Mary Jean Chan and Andrew McMillan's luminous anthology, 100 Queer Poems, is a celebration of thrilling contemporary voices and visionary poets of the past. Featuring Elizabeth Bishop, Langston Hughes, Ocean Vuong, Carol Ann Duffy, Kae Tempest and many more. Encompassing both the flowering of queer poetry over the past few decades and the poets who came before and broke new ground, 100 Queer Poems presents an electrifying range of writing from the twentieth century to the present day. Questioning and redefining what we mean by a 'queer' poem, you'll find inside classics by Elizabeth Bishop, Langston Hughes, Wilfred Owen, Charlotte Mew and June Jordan, central contemporary figures such as Mark Doty, Jericho Brown, Carol Ann Duffy, Kei Miller, Kae Tempest, Natalie Diaz and Ocean Vuong, alongside thrilling new voices including Chen Chen, Richard Scott, Harry Josephine Giles, Verity Spott and Jay Bernard. Curated by two widely acclaimed poets, Mary Jean Chan and Andrew McMillan, 100 Queer Poems moves from childhood and adolescence to forging new homes and relationships with our chosen families, from urban life to the natural world, from explorations of the past to how we find and create our future selves. It deserves a place on the shelf of every reader keen to discover and rediscover how queer poets speak to one another across the generations.

A New York Times Bestseller, chosen as Oprah's 'Books That Help Me Through' for Oprah's Book Club Chosen by Poetry Book Society as their special commendation 'No matter where one starts reading, Devotions offers much to love, from Oliver's exuberant dog poems to selections from the Pulitzer Prize-winning American Primitive, and Dream Work, one of her exceptional collections. Perhaps more important, the luminous writing provides respite from our crazy world and demonstrates how mindfulness can define and transform a life, moment by moment, poem by poem' The Washington Post 'It's as if the poet herself has sidled beside the reader and pointed us to the poems she considers most worthy of deep consideration' Chicago Tribune Throughout her celebrated career, Mary Oliver touched countless readers with her brilliantly crafted verse, expounding on her love for the physical world and the powerful bonds between all living things. Devotions is a stunning, definitive and carefully curated collection featuring work from over fifty years of writing - from Oliver's very first book of poetry, No Voyage and Other Poems, published in 1963 at the age of 28, through to her last collection, Felicity, published in 2015. This timeless volume, arranged by Oliver herself, showcases the beloved poet at her edifying best. Within these pages, she provides us with an extraordinary and invaluable collection of her passionate, perceptive, and much-treasured observations of the natural world.

A New York Times Bestseller, chosen as Oprah's "Books That Help Me Through" for Oprah's Book Club "No matter where one starts reading, Devotions offers much to love, from Oliver's exuberant dog poems to selections from the Pulitzer Prize-winning American Primitive, and Dream Work, one of her exceptional collections. Perhaps more important, the luminous writing provides respite from our crazy world and demonstrates how mindfulness can define and transform a life, moment by moment, poem by poem." -The Washington Post "It's as if the poet herself has sidled beside the reader and pointed us to the poems she considers most worthy of deep consideration." -Chicago Tribune Pulitzer Prize-winning poet Mary Oliver presents a personal selection of her best work in this definitive collection spanning more than five decades of her esteemed literary career. Throughout her celebrated career, Mary Oliver has touched countless readers with her brilliantly crafted verse, expounding on her love for the physical world and the powerful bonds between all living things. Identified as "far and away, this country's best selling poet" by Dwight Garner, she now returns with a stunning and definitive collection of her writing from the last fifty years. Carefully curated, these 200 plus poems feature Oliver's work from her very first book of poetry, No Voyage and Other Poems, published in 1963 at the age of 28, through her most recent collection, Felicity, published in 2015. This timeless volume, arranged by Oliver herself, showcases the beloved poet at her edifying best. Within these pages, she provides us with an extraordinary and invaluable collection of her passionate, perceptive, and much-treasured observations of the natural world.

I go down to the shore in the morning and depending on the hour the waves are rolling in or moving out, and I say, oh, I am miserable, what shall- what should I do? And the sea says in its lovely voice: Excuse me, I have work to do. Whether studying the leaves of a tree or mourning her treasured dog Percy, Mary Oliver is beautifully open to the teachings contained within the smallest of moments. In A Thousand Mornings she explores, with startling clarity, humour and kindness, the mysteries of our daily experience.

