In this new book on the rise of commercial black 'mega churches,' Mary Hinton examines the rich legacy of the historic black church from the dual perspectives of theology and religious education. She explores the new religious models emerging from the tradition of the historic black church and questions whether they are continuing to operate and practice according to the wisdom of this unique form of American religion. Two mega church ministries, those of T. D. Jakes and Creflo Dollar, are examined in detail with regards to how they align with black church religious history. Hinton concludes by proposing that the fastest growing religious phenomenon within and outside of the black community in the United States-the mega church-should no longer be analyzed based on size alone. Instead, Hinton urges readers to consider the ecclesiastical structures of churches in making appropriate assessments in determining should and should not be classified as a commercial church.

Lawrence Huntington directs this 1940s British comedy starring the popular farce actors Robertson Hare and Alfred Drayton. Filmed and set during the war, the movie tracks the adventures of Alfred Bandle (Drayton) and Wilmer Popday (Hare), who run a business together and socialise in their free time. However, while Bandle is very much a lover of life and displays a carefree attitude as he seeks pleasure where he can find it, Popday is usually too worried about his wife finding out about his escapades to enjoy himself. How will the pair cope when they find themselves involved in the activities of a spy ring?

In this new book on the rise of commercial black 'mega churches, ' Mary Hinton examines the rich legacy of the historic black church from the dual perspectives of theology and religious education. She explores the new religious models emerging from the tradition of the historic black church and questions whether they are continuing to operate and practice according to the wisdom of this unique form of American religion. Two mega church ministries, those of T. D. Jakes and Creflo Dollar, are examined in detail with regards to how they align with black church religious history. Hinton concludes by proposing that the fastest growing religious phenomenon within and outside of the black community in the United States-the mega church-should no longer be analyzed based on size alone. Instead, Hinton urges readers to consider the ecclesiastical structures of churches in making appropriate assessments in determining should and should not be classified as a commercial church