Meet the unusual and interesting familes of Paula and Thomas Caulfield. Experience the melding of these diverse characters into a cohesive clan.

Be an intimate part of their lives, sharing their bedroom conversations and personal feelings.

The story spans the globe and takes the reader on a journey to uncommon places to hob-nob with distinctive people.

Co-published by Routledge and Edition Synapse, the History of Feminism series makes key archival source material readily available to scholars, researchers, and students of women's and gender studies, women's history, and women's writing, as well as those working in allied and related fields. Selected and introduced by an expert editor, the gathered materials are reproduced in facsimile, giving users a strong sense of immediacy to the texts and permitting citation to the original pagination.

This new title in the series brings together a unique selection of the multiple feminisms articulated by Irish writers between 1810 and 1930, a ?long Victorian? period. The five volumes foreground a multiplicity of beliefs and attitudes from novels, poetry, short stories, newspaper and journal articles, and essays, both by relatively unknown and by more celebrated writers (such as Lady Gregory, Lady Wilde, and the Parnells). While the history of feminism consistently and universally reveals conflicting interpretations of the female role in society, the situation in Ireland was significantly complicated by the backdrop of national uprisings, land war, world war, and the growing hegemony of a strongly religious patriarchy. In particular, the collection makes apparent the disparities of interest as writers confront, or covertly negotiate, the burning issues of education, suffrage, and participation in charitable work or politics.

Female frustrations, and collusion, with societal norms are documented in each of the thematically organized volumes. Volume I (?Leading the Way?) includes key ideological articulations of Irish feminist beliefs. Volume II (?Land and Labour?) is a collection of vital materials which show the intermeshing of women's concerns with prevailing political turmoil. The question mark in the title of Volume III (?Eire Ab (?Ireland Forever )) hints at the uncertainties facing women in any New Ireland. These fears are reflected in the materials reproduced in this volume, which contains work by the redoubtable Sheehy Skeffingtons, by the strongly feminist Haslams, and by Yeats's beloved Maud Gonne. Nationalistic and feminist prose and poetry by sisters Countess Markievicz and Eva Gore-Booth?portrayed by Yeats as ?one beautiful, the other a gazelle is also included in this volume. Bringing together extracts from biography, fiction, poetry and bitter-sweet drama, Volume IV (?In the Real World?) is a repository of vital work which engaged with education, social and sexual mores, marriage, and religious life and the novel Callaghan is its fitting and concluding text. Finally, Volume V (?Literary Approaches?) highlights disparate expressions of the evolving Irish attitudes to feminist issues, from the competing spheres of the convent and secular world (George Moore's ?The Exile?), to challenges to fixed notions of gender (K. C. Thurston's Max). The sheer diversity of poetical contributions is fascinating.

Most texts in this collection have either not appeared at all since their first publication, or have never been reprinted in their entirety; the remainder have been extremely difficult to find. Their collocation and juxtaposition in these volumes provides a unique insight into a multiplicity of Irish feminisms, and vividly recreates the literary and historical climate in which they were written. With its comprehensive introductions, (which furnish vital background information), this ground-breaking collection is destined to be welcomed as a treasure-trove by all serious scholars and students of Gender and Irish Studies?as well as those working in Victorian and Literary Studies.

Marooned in Africa is an exciting adventure set in the wild and untamed forests of West Africa. A young female biologist is separated from her group, and is storm-tossed on the Expedition yacht into a huge tidal basin, alone. Paula goes ashore to explore, where she is seen and followed by natives, who capture her and take her far inland to be a trophy wife for their chief. Subjected to ritual combat for status, she knows mutilation will soon follow if she does not escape. Once into the forest, she becomes disoriented and follows the wrong trail, ending up on a hillside full of lion dens. Unaware that she is being followed and also stalked, she is confronted by lions and within moments of becoming dinner, is saved by a lone traveler. The journey back to the cove is enlivened by animal encounters, and campfire stories that take her back to times long gone with glimpses into the unknown and savage secrets of Africa. Along the way a unique relationship develops with the man who saved her from the lions, but neither one wants to be the first to express their feelings, until an unexpected decision is made and changes everything.

This engaging collection of essays considers the cultural complexities of the Franco-Irish relationship in song and story, image and cuisine, novels, paintings and poetry. It casts a fresh eye on public perceptions of the historic bonds between Ireland and France, revealing a rich variety of contact and influence. Controversy is not shirked, whether on the subject of Irish economic decline or reflecting on prominent, contentious personalities such as Ian Paisley and Michel Houellebecq. Contrasting ideas of the popular and the intellectual emerge in a study of Brendan Kennelly; recent Irish tribunals are analysed in the light of French cultural theory; and familiar renditions of Franco-Irish links are re-evaluated against the evidence of newspaper and journal accounts. Drawing on the disciplines of history, art, economics and literature, and dipping into the good wines of France and Ireland, the book paints a fascinating picture of the relationship between the two countries over three dramatic centuries.

