LONGLISTED FOR THE 2017 BAILEYS WOMEN'S PRIZE FOR FICTION Ginger is in her forties and a recovering alcoholic when she meets and marries Paul. When it becomes clear it's too late for her to have a baby of her own, she tries to persuade him to consider adoption, but he already has a child from a previous marriage and is ten years older than her, so doesn't share her longing to be a parent at any cost. As a compromise, they sign up to an organisation that sends poor inner-city kids to stay with country families for a few weeks in the summer, and so one hot July day eleven year old Velveteen Vargas, a Dominican girl from one of Brooklyn's toughest neighbourhoods, arrives in their lives, and Ginger is instantly besotted. Bemused by her gentle middle-aged hosts, but deeply intuitive in the way of clever children, Velvet quickly senses the longing behind Ginger's rapturous attention. While Velvet returns her affection, she finds the intensity of it bewildering. Velvet's own passions are more excited by the stables nearby, where she discovers she has a natural talent for riding and a deep affinity with the damaged horses cared for there. But when Ginger begins to entertain fantasies of adopting her, things start to get complicated for everyone involved. This is a heartbreakingly honest and profoundly moving portrait of the nearly unbridgeable gaps between people, and the way we long for fairytale endings despite knowing that they don't exist.

'Gets deep under your skin ... Gaitskill is uniquely attuned to the moment.' Sunday Times 'Gaitskill achieves a superb feat. She distils the suffering, anger, reactivity, danger and social recalibration of the #MeToo movement into an extremely potent, intelligent and nuanced account.' Sarah Hall, Guardian 'I don't know why I behaved the way I did, and I kept doing it; he kept doing it. And though I might once have easily brushed it away, suddenly I could not. Nor could I confront him. The conversation moved too quickly.' This is Pleasure is an extraordinary work by one of the world's finest writers, and achieves more in 15,000 words than most full-length novels. Following the unravelling of the life of a male publisher undone by allegations of sexual impropriety and harassment, and the female friend who tries to understand, and explain, his actions, it looks unflinchingly at our present moment and rejects moral certainties to show us that there are many sides to every story. Mary Gaitskill has spent her whole career mining the complexity of human relationships on both an individual and societal scale with wisdom and grace. Here her insights are more piercing and timely than ever.

'Mary Gaitskill is willing to think about the problematic with complexity and humanity, and without taking sides or engaging in all the fashionable moral hectoring that passes for serious thought these days.' Eimear McBride Nuanced, daring and tender, these essays from the celebrated author of This is Pleasure and Bad Behavior, consistently fascinate and provoke. Mary Gaitskill takes on a broad range of topics from Nabokov to horse-riding with her unique ability to tease out unexpected truths and cast aside received wisdom. Written with startling grace and linguistic flair, and delving into the complicated nature of love and the responsibility we owe to the people we encounter, the work collected here inspires the reader to think beyond their first responses to life and art. Spanning thirty years of Mary Gaitskill's writing, and covering subjects as diverse as Dancer in the Dark, the world of Charles Dickens and the Book of Revelation with her characteristic blend of sincerity and wit, Oppositions is never less than enthralling.

Mary Gaitskill's tales of desire and dislocation in 1980s New York caused a sensation with their frank, caustic portrayals of men and women's inner lives. As her characters have sex, try and fail to connect, play power games and inflict myriad cruelties on each other, she skewers urban life with precision and candour. 'Stubbornly original, with a sort of rhythm and fine moments that flatten you out when you don't expect it, these stories are a pleasure to read' Alice Munro 'An air of Pinteresque menace hangs over these people's social exchanges like black funereal bunting ... Gaitskill writes with such authority, such radar-perfect detail' Michiko Kakutani, The New York Times

'Bold, dramatic and deeply unsettling' Guardian When Velveteen Vargas, an eleven-year-old Fresh Air Fund kid from Brooklyn, comes to stay with a couple in upstate New York, what begins as a two-week visit blossoms into something much more significant. Soon Velvet finds herself torn between her hosts - Ginger, a failed artist and shakily recovered alcoholic and Paul, a college professor - and her own tormented mother. Ginger longs for a child of her own, but Paul continues to refuse. Bemused by her gentle middle-aged hosts, but deeply intuitive in the way of clever children, Velvet quickly senses the longing behind Ginger's rapturous attention. Velvet's one constant becomes her newly discovered passion for horse riding, and her affection for an abused, unruly mare. A profound and stirring novel about how love and family are shaped by place, race and class, The Mare is a stunning exploration of the sometimes unexpected but profound connections made throughout our lives.