A New York Times Bestseller, chosen as Oprah's 'Books That Help Me Through' for Oprah's Book Club Chosen by Poetry Book Society as their special commendation 'No matter where one starts reading, Devotions offers much to love, from Oliver's exuberant dog poems to selections from the Pulitzer Prize-winning American Primitive, and Dream Work, one of her exceptional collections. Perhaps more important, the luminous writing provides respite from our crazy world and demonstrates how mindfulness can define and transform a life, moment by moment, poem by poem' The Washington Post 'It's as if the poet herself has sidled beside the reader and pointed us to the poems she considers most worthy of deep consideration' Chicago Tribune Throughout her celebrated career, Mary Oliver touched countless readers with her brilliantly crafted verse, expounding on her love for the physical world and the powerful bonds between all living things. Devotions is a stunning, definitive and carefully curated collection featuring work from over fifty years of writing - from Oliver's very first book of poetry, No Voyage and Other Poems, published in 1963 at the age of 28, through to her last collection, Felicity, published in 2015. This timeless volume, arranged by Oliver herself, showcases the beloved poet at her edifying best. Within these pages, she provides us with an extraordinary and invaluable collection of her passionate, perceptive, and much-treasured observations of the natural world.

'And just like that, like a simple neighbourhood event, a miracle is taking place.' 'If I have any secret stash of poems, anywhere, it might be about love, not anger,' Mary Oliver once said in an interview. Finally, in Felicity, we can immerse ourselves in Oliver's love poems. Here, great happiness abounds. Our most delicate chronicler of physical landscape, Oliver has described her work as loving the world. With Felicity she examines what it means to love another person. She opens our eyes again to the territory within our own hearts; to the wild and to the quiet. In these poems, she describes - with joy - the strangeness and wonder of human connection.

'The popularity of [Dog Songs] feels as inevitable and welcome as a wagging tail upon homecoming' Boston Globe In Dog Songs, Mary Oliver celebrates the special bond between human and dog, as understood through her connection to the dogs who across the years accompanied her on her daily walks, warmed her home and inspired her work. The poems in Dog Songs begin in the small everyday moments familiar to all dog lovers and become, through her extraordinary vision, meditations on the world and our place in it. Dog Songs includes visits with old friends, like Oliver's most beloved dog Percy, and introduces still others in poems of love and laughter, heartbreak and grief. Throughout, the many dogs of Oliver's life merge as fellow travelers and as guides, uniquely able to open our eyes to the lessons of the moment and the joys of nature and connection.

Maybe our world will grow kinder eventually. Maybe the desire to make something beautiful is the piece of God that is inside each of us. In this stunning collection, Mary Oliver returns to the imagery that has defined her life's work. Herons, sparrows, owls and kingfishers flit across the page in meditations on love, artistry and impermanence. Whether considering a bird's nest, the seeming patience of oak trees or the paintings of Franz Marc, Mary Oliver reminds us of the transformative power of attention and how much can be contained within the smallest moments. Blue Horses asks what it truly means to belong to this world and to live in it attuned to all its changes. 'To be human,' she shows us, 'is to sing your own song'.

"True ease in writing comes from art, not chance, / As those move easiest who have learn'd to dance," wrote Alexander Pope. "The dance," in the case of Oliver's brief and luminous book, refers to the interwoven pleasures of sound and sense to be found in some of the most celebrated and beautiful poems in the English language, from Shakespeare to Edna St. Vincent Millay to Robert Frost. With a poet's ear and a poet's grace of expression, Oliver shows what makes a metrical poem work - and enables readers, as only she can, to "enter the thudding deeps and the rippling shallows of sound-pleasure and rhythm-pleasure that intensify both the poem's narrative and its ideas."

In her fourth volume of poetry, Twelve Moons, Pulitzer Prize-winning Mary Oliver continues to explore the alluring, yet well-nigh inaccessible kingdoms of nature and human relationships, and man's profound, persistent desire for a joyous union with them. these vibrant, magical poems pulse with an aching awareness of nature's unaffected beauty. Her absorbing intimate vision leads us into the natural and human kingdoms we only fleetingly grasp.

Mary Oliver's poetry is fine and deep it reads like a blessing," wrote Stanley Kunitz many years ago and recently, Rita Dove described her last volume, The Leaf and the Cloud, as "a brilliant meditation." For the many admirers of Mary Oliver's dazzling poetry and luminous vision, as well as for those who may be coming to her work for the first time, What Do We Know will be a revelation. These forty poems-of observing, of searching, of pausing, of astonishment, of giving thanks-embrace in every sense the natural world, its unrepeatable moments and its ceaseless cycles. Mary Oliver evokes unforgettable images-from one hundred white-sided dolphins on a summer day to bees that have memorized every stalk and leaf in a field-even as she reminds us, after Emerson, that "the invisible and imponderable is the sole fact.

Dream Work, a collection of forty-five poems, follows both chronologically and logically Mary Oliver's American Primitive, which won her the Pulitzer Prize for poetry in 1983. The depth and diversity of perceptual awareness -- so steadfast and radiant in American Primitive -- continues in Dream Work. Additionally, she has turned her attention in these poems to the solitary and difficult labors of the spirit -- to accepting the truth about one's personal world, and to valuing the triumphs while transcending the failures of human relationships.

