Annals of a Publishing House contains the early history of the influential Scottish publishing house, William Blackwood and Sons. From small beginnings, the firm had rapidly become the leading Scottish publishing house, dominating the literary world, particularly through Blackwood's Edinburgh Magazine. Owing to the death of Mrs Oliphant, the commissioned author, Volume 3 was written by Mary Porter, daughter of John Blackwood, sixth son of the founder, and covers his career. Beginning as head of the new London branch, he assumed control of the firm on the death of his uncle Robert in 1852. He reorganised the firm and added its prominence. He formed working relationships with many of the leading Victorian writers, including Elizabeth Barrett Browning, George Eliot, Edward Bulwer Lytton and Thomas Hardy. He expanded the firm's output to include travel writers such as Burton on India and Speke on the search for the source of the Nile.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Annals Of A Publishing House, Volume 1; Annals Of A Publishing House; Mary Blackwood Porter Mrs. Oliphant (Margaret), Mary Blackwood Porter C. Scribner's sons, 1897

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.