'A writer of prodigious gifts' Guardian Full of jagged, complex emotion and powerful, incisive writing, the stories in Don't Cry are a testament to Mary Gaitskill's incomparable excavation of character. 'An Old Virgin' describes a nurse's obsession with her forty-three-year-old patient's virginity; 'Folk Song' dissects the lives of people behind newspaper headlines, including a murderer who gives a prime-time interview and a woman attempting to break a world record by having sex with one thousand men; in the title story 'Don't Cry', a grieving widow reflects on her marriage whilst accompanying a friend on a journey to adopt an Ethiopian orphan during a violent election season; and a musician accidentally steals a girl's soul during a one-night stand in the urban fable 'Mirrorball'. The provocative, searching stories of Don't Cry remind us that no experiences should be taken lightly, but instead explored for their physical, emotional and even spiritual revelations.

Alison and Veronica meet amid the nocturnal glamour of 1980s New York: one is a former modelling sensation, stumbling away from the wreck of her career, the other an eccentric middle-aged proofreader with a meticulous eye. Over the next twenty years their friendship will encompass narcissism and tenderness, exploitation and self-sacrifice, love and mortality. Moving seamlessly between the glamorous and gritty '80s, when beauty and style gave licence to excess, and the broken world of the decade's survivors twenty years later, Gaitskill casts a fierce yet compassionate eye on the two eras and their fixations. Veronica masterfully evokes the fragility and mystery of human relationships in a world where love is rife with frightening artificiality. Evocative, raw and entirely unique, Veronica was shortlisted for the prestigious 2005 National Book Award in the USA.

'An Old Virgin' describes a nurse's obsession with her forty-three-year-old patient's virginity; in the urban fable 'Mirrorball' a man steals a girl's soul during a one-night stand; 'College Town 1980' follows a group of listless young people adrift in Ann Arbor, debating the meaning of personal strength at the start of the Reagan era; 'Folk Song' opens with a list of newspaper headlines before dissecting the lives of the characters behind the features, including a murderer who gives a prime-time interview and a woman from San Francisco attempting to break a world record by having sex with one thousand men. Full of jagged, lived emotion, broken people and powerful, original writing, Don't Cry is a testament to Gaitskill's formal range and incomparable excavation of character.

‘Last year I lost my cat Gattino. He was very young, at seven months barely an adolescent. He is probably dead but I don’t know for certain.’

So begins Mary Gaitskill’s stunning book-length essay, the closest thing she has written to a memoir. Lost Cat begins with the story of how Gaitskill rescued a stray cat in Italy and brought him to live with her in the US, where he went missing.

As she explores the unexpected trauma of her loss, Gaitskill describes how she came to foster two siblings, Caesar and Natalia, two inner-city children who spent summers and holidays with Gaitskill and her husband. The joys and ultimate difficulties of this relationship lead to a searing examination of loss, love, safety and fear, and how our limited understandings brush against our unlimited hopes. Gaitskill applies her razor-sharp writing to her most personal subjects yet.

'A perfectly formed set of stories about alienation in modern times' Independent 'Mesmerizing - almost ecstatic' The New York Times Mary Gaitskill's coolly compelling, quietly devastating stories explore the messy complexity of relationships between lovers, families and friends. An unsettling encounter on a plane; a tentative affair between an older woman and a younger man; the chasm between a father and his daughter: each expresses our longing for, and our fear of, human connection.

