Women played prominent roles during Stockton's growth from gold rush tent city to California leader in transportation, agriculture and manufacturing. Heiresses reigned in the city's nineteenth-century mansions. In the twentieth century, women fought for suffrage and helped start local colleges, run steamship lines, build food empires and break the school district's color barrier. Writers like Sylvia Sun Minnick and Maxine Hong Kingston chronicled the town. Dolores Huerta co-founded the United Farm Workers. Harriet Chalmers Adams caught the travel bug on walks with her father, and Dawn Mabalon rescued the history of the Filipino population. Join Mary Jo Gohlke, news writer turned librarian, as she eloquently captures the stories of twenty-two triumphant and successful women who led a little river city into state prominence.

Eight more animated adventures for children from the underwater town of Bikini Bottom. SpongeBob (voice of Tom Kenny) is an enthusiastic sea sponge who embraces life and all its challenges. Among his fellow inhabitants of Bikini Bottom are Mr Krabs (Clancy Brown), a miserly crab, Patrick Star (Bill Fagerbakke), an amiable sea star, and Squidward (Rodger Bumpass), an octopus. A number of the town's inhabitants, including SpongeBob, work at the local fast food restaurant, Krusty Krab, where Bob attempts to perfect his burger flipping technique. Episodes are: 'Back to the Past', 'The Bad Guy Club for Villains', 'Keep Bikini Bottom Beautiful', 'A Pal for Gary', 'Yours, Mine and Mine', 'Kracked Krabs', 'A Day Without Tears' and 'Summer Job'.

Captive of the Labyrinth is reissued here to commemorate the 100th anniversary of the death of rifle heiress Sarah L. Winchester in 1922. After inheriting a vast fortune upon the death of her husband in 1881, Winchester purchased a simple farmhouse in San JosE, California. She built additions to the house and continued construction for the next twenty years. When neighbors and the local press could not imagine her motivations, they invented fanciful ones of their own. She was accused of being a ghost-obsessed spiritualist, and to this day it is largely believed that the extensive construction she executed on her San JosE house was done to thwart death and appease the spirits of those killed by the Winchester rifle. Author and historian Mary Jo Ignoffo's definitive biography unearths the truth about this reclusive eccentric, revealing that she was not a maddened spiritualist driven by remorse but an intelligent, articulate woman who sought to protect her private life amidst the chaos of her public existence and the social mores of the time. The author takes readers through Winchester's several homes, explores her private life, and, by excerpting from personal correspondence, one learns the widow's true priority was not dissipating her fortune on the mansion in San JosE but endowing a hospital to eradicate a dread disease. Sarah Winchester has been exploited for profit for over a century, but Captive of the Labyrinth finally puts to rest the myths about this American heiress, and, in the process, uncovers her true legacies.

Teaching history well is not just a matter of knowing history - it is a set of skills that can be developed and honed through practice. In this theoretically informed but eminently practical volume, Mary Jo Festle examines the recent explosion of research on the teaching and learning of history. Illuminated by her own work, Festle applies the concept of "backward design" as an organizing framework to the history classroom. She provides concrete strategies for setting up an environment that is inclusive and welcoming but still challenging and engaging. Instructors will improve their own conceptual understandings of teaching and learning issues, as well as receive guidance on designing courses and implementing pedagogies consistent with what research tells us about how students learn. The book offers practical illustrations of assignments, goals, questions, grading rubrics, unit plans, and formats for peer observation that are adaptable for courses on any subject and of any size. Transforming History is a critical guide for higher and secondary education faculty - neophytes and longtime professionals alike - working to improve student learning.

