The history and contributions of African Americans in northeast Indiana have been largely overlooked. This new publication, African Americans in Fort Wayne: The First 200 Years, does not claim to be a definitive history of the topic. It does, however, recognize and honor the pioneers who have made the African-American community in Fort Wayne what it is today. Through diary excerpts, oral histories, and studies of social organizations, religion, and community, a rich, 200-year heritage is vividly depicted.

The story begins in 1794, when evidence points to the first black inhabitant of Fort Wayne. The first known, free black in the area was identified in 1809. During the early part of the 1800s, Indiana state funds partially financed a movement to send Indiana blacks to Liberia. Few left, and those who remained worked diligently to make Fort Wayne their own. The fruits of their labor can be partially seen in the development of the first black church, Turner Chapel A.M.E., which was started in 1849 and has been a pillar of the community since its completion. A migration of African Americans from the south, due to industrialization, greatly increased the population from 1913 through 1927, and new churches, organizations, and opportunities were developed. Today, the black community in Fort Wayne is rightfully proud of its extensive past.

'Balances detailed research with powerful storytelling to create a well-written and heart-wrenching account' - Nicole Gemine, Press and Journal Jane Haining was undoubtedly one of Scotland's heroines. A farmer's daughter from Galloway in south-west Scotland, Jane went to work at the Scottish Jewish Mission School in Budapest in 1932, where she was a boarding school matron in charge of around 50 orphan girls. The school had 400 pupils, most of them Jewish. Jane was back in the UK on holiday when war broke out in 1939, but she immediately went back to Hungary to do all she could to protect the children at the school. She refused to leave in 1940, and again ignored orders to flee the country in March 1944 when Hungary was invaded by the Nazis. She remained with her pupils, writing 'if these children need me in days of sunshine, how much more do they need me in days of darkness'. Her brave persistence led to her arrest in by the Gestapo in April 1944, for "offences" that included spying, working with Jews and listening to the BBC. She died in the Nazi concentration camp at Auschwitz just a few months later, at the age of 47. Her courage and self-sacrifice, her choice to stay and to protect the children in her care, have made her an inspiration to many.

George Herbert (1593-1633), the celebrated devotional poet, and his brother Lord Herbert of Cherbury (1583-1648), often described as the father of English deism, are rarely considered together. This collection explores connections between the full range of the brothers' writings and activities, despite the apparent differences both in what they wrote and in how they lived their lives. More specifically, the volume demonstrates that despite these differences, each conceived of their extended republic of letters as militating against a violent and exclusive catholicity; theirs was a communion in which contention (or disputation) served to develop more dynamic forms of comprehensiveness. The literary, philosophical and musical production of the Herbert brothers appears here in its full European context, connected as they were with the Sidney clan and its investment in international Protestantism. The disciplinary boundaries between poetry, philosophy, politics and theology in modern universities are a stark contrast to the deep interconnectedness of these pursuits in the seventeenth century. Crossing disciplinary and territorial borders, contributors discuss a variety of texts and media, including poetry, musical practices, autobiography, letters, council literature, orations, philosophy, history and nascent religious anthropology, all serving as agents of the circulation and construction of transregionally inspired and collective responses to human conflict and violence. We see as never before the profound connections, face-to-face as well as textual, linking early modern British literary culture with the continent. -- .

Mary Miller combines hard-edged prose and savage Southern charm. Claustrophobic and lonesome, acerbic and magnetic, the women in Always Happy Hour seek understanding in the most unlikely places-a dilapidated foster home where love is a liability and the empty corners of a dream home bought after a bitter divorce. Miller evokes the particular gritty comfort found in bad habits as hope turns to dust.

The Gods and Symbols of Ancient Mexico and the Maya is the first-ever English-language dictionary of Mesoamerican mythology and religion. Nearly 300 entries, from accession to yoke, describe the main gods and symbols of the Olmecs, Zapotecs, Maya, Teotihuacanos, Mixtecs, Toltecs, and Aztecs. Topics range from jaguar and jester gods to reptile eye and rubber, from creation accounts and sacred places to ritual practices such as bloodletting, confession, dance, and pilgrimage. In addition, two introductory essays provide succinct accounts of Mesoamerican history and religion, while a substantial bibliographical survey directs the reader to original sources and recent discussions. Dictionary entries are illustrated with photographs and specially commissioned line drawings. Mary Miller and Karl Taube draw on their research in the fast-changing field of Maya studies, and on the latest Mexican discoveries, to produce an authoritative work that will serve as a standard reference for students, scholars, and travelers.

