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Modernist Literature - An Introduction (Paperback): Mary Ann Gillies, Aurelea Mahood Modernist Literature - An Introduction (Paperback)
Mary Ann Gillies, Aurelea Mahood
R710 Discovery Miles 7 100 Ships in 12 - 17 working days

This engaging textbook provides a critical assessment of British modernist literature produced between 1900 and 1945. Each chapter focuses on a single decade, a distinct genre and a specific theme: the 1900s - the short story - gender and sexuality; the 1910s - poetry - war, technology and propaganda; the 1920s - the novel - new modes of literary expression; the 1930s - the documentary - political engagement. A final chapter covers the 1940s and beyond looking at new literary and artistic movements and 'other' modernisms. Covering canonical texts and lesser-known works, Modernist Literature introduces students to current debates in Modernism and a range of literature in its historical and aesthetic contexts. Features: *Examines four distinct genres - the short story, poetry, novel and documentary - decade-by-decade. *Combines close readings with cultural and political analyses of British modernism. *Includes a Chronology and Further Readings with each chapter.

Virginia Woolf and the Common(wealth) Reader (Paperback): Helen Wussow, Mary Ann Gillies Virginia Woolf and the Common(wealth) Reader (Paperback)
Helen Wussow, Mary Ann Gillies
R1,478 Discovery Miles 14 780 Ships in 10 - 15 working days
Professional Literary Agent in Britain (Hardcover, 2 Rev Ed): Mary Ann Gillies Professional Literary Agent in Britain (Hardcover, 2 Rev Ed)
Mary Ann Gillies
R1,816 R1,613 Discovery Miles 16 130 Save R203 (11%) Ships in 12 - 17 working days

Breaking new ground in the study of British literary culture during an important transitional period, this new work by Mary Ann Gillies focuses on the professional literary agent, whose emergence in Britain around 1880 coincided with, and accelerated, the transformation of both publishing and authorship.

Like other recent studies in book and print culture, The Professional Literary Agent in Britain operates from the central premise that the business of authorship is inextricably tied to the aesthetics of literary praxis. Rather than providing a broad overview of the period, however, it focuses on a specific figure, the professional literary agent. Gillies traces the influence of two prominent agents - A. P. Watt (generally acknowledged as the first professional literary agent) and J. B. Pinker (the leading figure in the second wave of agenting) - focusing on their relationships with two key clients each. These case studies not only provide insight into the business dynamics operating in the literary world at this time, but also illustrate the shifting definition of literature itself that characterized this period.

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