In this, the sixth volume in the highly successful monograph series produced under the auspices of the European Federation for Psychoanalytic Psychotherapy in the Public Health Services (EFPP), the clear distinctions which once existed between psychoanalysis proper and the psychoanalytic psychotherapies are strongly debated and reassessed in the

In this, the sixth volume in the highly successful monograph series produced under the auspices of the European Federation for Psychoanalytic Psychotherapy in the Public Health Services (EFPP), the clear distinctions which once existed between psychoanalysis proper and the psychoanalytic psychotherapies are strongly debated and re-assessed in the light of contemporary paradigm shift.."..Certainties about the distinct enough compartmentalizations of psychoanalysis and psychoanalytic psychotherapies no longer exist. The borders between them are now blurred, and they shift constantly, depending on one's vantage point and one's theoretical predelictions...This range of uncertainty and contention is clearly illustrated, and very sharply, in the present volume."- Robert S. Wallerstein from his foreword.

Mary Gauthier was twelve years old when she was given her Aunt Jenny's old guitar and taught herself to play with a Mel Bay basic guitar workbook. and music offered her a window to a world where others felt the way she did. Songs became lifelines to her, and she longed to write her own, one day. Then, for a decade, while struggling with addiction, Gauthier put her dream away and her call to songwriting faded. It wasn't until she got sober and went to an open mic with a friend did she realise that she not only still wanted to write songs, she needed to. Today, Gauthier is a decorated musical artist, with numerous awards and recognition for her songwriting, including a Grammy nomination. In Saved by a Song, Mary Gauthier pulls the curtain back on the artistry of songwriting. Part memoir, part philosophy of art, part nuts and bolts of songwriting, her book celebrates the redemptive power of song to inspire and bring seemingly different kinds of people together.

Poetry. In 2007, the Tupelo Press Poetry Project was established to provide poets and creative writing teachers with engaging, challenging prompts or provocations for writing new poems.The Winter 2012 edition of the Poetry Project celebrated Valentine's Day with a simple challenge: write a stunningly good erotic poem. Be bad. Be good and bad. To our delight, that challenge was met and then some. Sensual, witty, cerebral--the results are this anthology, modest in size only, which includes the winners, plus our favorites of the submissions.Contributors: Cynthia Rausch Allar, Michelle Bitting, Lisa Coffman, Amy Dryansky, Li Yun Alvarado, Paula Brancato, Gillian Cummings, Darla Himeles, Joel F. Johnson, Christopher Kokinos, Amy MacLennan, Stephen Massimilla, Barbara Mossberg, Susanna Rich, Aubrey Ryan, Anna Claire Hodge, Janet R. Kirchheimer, Conley Lowrance, Lea Marshall, Mary Ann Mayer, Steven Paschall, Liz Robbins, Jo Anne Valentine Simson, Jeneva Stone, Molly Spencer, Judith Terzi, Gail Thomas, Kim Triedman, Bruce Willard, and P. Ivan Young.