then, in the blink of an eye, everything changes. Tim wakes up and discovers he's in his old orphanage. No one, not even Dee, knows who he is. He's completely alone - his worst nightmare. But soon he realises who is to blame. His old enemy, Clarice Crowfield, has hijacked a new, all-powerful machine and created a reality where she is in charge! Tim must find Professor Eisenstone, convince Dee that they really are best friends (and, of course, recreate Phil) - then literally put their world to rights.

Timothy Hart is getting used to the good life with his new imagination box. Anything he can imagine, he can create! There's only one rule - the box mustn't leave Tim's room. But Tim has never been good at following rules - especially when there's the opportunity to 'imagine' his homework into being without actually having to do it. Tim is feeling rather pleased with himself... Until he notices the strange people following him, and then chasing him, and then his beloved imagination box being ripped from his hands. He'll need the help of a top secret scientific institution if he's going to save the imagination box from corruption of the worst possible kind. Sequel to the critically acclaimed debut, The Imagination Box.

"The most consistent of all series in terms of language control, length, and quality of story." David R. Hill, Director of the Edinburgh Project on Extensive Reading.