Research into the geological processes operating on Mars relies on interpretation of images and other data returned by unmanned orbiters, probes and landers. Such interpretations are based on our knowledge of processes occurring on Earth Terrestrial analog studies therefore play an important role in understanding the geological features observed on Mars. This 2007 book presents direct comparisons between locales on Earth and Mars, and contains contributions from leading planetary geologists to demonstrate the parallels and differences between these two neighboring planets. Mars is characterized by a wide range of geological phenomena that also occur on Earth, including tectonic, volcanic, impact cratering, eolian, fluvial, glacial and possibly lacustrine and marine processes. The book provides terrestrial analogs for data sets from Mars Global Surveyor, Mars Odyssey, Mars Exploration Rovers and Mars Express, and will therefore be a key reference for students and researchers of planetary science.

Research into the geological processes operating on Mars relies on interpretation of images and other data returned by unmanned orbiters, probes and landers. Such interpretations are based on our knowledge of processes occurring on Earth Terrestrial analog studies therefore play an important role in understanding the geological features observed on Mars. This 2007 book presents direct comparisons between locales on Earth and Mars, and contains contributions from leading planetary geologists to demonstrate the parallels and differences between these two neighboring planets. Mars is characterized by a wide range of geological phenomena that also occur on Earth, including tectonic, volcanic, impact cratering, eolian, fluvial, glacial and possibly lacustrine and marine processes. The book provides terrestrial analogs for data sets from Mars Global Surveyor, Mars Odyssey, Mars Exploration Rovers and Mars Express, and will therefore be a key reference for students and researchers of planetary science.

For most people, the U.S. suffrage campaign is encapsulated by images of iconic nineteenth-century orators like the tightly coifed Susan B. Anthony or the wimpled Elizabeth Cady Stanton. However, as Mary Chapman shows, the campaign to secure the vote for U.S. women was also a modern and print-cultural phenomenon, waged with humor, creativity, and style. Making Noise, Making News also understands modern suffragist print culture as a demonstrable link between the Progressive Era's political campaign for a voice in the public sphere and Modernism's aesthetic efforts to re-imagine literary voice. Chapman charts a relationship between modern suffragist print cultural "noise" and what literary modernists understood by "making it new," asserting that the experimental tactics of U.S. suffrage print culture contributed to, and even anticipated, the formal innovations of U.S. literary modernism. Drawing on little-known archives and featuring over twenty illustrations, Making Noise, Making News provides startling documentation of Marianne Moore's closeted career as a suffrage propagandist, the persuasive effects of Alice Duer Miller's popular poetry column, Asian-American author Sui Sin Far's challenge to the racism and classism of modern suffragism, and Gertrude Stein's midcentury acknowledgement of intersections between suffrage discourse and literary modernism.

For most people, the US suffrage campaign is encapsulated in images of orators such as the tightly coifed Susan B. Anthony, the wimpled Elizabeth Cady Stanton, and others who hectored for women's rights throughout the nineteenth century. The campaign to secure the vote for US women, however, was also a modern and print-cultural phenomenon, waged with humor, style, and creativity. In this fascinating cultural history, Mary Chapman demonstrates the importance of the aesthetically innovative print culture produced by US suffragists in the two decades leading up to the passage of the 19th Amendment, seven decades after women's rights activists first met at Seneca Falls. A century before the advent of "social media", suffragists mobilized the masses [fashioned a "suffragist spring" through creative forms of propaganda including advocacy journals, guest-edited mainstream magazines, banners, voiceless speech placards, publicity stunts, poetry, and fiction. These propaganda forms made the public sphere much more inclusive even as they also perpetuated an image of the suffragist New Woman as native-born, white, and middle-class. Making Noise, Making News also understands modern suffragist print culture as a demonstrable link between the Progressive Era's political campaign for a voice in the public sphere and Modernism's aesthetic efforts to re-imagine literary voice. Chapman charts a relationship between modern suffragist print cultural "noise" and what literary modernists understood by "making it new!", asserting that the experimental tactics of US suffrage print culture contributed to, and even anticipated, the formal innovations of US literary modernism. Drawing on little-known archives and featuring over twenty visually stunning illustrations, Making Noise, Making News provides startling documentation of Marianne Moore's closeted career as a suffrage propagandist, the persuasive effects of Algonquin Table's Alice Duer Miller's popular poetry column, Asian-American author Sui Sin Far's challenge to the racism and classism of modern suffragism, and Gertrude Stein's midcentury recognition of intersections between suffrage discourse and literary modernism.

100 Years of Women's Suffrage commemorates the centennial of the Nineteenth Amendment by bringing together essential scholarship on the women's suffrage movement and women's voting previously published by the University of Illinois Press. With an original introduction by Nancy A. Hewitt, the volume illuminates the lives and work of key figures while uncovering the endeavors of all women-across lines of gender, race, class, religion, and ethnicity-to gain, and use, the vote. Beginning with works that focus on cultural and political suffrage battles, the chapters then look past 1920 at how women won, wielded, and continue to fight for access to the ballot. A curation of important scholarship on a pivotal historical moment, 100 Years of Women's Suffrage captures the complex and enduring struggle for fair and equal voting rights. Contributors: Laura L. Behling, Erin Cassese, Mary Chapman, M. Margaret Conway, Carolyn Daniels, Bonnie Thornton Dill, Ellen Carol DuBois, Julie A. Gallagher, Barbara Green, Nancy A. Hewitt, Leonie Huddy, Kimberly Jensen, Mary-Kate Lizotte, Lady Constance Lytton, and Andrea G. Radke-Moss

100 Years of Women's Suffrage commemorates the centennial of the Nineteenth Amendment by bringing together essential scholarship on the women's suffrage movement and women's voting previously published by the University of Illinois Press. With an original introduction by Nancy A. Hewitt, the volume illuminates the lives and work of key figures while uncovering the endeavors of all women-across lines of gender, race, class, religion, and ethnicity-to gain, and use, the vote. Beginning with works that focus on cultural and political suffrage battles, the chapters then look past 1920 at how women won, wielded, and continue to fight for access to the ballot. A curation of important scholarship on a pivotal historical moment, 100 Years of Women's Suffrage captures the complex and enduring struggle for fair and equal voting rights. Contributors: Laura L. Behling, Erin Cassese, Mary Chapman, M. Margaret Conway, Carolyn Daniels, Bonnie Thornton Dill, Ellen Carol DuBois, Julie A. Gallagher, Barbara Green, Nancy A. Hewitt, Leonie Huddy, Kimberly Jensen, Mary-Kate Lizotte, Lady Constance Lytton, and Andrea G. Radke-Moss