Building on her critically acclaimed novel The Last Days of California and her biting collection Always Happy Hour, Miller transports readers to this delightfully wry, unapologetic corner of the south-Biloxi, Mississippi, home to sixty-three-year-old Louis McDonald, Jr. Louis has been forlorn since his wife of thirty-seven years left him, his father passed away and he impulsively retired from his job in anticipation of an inheritance cheque that may not come. These days he watches reality television and tries to avoid his ex-wife and daughter, benefiting from the charity of his former brother-in-law, Frank, who religiously brings over his takeway leftovers and always stays for a beer. Yet the past is no predictor of Louis's future. On a routine trip to Walgreens to pick up his diabetes medication, he stops at a sign advertising free dogs and meets Harry Davidson, a man who claims to have more than a dozen canines on offer, but offers only one: an overweight mixed breed named Layla. Without any rational explanation, Louis feels compelled to take the dog home and the two become inseparable. Louis, more than anyone, is dumbfounded to find himself in love-bursting into song with improvised jingles, exploring new locales and reevaluating what he once considered the fixed horizons of his life. With her "sociologist's eye for the mundane and revealing" (Joyce Carol Oates, New York Review of Books), Miller populates the Gulf Coast with Ann Beattie-like characters. A strangely heartwarming tale of loneliness, masculinity and the limitations of each, Biloxi confirms Miller's position as one of our most gifted and perceptive writers.

Combining hard-edged prose and savage Southern charm, Mary Miller showcases biting contemporary talent at its best. Fast on the heels of her "terrific" (New York Times Book Review) debut novel, The Last Days of California, she now reaches new heights with this collection of shockingly relatable, ill-fated love stories. Acerbic and ruefully funny, Always Happy Hour weaves tales of young women-deeply flawed and intensely real-who struggle to get out of their own way. They love to drink and have sex; they make bad decisions with men who either love them too much or too little; and they haunt a Southern terrain of gas stations, public pools, and dive bars. Though each character shoulders the weight of her own baggage-whether it's a string of horrible exes, a boyfriend with an annoying child, or an inability to be genuinely happy for a best friend-they are united in their unrelenting suspicion that they deserve better. These women seek understanding in the most unlikely places: a dilapidated foster home where love is a liability in "Big Bad Love," a trailer park littered with a string of bad decisions in "Uphill," and the unfamiliar corners of a dream home purchased with the winnings of a bitter divorce settlement in "Charts." Taking a microscope to delicate patterns of love and intimacy, Miller evokes the reticent love among the misunderstood, the gritty comfort in bad habits that can't be broken, and the beat-by-beat minutiae of fated relationships. Like an evening of drinking, Always Happy Hour is a comforting burn, warm and intoxicating in its brutal honesty. In an unforgettable style that distinguishes her within her generation, Miller once again captures womanhood in "a raw...and heartbreaking way" (Los Angeles Review of Books) and solidifies her essential role in American fiction.

Richly illustrated in stunning full colour throughout, this new volume builds on the success of the previous edition and covers everything you need to know to get through your exams safely with the minimum of stress. Prepared in a 'no nonsense', easy-to-read fashion, Mosby's Textbook of Dental Nursing, second edition, covers the A-Z of the latest curriculum and contains an array of helpful 'pull out' boxes and other learning features to help you recall key facts. Fully updated with the latest information on legislation and professional practice - including the appropriate use of Social Media - this volume includes updated and new information on anatomy, charting, drug allergy, governance and care of minority and vulnerable groups. Prepared by leading authorities in the field, Mosby's Textbook of Dental Nursing, second edition is ideal for candidates sitting NEBDN exams, as well as serving as a ready reference for fully qualified dental nurses and therapists in the hospital, community or general practice setting. Ideal for all pre-registration nursing students Friendly, no nonsense writing style makes learning easy Stunning Gray's Anatomy artwork aids understanding of human structure and function Useful learning features include 'Terms to Learn', 'Key Points', and 'Identify and Learn' boxes Over 150 photographs further bring the subject to life! Fully updated throughout to incorporate all aspects of the NEBDN pre-registration syllabus Accompanying website includes MCQs and other helpful revision aids to help you prepare for exams Presents new information on aspects of anatomy, charting, drug allergy, minority and vulnerable groups, fire safety and security Discusses the latest guidance on the use of Social Media Downloadable image bank helps you prepare essays and assignments