'Mary Gaitskill is willing to think about the problematic with complexity and humanity, and without taking sides or engaging in all the fashionable moral hectoring that passes for serious thought these days.' Eimear McBride Nuanced, daring and tender, these essays from the celebrated author of This is Pleasure and Bad Behavior, consistently fascinate and provoke. Mary Gaitskill takes on a broad range of topics from Nabokov to horse-riding with her unique ability to tease out unexpected truths and cast aside received wisdom. Written with startling grace and linguistic flair, and delving into the complicated nature of love and the responsibility we owe to the people we encounter, the work collected here inspires the reader to think beyond their first responses to life and art. Spanning thirty years of Mary Gaitskill's writing, and covering subjects as diverse as Dancer in the Dark, the world of Charles Dickens and the Book of Revelation with her characteristic blend of sincerity and wit, Oppositions is never less than enthralling.

A "New York Times "Notable Book
A man tells a story to a woman sitting beside him on a plane, little suspecting what it reveals about his capacity for cruelty and contempt. A callow runaway girl is stranded in a strange city with another woman's fractiously needy children. An uncomprehending father helplessly lashes out at the daughter he both loves and resents. In these raw, startling, and incandescently lovely stories, the author of "Veronica "yields twelve indelible portraits of people struggling with the disparity between what they want and what they know. "Because They Wanted To "is further evidence that Gaitskill is one of the fiercest, funniest, and most subversively compassionate writers at work today.

A stunning new collection of short stories about motherhood, selected and introduced by Candice Brathwaite. ______________ 'To describe my mother would be to write about a hurricane in its perfect power. Or the climbing, falling colours of a rainbow' MAYA ANGELOU The story of motherhood is an endlessly rich one: it's one of love - and all the highs and lows that come with that world-turning emotion - and, in the purest sense, of life itself. Within these pages, some of the finest writers in the world explore motherhood in wildly varying modes, from single parenthood to sisters coparenting, from the deepest hardships to the biggest celebrations. Selected and introduced by Candice Brathwaite, author of I Am Not Your Baby Mother. Stories by Lydia Davis, Anita Desai, Mary Gaitskill, Tessa Hadley, Jamaica Kincaid, Toni Morrison, Ngugi wa Thiong'o, Irenosen Okojie, Casey Plett, Tabitha Siklos, Helen Simpson, Ali Smith

ELLEN ULLMAN worked as a computer programmer for over twenty years, entering the field when few women were part of the computing culture. She is the author of the cult classic memoir "Close to the Machine "and the fortchcoming novel "The Bug." She currently writes for "Harper's, Wired, " and "Salon," and has been a regular guest commentator on NPR.
She lives in San Francisco, California.

"From the Hardcover edition."

The intense, caustically funny first novel from the bestselling author of Bad Behaviour 'Dark, menacing and original' Joanna Briscoe, Guardian Dorothy Never - fat - lives alone in New York, eats and works the night shift as a proofreader. Justine Shade - thin - is a freelance journalist who sleeps with unsuitable men. Both are isolated. Both are damaged by their pasts. When Justine interviews Dorothy about her involvement with an infamous and charismatic philosophical guru, the two women are drawn together with an intense magnetism that throws their lives off balance. Mary Gaitskill's first novel is an intense, darkly funny and caustic portrayal of loneliness and the search for intimacy. 'What makes her scary, and what makes her exciting, is her ability to evoke the hidden life, the life unseen, the life we don't even know we are living' Parul Sehgal, The New York Times

Passed down over centuries from India, Persia, and across the Arab world, the mesmerizing stories of "One Thousand and One Nights" are related by the beautiful, young Shahrazad as she attempts to delay her execution. Retold in modern English by the acclaimed Lebanese author Hanan al-Shaykh, here are stories of the real and the supernatural, love and marriage, power and punishment, wealth and poverty, and the endless trials and uncertainties of fate. Bringing together nineteen classic tales, in these pages al-Shaykh weaves an utterly intoxicating collection, rich with humor, violence, and romance.

Following the extraordinary success of her novel "Veronica," Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.
In "College Town l980," young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale "Mirrorball," a young man steals a girl's soul during a one-night stand; in "The Little Boy," a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in "The Arms and Legs of the Lake," the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier's uncle, and honeymooners on their way to Niagara Falls.
Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill's fiction. As intense as "Bad Behavior, " her first collection of stories, "Don't Cry" reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--"the crude cinder blocks of male and female down in the basement, holding up the house," as one character puts it--remain unchanged.

"From the Hardcover edition."