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With the development of institutions displaying natural science,
history, and art in the late 19th century came the debates over the
role of these museum in society. This anthology collects 50 of the
most important writings on museum philosophy dating from this
formative period, written by the many of the American and European
founders of the field. Genoways and Andrei contextualize these
pieces with a series of introductions showing how the museum field
developed within the social environment of the era. For those
interested in museum history and philosophy or cultural history,
this is an essential resource.
It may be surprising to us now, but the taxidermists who filled the
museums, zoos, and aquaria of the twentieth century were also among
the first to become aware of the devastating effects of careless
human interaction with the natural world. Witnessing firsthand the
decimation caused by hide hunters, commercial feather collectors,
whalers, big game hunters, and poachers, these museum taxidermists
recognized the existential threat to critically endangered species
and the urgent need to protect them. The compelling exhibits they
created-as well as the scientific field work, popular writing, and
lobbying they undertook-established a vital leadership role in the
early conservation movement for American museums that persists to
this day. Through their individual research expeditions and
collective efforts to arouse demand for environmental protections,
this remarkable cohort-including William T. Hornaday, Carl E.
Akeley, and several lesser-known colleagues-created our popular
understanding of the animal world and its fragile habitats. For
generations of museum visitors, they turned the glass of an
exhibition case into a window on nature-and a mirror in which to
reflect on our responsibility for its conservation.
With the development of institutions displaying natural science,
history, and art in the late 19th century came the debates over the
role of these museum in society. This anthology collects 50 of the
most important writings on museum philosophy dating from this
formative period, written by the many of the American and European
founders of the field. Genoways and Andrei contextualize these
pieces with a series of introductions showing how the museum field
developed within the social environment of the era. For those
interested in museum history and philosophy or cultural history,
this is an essential resource.
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