This book brings together ten essays on John Donne and George Herbert composed by an international group of scholars. The volume represents the first collection of its kind to draw close connections between these two distinguished early modern thinkers and poets who are justly coupled because of their personal and artistic association. The contributors' distinctive new approaches and insights illuminate a variety of topics and fields while suggesting new directions that future study of Donne and Herbert might take. Some chapters explore concrete instances of collaboration or communication between Donne and Herbert, and others find fresh ways to contextualize the Donnean and Herbertian lyric, carefully setting the poetry alongside discourses of apophatic theology or early modern political theory, while still others link Herbert's verse to Donne's devotional prose. Several chapters establish specific theological and aesthetic grounds for comparison, considering Donne and Herbert's respective positions on religious assurance, comic sensibility, and virtuosity with poetic endings. 

Jess is fifteen years old and waiting for the world to end. Her evangelical father has packed up the family to drive west to California, hoping to save as many souls as possible before the Second Coming. With her long-suffering mother and rebellious (and secretly pregnant) sister, Jess hands out tracts to nonbelievers at every rest stop, Waffle House, and gas station along the way. As Jess s belief frays, her teenage myopia evolves into awareness about her fracturing family. Selected as a Barnes & Noble Discover pick and an Indie Next pick, Mary Miller s radiant debut novel reinvigorates the literary road-trip story with wry vulnerability and savage charm."

Building on her critically acclaimed novel The Last Days of California and her biting collection Always Happy Hour, Miller transports readers to this delightfully wry, unapologetic corner of the south-Biloxi, Mississippi, home to sixty-three-year-old Louis McDonald, Jr. Louis has been forlorn since his wife of thirty-seven years left him, his father passed, and he impulsively retired from his job in anticipation of an inheritance check that may not come. These days he watches reality television and tries to avoid his ex-wife and daughter, benefiting from the charity of his former brother-in-law, Frank, who religiously brings over his Chili's leftovers and always stays for a beer. Yet the past is no predictor of Louis's future. On a routine trip to Walgreens to pick up his diabetes medication, he stops at a sign advertising free dogs and meets Harry Davidson, a man who claims to have more than a dozen canines on offer, but offers only one: an overweight mixed breed named Layla. Without any rational explanation, Louis feels compelled to take the dog home, and the two become inseparable. Louis, more than anyone, is dumbfounded to find himself in love-bursting into song with improvised jingles, exploring new locales, and reevaluating what he once considered the fixed horizons of his life. With her "sociologist's eye for the mundane and revealing" (Joyce Carol Oates, New York Review of Books), Miller populates the Gulf Coast with Ann Beattie-like characters. A strangely heartwarming tale of loneliness, masculinity, and the limitations of each, Biloxi confirms Miller's position as one of our most gifted and perceptive writers.

Does serving in the church hurt your relationship with Christ? That question may have saved author Anne Marie Miller's life. She believes it could save yours, too. As the daughter of a pastor, Anne saw firsthand the struggles leaders face and the toll it takes on their families. She vowed her life in ministry would be different. Yet, years later, as a church leader, she was hospitalized because stress began wreaking havoc on her body. She had burned out. Anne developed a website that allowed church leaders to share their struggles. Within a few days, she was flooded with over a thousand responses from people pouring out their stories of pain. Mad Church Disease, born out of that experience, is a lively, informative, and potentially life-saving resource for anyone who has ever stepped foot in a church who would like to understand, prevent, or treat the epidemic of burnout in church culture.