On Indian Ground: The Southwest is one of ten regionally focused texts that explores American Indian/ Alaska Native/Native Hawaiian education in depth. The text is designed to be used by educators of native youth and emphasizes best practices found throughout the state. Previous texts on American Indian education make wide-ranging general assumptions that all American Indians are alike. This series promotes specific interventions and relies on native ways of knowing to highlight place-based educational practices. On Indian Ground: The Southwest looks at the history of Indian education within the southwestern states. The authors also analyze education policy and tribal education departments to highlight early childhood education, gifted and talented educational practice, parental involvement, language revitalization, counseling, and research. These chapters expose cross-cutting themes of sustainability, historical bias, economic development, health and wellness, and cultural competence. The intended audience for this publication is primarily those educators who have American Indian/Alaska Native/Native Hawaiian students in their educational institutions. The articles range from early childhood and head start practices to higher education, including urban, rural and reservation schooling practices. A secondary audience: American Indian education researcher.

Abandonment, bigamy, crib deaths, single mothers struggling to raise families - these are not new age phenomena. Mollie Tidwell knew them all as well as she knew her own family. But how well was that? In the late 1800's these truths were swept under the parlor rug. Mollie Tidwell was born near Springfield, Illinois, an only child. When she was four her mother died and she was given away to the Indians. In summary this sounds a fearful thing but in reality it was Mollie's rebirth. Surrounded by love she became a young women of promise whose only goal was to marry and find security and love in her own home. She came the full circle in adjusting to her different lives: from the white society; to Indian; to quarter-blood; to white. But, the Cherokee Indian teachings were the lasting influences for her. The story finally had to be written when a relative shared a memory that Mollie had told of her Grandfather who would ride a tall white horse to the edge of the Tidwell property for a secret visit. He would bring her an apple for a treat. The theme of this story? Mollie's family became her possessions. When death tried to take them away she would not let them go. What she had to learn was that your children were a gift to be returned to God. Before she died she realized that she must forgive them for dying and release their earth bound spirits. It was a race against time for her.

Louise Pierce Perkins has been unsuccessful in undermining Vivian Black's marriage to John Williams, the man of Louise's dreams. Louise, married hurriedly to an attorney only to prevent being disinherited by her rich aunt, still desires the wealthy heir to a ship-building business whose family is listed on the Social Register. She has discovered that her deceased mother had some safety deposit boxes and wants to know what is in them. In this part of the saga, she decides to hire a private detective to find out any secrets about her aunt, Vivian, and Vivian's mother. Louise should be careful when she asks the courts to force Emily to let her see what's in the bank boxes because she might just get it. Although Emily and Belle find out what's in the boxes, they both vow never to reveal the contents to either Louise or her brother, William. They try to protect Louise from herself and her greed. "Boxed Secrets" is the second part of the family saga about the Coleman, Pierce, and Black families. What did Louise's mother hide in the boxes to protect her children? What new tactics will Louise try to get even with Vivian? What will Louise do to maintain her own social status? Numerous revelations are made in this book about both Louise and her relatives as they try to either hide or find out what lurks inside the "Boxed Secrets."

"Family Secrets" is the third part of the family saga involving the Coleman and Black Families. Louise Pierce Perkins is determined to destroy Emily Black's family, especially Vivian Black who married the man of Louise's dreams. Just when you think that you have Louise figured out, in "Family Secrets" you will learn the extent that some people will go to hurt others. Louise uses members of her mother's family who will use extreme measures, including murder, for revenge. Manipulation and money can only control a situation so far and Louise learns a hard lesson about who to trust.

Paper Secrets is the first book of a family saga involving the Black and Coleman families having mixed feeling for each other. Vivian Black and Louise Coleman were best friends during their childhood years in the 1930's until circumstances led to a ten-year separation. When they meet again in college, Louise is extremely rich and Vivian is attending college on an academic scholarship. They both fall in love with the same handsome, wealthy upperclassmen John Williams from Richmond, VA and the former friends find themselves at odds over for his affection.

Louise is used to having her way and doesn't take no for an answer. She is determined to have him and will not let a little thing like his love for Vivian get in the way.

Paper Secrets, a story with many misunderstandings, trials, and even lost loved ones for both families caused by the discovery of various pieces of paper. While some family members are anxious to have the secrets revealed, others want them hidden or forgotten forever. Lawsuits and threats of public humiliation are the least of their worries with the secrets looming over their heads.