A rich collection of ten poems, two essays, and two dozen of Mary Oliver's classic works on flowers, trees, and plants of all sorts, elegantly illustrated, Blue Iris is the essential companion to "Owls and Other Fantasies," one of the best-selling volumes of poetry of 2003 and a Book Sense 76 selection.

Mary Oliver, winner of the Pulitzer Prize, celebrates love in her new collection of poems "If I have any secret stash of poems, anywhere, it might be about love, not anger," Mary Oliver once said in an interview. Finally, in her stunning new collection, Felicity, we can immerse ourselves in Oliver's love poems. Here, great happiness abounds. Our most delicate chronicler of physical landscape, Oliver has described her work as loving the world. With Felicity she examines what it means to love another person. She opens our eyes again to the territory within our own hearts; to the wild and to the quiet. In these poems, she describes-with joy-the strangeness and wonder of human connection. As in Blue Horses, Dog Songs, and A Thousand Mornings, with Felicity Oliver honors love, life, and beauty.

With passion, wit, and good common sense, the celebrated poet Mary Oliver tells of the basic ways a poem is built-meter and rhyme, form and diction, sound and sense. Drawing on poems from Robert Frost, Elizabeth Bishop, and others, Oliver imparts an extraordinary amount of information in a remarkably short space. "Stunning" (Los Angeles Times). Index.

Mary Jean Chan and Andrew McMillan's luminous anthology, 100 Queer Poems, is a celebration of thrilling contemporary voices and visionary poets of the past. Featuring Elizabeth Bishop, Langston Hughes, Ocean Vuong, Carol Ann Duffy, Kae Tempest and many more. * Shortlisted for the Books Are My Bag Readers Awards 2022 * Encompassing both the flowering of queer poetry over the past few decades and the poets who came before and broke new ground, 100 Queer Poems presents an electrifying range of writing from the twentieth century to the present day. Questioning and redefining what we mean by a 'queer' poem, you'll find inside classics by Elizabeth Bishop, Langston Hughes, Wilfred Owen, Charlotte Mew and June Jordan, central contemporary figures such as Mark Doty, Jericho Brown, Carol Ann Duffy, Kei Miller, Kae Tempest, Natalie Diaz and Ocean Vuong, alongside thrilling new voices including Chen Chen, Richard Scott, Harry Josephine Giles, Verity Spott and Jay Bernard. Curated by two widely acclaimed poets, Mary Jean Chan and Andrew McMillan, 100 Queer Poems moves from childhood and adolescence to forging new homes and relationships with our chosen families, from urban life to the natural world, from explorations of the past to how we find and create our future selves. 'Abundantly rich and rewarding...capturing how queer poets and their work speak to one another across generations' Attitude 'More than a landmark volume... An anthology that marks the present moment and ushers in a new one' Okechukwu Nzelu, author of Here Again Now

A stunning collection of four of Mary Oliver's most beloved books of poetry, A Thousand Mornings, Blue Horses, Dog Songs, and Felicity, packaged together for the first time Throughout her career, Mary Oliver touched innumerable readers with her brilliantly crafted verse. In this box set, containing her four most recently published collections, she returns to the imagery and subjects that have come to define her life's work: transporting us to the coastline of her beloved home, Provincetown; reminding us of what it truly means to belong to the natural world;, celebrating the special bond between human and dog, and expounding on the wild and the quiet within our own hearts. Within every book, Oliver honors life, love, and beauty. This beautifully designed set is the perfect gift for every occasion, and a wonderful addition to the library of both longtime fans and new readers.

Mary Oliver has been writing poetry for nearly five decades, and in that time she has become America's foremost poetic voice on our experience of the physical world. This collection presents thirty-two new poems--an entire volume in itself--along with works chosen by Oliver from six of the books she has published since New and Selected Poems, Volume One.
This graceful volume, designed to be paired with New and Selected Poems, Volume One, includes new poems on birds, toads, flowers, insects, bodies of water, and the extraordinary experience of the everyday in our lives. In the words of Alicia Ostriker, "Mary Oliver moves by instinct, faith, and determination. She is among our finest poets, and still growing." In both the older and new poems, Mary Oliver is a poet at the height of her control of image and language.
"Oliver's often quiet persona almost always rides a storm of discovery . . . She continues to earn applause and admiration for continuing to provide redemptive mediation and supple praises for nature in a time when so much is under threat." --R. T. Smith, Shenandoah

