The history and contributions of African Americans in northeast Indiana have been largely overlooked. This new publication, African Americans in Fort Wayne: The First 200 Years, does not claim to be a definitive history of the topic. It does, however, recognize and honor the pioneers who have made the African-American community in Fort Wayne what it is today. Through diary excerpts, oral histories, and studies of social organizations, religion, and community, a rich, 200-year heritage is vividly depicted.

The story begins in 1794, when evidence points to the first black inhabitant of Fort Wayne. The first known, free black in the area was identified in 1809. During the early part of the 1800s, Indiana state funds partially financed a movement to send Indiana blacks to Liberia. Few left, and those who remained worked diligently to make Fort Wayne their own. The fruits of their labor can be partially seen in the development of the first black church, Turner Chapel A.M.E., which was started in 1849 and has been a pillar of the community since its completion. A migration of African Americans from the south, due to industrialization, greatly increased the population from 1913 through 1927, and new churches, organizations, and opportunities were developed. Today, the black community in Fort Wayne is rightfully proud of its extensive past.

The Gods and Symbols of Ancient Mexico and the Maya is the first-ever English-language dictionary of Mesoamerican mythology and religion. Nearly 300 entries, from accession to yoke, describe the main gods and symbols of the Olmecs, Zapotecs, Maya, Teotihuacanos, Mixtecs, Toltecs, and Aztecs. Topics range from jaguar and jester gods to reptile eye and rubber, from creation accounts and sacred places to ritual practices such as bloodletting, confession, dance, and pilgrimage. In addition, two introductory essays provide succinct accounts of Mesoamerican history and religion, while a substantial bibliographical survey directs the reader to original sources and recent discussions. Dictionary entries are illustrated with photographs and specially commissioned line drawings. Mary Miller and Karl Taube draw on their research in the fast-changing field of Maya studies, and on the latest Mexican discoveries, to produce an authoritative work that will serve as a standard reference for students, scholars, and travelers.

George Herbert (1593-1633), the celebrated devotional poet, and his brother Lord Herbert of Cherbury (1583-1648), often described as the father of English deism, are rarely considered together. This collection explores connections between the full range of the brothers' writings and activities, despite the apparent differences both in what they wrote and in how they lived their lives. More specifically, the volume demonstrates that despite these differences, each conceived of their extended republic of letters as militating against a violent and exclusive catholicity; theirs was a communion in which contention (or disputation) served to develop more dynamic forms of comprehensiveness. The literary, philosophical and musical production of the Herbert brothers appears here in its full European context, connected as they were with the Sidney clan and its investment in international Protestantism. The disciplinary boundaries between poetry, philosophy, politics and theology in modern universities are a stark contrast to the deep interconnectedness of these pursuits in the seventeenth century. Crossing disciplinary and territorial borders, contributors discuss a variety of texts and media, including poetry, musical practices, autobiography, letters, council literature, orations, philosophy, history and nascent religious anthropology, all serving as agents of the circulation and construction of transregionally inspired and collective responses to human conflict and violence. We see as never before the profound connections, face-to-face as well as textual, linking early modern British literary culture with the continent. -- .

Mary Miller combines hard-edged prose and savage Southern charm. Claustrophobic and lonesome, acerbic and magnetic, the women in Always Happy Hour seek understanding in the most unlikely places-a dilapidated foster home where love is a liability and the empty corners of a dream home bought after a bitter divorce. Miller evokes the particular gritty comfort found in bad habits as hope turns to dust.

Jess is fifteen years old and waiting for the world to end. Her evangelical father has packed up the family to drive west to California, hoping to save as many souls as possible before the Second Coming. With her long-suffering mother and rebellious (and secretly pregnant) sister, Jess hands out tracts to nonbelievers at every rest stop, Waffle House, and gas station along the way. As Jess s belief frays, her teenage myopia evolves into awareness about her fracturing family. Selected as a Barnes & Noble Discover pick and an Indie Next pick, Mary Miller s radiant debut novel reinvigorates the literary road-trip story with wry vulnerability and savage charm."

Fifteen-year-old Jess is on a road trip to the end of the world. Her evangelical father has packed up the family and left their Montgomery, Alabama, home behind to drive west in anticipation of the rapture, hoping to save as many souls as possible before the imminent Second Coming. With her long-suffering mother and her rebellious sister Elise, Jess hands out tracts to nonbelievers at every rest stop, Waffle House, and gas station along the way. Through sticky diners and in crowded motel pools, beneath bleached bedspreads and in the backseat of the family car, Jess and Elise whisper and squabble their way across the country. But as doomsday approaches, Jess can't seem to work up any real fear about the apocalypse when her sister's secret pregnancy and their increasingly frayed parents loom so much larger.

In this fresh and razor-sharp debut novel, teenage angst and evangelical ardor make a pilgrimage across an endlessly interchangeable American landscape of highways, motels, and strip malls. Sporting a "King Jesus Returns " t-shirt and well stocked with end-times pamphlets, Jess makes semi-earnest efforts to believe but is thwarted at every turn by a string of familiar and yet freshly rendered teenage obsessions. From "Will the world end?" to "Will I ever fall in love?" each tender worry, big and small, is brilliantly rendered with emotional weight. Mary Miller reinvents the classic American literary road-trip story, reviving its august traditions with the yearning and spiritual ennui of twenty-first-century adolescence. As the last day approaches, Jess's teenage myopia gradually gives way to a growing awareness of the painful undercurrents of her fractured family.

With a deadpan humor and a savage charm that belie a deep sympathy for her characters, Miller captures the gnawing uneasiness, sexual rivalry, and escalating self-doubt of teenage life in America, where the end always seems nigh and our illusions are necessary protections against that which we can't control.

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