When Mary Steedly went to North Sumatra, Indonesia, she intended to study the curing practices of Karo Batak spirit mediums, the gurus who keep a community in touch with its ancestors. She became fascinated by the stories these women and men told of their encounters with spirits in the ritual arena and on the borders of the everyday social world. In these stories, Karo mediums conveyed their sense of historical out-of-placeness, which they described as "hanging without a rope," in Indonesia's state-proclaimed Age of Development. Based on the author's three years of fieldwork in urban and rural Karoland, this engaging and sympathetic account focuses on issues of experience, memory, and narrative plausibility. Steedly approaches mediums' stories not simply as reservoirs of information about "what happened" at a particular moment, but as interested efforts to map a pathway across the shifting landscape of historical memory. Over the past century Karoland has been the scene of colonial conquest, Christian conversion, commercial agricultural development, military occupation, reolution, migration, and modernization. Storeis of spirit encounters, Steedly argues, provide an alternative, "unofficial" perspective on the historical transformation of the Karo social world. In addition to her rich ethnographic material, she draws on feminist theories of subjectivity, William Faulkner's reconstructions of personal and collective memory, and current anthropological explorations of the politics of representation to open the ethnographic imagination to historical eventfulness. Mary Margaret Steedly is Assistant Professor of Anthropology at Harvard University. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

When Mary Steedly went to North Sumatra, Indonesia, she intended to study the curing practices of Karo Batak spirit mediums, the gurus who keep a community in touch with its ancestors. She became fascinated by the stories these women and men told of their encounters with spirits in the ritual arena and on the borders of the everyday social world. In these stories, Karo mediums conveyed their sense of historical out-of-placeness, which they described as "hanging without a rope," in Indonesia's state-proclaimed Age of Development. Based on the author's three years of fieldwork in urban and rural Karoland, this engaging and sympathetic account focuses on issues of experience, memory, and narrative plausibility. Steedly approaches mediums' stories not simply as reservoirs of information about "what happened" at a particular moment, but as interested efforts to map a pathway across the shifting landscape of historical memory. Over the past century Karoland has been the scene of colonial conquest, Christian conversion, commercial agricultural development, military occupation, reolution, migration, and modernization. Storeis of spirit encounters, Steedly argues, provide an alternative, "unofficial" perspective on the historical transformation of the Karo social world. In addition to her rich ethnographic material, she draws on feminist theories of subjectivity, William Faulkner's reconstructions of personal and collective memory, and current anthropological explorations of the politics of representation to open the ethnographic imagination to historical eventfulness. Mary Margaret Steedly is Assistant Professor of Anthropology at Harvard University. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

On August 17, 1945, Indonesia proclaimed its independence from Dutch colonial rule. Five years later, the Republic of Indonesia was recognized as a unified, sovereign state. The period in between was a time of aspiration, mobilization, and violence, in which nationalists fought to expel the Dutch while also trying to come to grips with the meaning of "independence." "Rifle Reports" is an ethnographic history of this extraordinary time as it was experienced on the outskirts of the nation among Karo Batak villagers in the rural highlands of North Sumatra. Based on extensive interviews and conversations with Karo veterans, "Rifle Reports" interweaves personal and family memories, songs and stories, memoirs and local histories, photographs and monuments, to trace the variously tangled and perhaps incompletely understood ways that Karo women and men contributed to the founding of the Indonesian nation. The routes they followed are divergent, difficult, sometimes wavering, and rarely obvious, but they are clearly marked with the signs of gender. This innovative historical study of nationalism and decolonization is an anthropological exploration of the gendering of wartime experience, as well as an inquiry into the work of storytelling as memory practice and ethnographic genre.

Images That Move is concerned with how images take place in wider worlds: how they move around, via processes of transmission and uptake, but, equally importantly, how they move their audiences affectively. Images play a significant part in projects of "poetic world-making" and political transformation. They participate in the production of commensuration or of incommensurability, enact moments of prophecy or exposure, and attract or repel spectators' attention. Images move, then, but not just as they wish, and any examination of images in motion must also recognise the blockages and breakdowns that prevent their movement as well as the enframings or "stickinesses" that trap them in particular places, prevent them from reaching others, or hedge their arrival in specific ways. The contributors explore topics ranging from high art to mass media, religious iconography to pornography, and popular photography to political cartoons in a range of contexts and media including photography in early twentieth century China, art and literature in contemporary South Africa, upscale real estate development in India, occult media images and the aesthetic of appearance in urban Indonesia, and film censorship in Nigeria. All of these instances of the visual continuum require different ways of highlighting and addressing the problematics of images in motion. Images That Move traces some of the tangled paths of images' travels and returns, unfolding their effects and aftereffects and scanning the diverse and variable publics-fixed or ephemeral, situated or dispersed-that these moving images call into being. Contributors: Ernst van Alphen, Christiane Brosius, Steven C. Caton, Finbarr Barry Flood, Brian Larkin, Oliver Moore, Rosalind C. Morris, Christopher Pinney, Patricia Spyer, Mary Margaret Steedly