This book is about the brilliant young Schubert, his merry friends, and their pranks and escapades, in most of which Franz is the hero. One of the most interesting stories in the book is the new light that is shed on the history of the Unfinished Symphony. It remained unfinished, not because of poverty, illness and discouragement, or because of the composer's early death. The real reason, according to the authors, was that Schubert's merry friends were starting for a picnic just when he was in the middle of it, and he went along. Before he left he stuffed the partly written score in his desk and it was never taken out again There are many selections from the composer's magnificent music in this volume. We have the March Militaire, the Moment Musicale, the theme of The Erlking, a dance from the opera, Rosamunde, Rondos, Dances, the lovely, lovely waltzes, impromptu pieces, the Cradle Song (a favorite of almost every child) and several of the beautiful songs.

This is the first complete life of Bach ever written for children. Every important incident is mentioned and every detail of the story is true. It is filled with vivid descriptions of Bach's childhood: how he sat up many nights and copied music by the light of the moon, and how he walked two hundred miles to a choir school at Luneburg. Then his adult life: how he helped his wife Magdalena put the twenty children to bed every night; how he spread brown bread with honey for them to eat every afternoon; and how he taught them all to sing and play different musical instruments. The music reproduced here represents all of the different kinds of music that Bach ever wrote. A child can never really know music unless he knows Bach, for his contribution is the foundation and structural basis of all music. But it is more the human side of this book that will make it live, for in it the great master breathes. All who read it will know him...not only as a musical genius, but also as an eager child, an affectionate father, and a lovable human being.

With clarity and with admirable simplicity, keyed to the understanding of children, Opal Wheeler has traced the many-sided career of George Frederic Handel, whose restless nature vied always with his tremendous ability as a composer and director. Handel's strange boyhood, clouded by the fact that his father did not want him to become a musician, and the later years when, thanks to the patronage of the Duke of Saxe-Weissenfels, his music was played before the greatest music lovers of Europe - all of this makes absorbing reading. The selections of Handel's music included here are those best understood and most apt to be mastered by young musicians. One evening, back in 1691, conservative Doctor Handel was shocked and dismayed to find his small son carrying the torch at the head of a band of singers wandering through the little town of Halle. The good doctor never quite unde rstood the all-consuming love of music which drove his son from childhood on and on to the great heights he eventually attained as the beloved Father of the Oratorio, the composer of the magnificent MESSIAH. Opal Wheeler has given us here the most finished, most completely satisfying book on her list of fine music biographies. Handel at the Court of Kings should be a favorite of all children who love music, whether they are young musicians themselves or not.

"Here, at last, is the new edition of Mozart, The Wonder Boy, that you have wanted for such a long time. The first book of Mozart, The Wonder Boy, had some delightful music, but you wanted still more, and here it is - thirty-five full pages of Mozart music that you will find at the end of the story. And now what a joyous time you will have as you give yourself a beautiful concert, playing the lovely waltzes, minuets, and sonatas, all of them written by Mozart, the Wonder Boy." Opal Wheeler & Sybil Deucher (from the original 1941 edition)