"Mary Oliver continues to tutor us in attention, gratitude, and reverence in this new collection of forty-seven poems."--Frederick and Mary Brussat, Spirituality and Health
Praise for Owls and Other Fantasies:
"Mary Oliver is beautiful and accurate in this book of poetry and prose about birds...all rendered with the precision of a line-drawing of a single feather that puts the entire wing into perspective." --Orion
Praise for Mary Oliver's poetry:
"These are life enhancing and redemptive poems that coax the sublime from the subliminal." --Sally Connolly, Poetry
"Mary Oliver's poems are natural growths out of a loam of perception and feeling, and instinctive skill with language makes them seem effortless. Reading them is a sensual delight." --May Swenson
"The gift of Oliver's poetry is that she communicates the beauty she finds in the world and makes it unforgettable" --Miami Herald

Mary Oliver has been writing poetry for nearly five decades, and in that time she has become America's foremost poetic voice on our experience of the physical world. This collection presents forty-two new poems--an entire volume in itself--along with works chosen by Oliver from six of the books she has published since New and Selected Poems, Volume One.
"Oliver's poetry is of the Earth, and about the Earth, and as these poems give voice to the planet, they render human life more beautiful, more sentient, more meaningful." --Karen McCarthy, ForeWord
Mary Oliver, the winner of numerous prizes, is one of the most celebrated and best-selling poets in America. Her works include New and Selected Poems, Volume One (Beacon / 6877-9 / $16.00 pb) and At Blackwater Pond (Beacon / 0700-6 / $19.95 audio). She lives in Provincetown, Massachusetts.
A P R I L

Winner of the Pulitzer Prize for Poetry Mary Oliver's most acclaimed volume of poetry, American Primitive contains fifty visionary poems about nature, the humanity in love, and the wilderness of America, both within our bodies and outside. American Primitive enchants me with the purity of its lyric voice, the loving freshness of its perceptions, and the singular glow of a spiritual life brightening the pages. -- Stanley Kunitz These poems are natural growths out of a loam of perception and feeling, and instinctive skill with language makes them seem effortless. Reading them is a sensual delight. -- May Swenson

Strikingly redesigned to accompany the publication of New and Selected Poems, Volume Two
Praise for the poetry of Mary Oliver:
"One of the astonishing aspects of Oliver's work is the consistency of tone over this long period. What changes is an increased focus on nature and an increased precision with language that has made her one of our very best poets . . . There is no complaint in Ms. Oliver's poetry, no whining, but neither is there the sense that life is in any way easy . . . These poems sustain us rather than divert us. Although few poets have fewer human beings in their poems than Mary Oliver, it is ironic that few poets also go so far to help us forward."
--Stephen Dobyns, New York Times Book Review
"Mary Oliver's poetry is fine and deep; it reads like a blessing. Her special gift is to connect us with our sources in the natural world, its beauties and terrors and mysteries and consolations."
--Stanley Kunitz
"One would have to reach back perhaps to [John] Clare or [Christopher] Smart to safely cite a parallel to Oliver's lyricism or radical purification and her unappeasable mania for signs and wonders."
--David Barber, Poetry
"I have always thought of poems as my companions--and like companions, they accompany you wherever the journey (or the afternoon) might lead . . . My most recent companion has been Mary Oliver's The Leaf and the Cloud . . . It's a brilliant meditation, a walk through the natural world with one of our preeminent contemporary poets."
--Rita Dove, Washington Post

One of O, The Oprah Magazine's Ten Best Books of the Year The New York Times bestselling collection of essays from beloved poet, Mary Oliver. "There's hardly a page in my copy of Upstream that isn't folded down or underlined and scribbled on, so charged is Oliver's language . . ." -Maureen Corrigan, NPR's Fresh Air "Uniting essays from Oliver's previous books and elsewhere, this gem of a collection offers a compelling synthesis of the poet's thoughts on the natural, spiritual and artistic worlds . . ." -The New York Times "In the beginning I was so young and such a stranger to myself I hardly existed. I had to go out into the world and see it and hear it and react to it, before I knew at all who I was, what I was, what I wanted to be." So begins Upstream, a collection of essays in which revered poet Mary Oliver reflects on her willingness, as a young child and as an adult, to lose herself within the beauty and mysteries of both the natural world and the world of literature. Emphasizing the significance of her childhood "friend" Walt Whitman, through whose work she first understood that a poem is a temple, "a place to enter, and in which to feel," and who encouraged her to vanish into the world of her writing, Oliver meditates on the forces that allowed her to create a life for herself out of work and love. As she writes, "I could not be a poet without the natural world. Someone else could. But not me. For me the door to the woods is the door to the temple." Upstream follows Oliver as she contemplates the pleasure of artistic labor, her boundless curiosity for the flora and fauna that surround her, and the responsibility she has inherited from Shelley, Wordsworth, Emerson, Poe, and Frost, the great thinkers and writers of the past, to live thoughtfully, intelligently, and to observe with passion. Throughout this collection, Oliver positions not just herself upstream but us as well as she encourages us all to keep moving, to lose ourselves in the awe of the unknown, and to give power and time to the creative and whimsical urges that live within us.