The engaging figure of Irish writer George Moore (1852-1933) comes to life in this collection of essays on his works and influences. So often considered as dangerously controversial in his lifetime, his literary output can now be appreciated as groundbreaking, artistically sophisticated and particularly significant for the innovations he introduced into English literature. In this volume, international Moore scholars venture into previously unexplored literary, historical and psychological territory as they shine new light on Moore's diagnoses, and on his presentation of human quirks. In turn, and in a Moorian spirit, the author is critically examined for his alleged feminist credentials, his spiritual understanding, his cultural insights and his literary experimentation. The analytical focus is sharp; the presence of Joyce, Yeats, Wilde, Zola and Dujardin is strong; and the surrounding atmosphere of Revival Ireland is unmistakable, albeit with a French colouring. This is an entertaining and enlightening compilation that will engage the reader and provide much relevant material for specialists across a variety of fields.

This invigorating volume explores the literary worlds inhabited by the pioneering Irish author George Moore (1852–1933). With an eye to Moore’s innovative embrace of visual art, feminism and literary history, and in- the spirit of his feisty resistance to ‘orthodoxy’, it investigates his influences and inventive strategies in novel, short story and memoir. Amongst the names emerging from the disparate spheres of impressionism, literary coteries, the paratextual and the music world are those of Manet, Mallarmé, Wilde, Héloïse, Elgar and Bourdieu, all with Moorian links. Contested depictions of religion and nationalism simmer; France and French influences encompass fin-de-siècle stories and medieval texts; epistolary details evidence vital parental support; contemporary authors write back to Moore. These voyages of discovery enter the fields of feminist scholarship and the New Woman, life writing and letters, fin-de-siècle aesthetics, intersections between art, music and literature, and literary transitions from Victorian to Modern. Valuably, the authors suggest numerous opportunities for additional research in these areas, as well as within Moore studies. This collection, with contributions from an international set of established and new scholars, delivers fresh and original findings as it builds on the substantial and ever-growing corpus of Moore studies.

An Illustrated Children's book set in the Old West. Permilia is a charming tale of a little girl and her two siblings. Being an orphan in the 1800's is not easy. Together they face the challenges of life with courage and cheerfulness. One day, eight year old, Permilia meets Mr. Amos, a crusty old hermit, who has all but given up on people and life. Through Permilia's sweet spirit, his heart rediscovers the beauty and wonder of life. But when Little Tilden becomes gravely ill, everyone's lives are changed forever.

The rich association between Ireland and France is embodied in music, art and creative writing from both countries and this collection provides a tantalising selection of these interweaving influences. The book presents a vivid picture of interactions between composers, performers, poets and novelists on each side of the Celtic Sea. Surprises abound, with music unexpectedly linking Ireland and France through George Alexander Osborne and Frederic Chopin, through Thomas Moore and Jean-Jacques Rousseau, through Irish-inspired French opera and a French-directed Irish orchestra. Words and music meet in a Kate O'Brien novel, a musical interpretation of Verlaine and a selection of Paula Meehan's poetry, while the encounter between wine and music creates new possibilities for artistic and cultural expression. Exploring the works and influence of a wide range of figures including James Joyce, Marcel Proust, Jacques Derrida, J.M. Synge, Helene Cixous, Eilean Ni Chuilleanain, Hector Berlioz, Maurice Ravel, Neil Jordan and John Field, the essays collected here uncover a wealth of artistic interconnections between France and Ireland.

Embrace Your Inner Mrs. Potato Head! She's so much more real and full of fun than Barbie ever could be. And she knows how to laugh like only those who have discovered the humor, heart, and wisdom of true womanhood can laugh. Give her room to romp with this hilarious collection of zany, true-life stories by Mary Pierce.If you love to kick off your shoes and laugh your socks off over the foibles and absurdities of life, this book is for you. Mrs. Potato Head's hormones are out of whack. Her memory is held together by sticky notes. But she's got a sense of humor that just won't quit, and she's learned to accept and enjoy herself as she is---because God does.

Is your spiritual life more like a fast-food run than an intimate dinner for two? Whether it s the busy mother s wish to be Wonder Woman---minus the metal bra---or battles with an exploding hot water heater, or fighting the Resolutionary War of New Year s Day, Mary Pierce understands the dilemmas of being a woman in today s 24/7 world. From disorganized misery to extreme organizational mania (she used to refer to her children by their household chores: Cat Box Boy, Dishwasher Girl, and Garbage Can Baby), Pierce deals with our fumbling attempts to grow closer to God, encouraging us as she invites us to laugh, cry, love, embrace life, and pray In her humorous, conversational style, Pierce laughs at her mistakes and her prayers that seem more like advertising jingles (Lord, I need a break today, and Can you hear me now, Lord?). In Confessions of a Prayer Wimp, you ll come to understand that faith is less about what you are or do or say, and more about who God is---someone who loves you no matter what you do."

Meet the unusual and interesting familes of Paula and Thomas Caulfield. Experience the melding of these diverse characters into a cohesive clan.

Be an intimate part of their lives, sharing their bedroom conversations and personal feelings.

The story spans the globe and takes the reader on a journey to uncommon places to hob-nob with distinctive people.

Marooned in Africa is an exciting adventure set in the wild and untamed forests of West Africa. A young female biologist is separated from her group, and is storm-tossed on the Expedition yacht into a huge tidal basin, alone. Paula goes ashore to explore, where she is seen and followed by natives, who capture her and take her far inland to be a trophy wife for their chief. Subjected to ritual combat for status, she knows mutilation will soon follow if she does not escape. Once into the forest, she becomes disoriented and follows the wrong trail, ending up on a hillside full of lion dens. Unaware that she is being followed and also stalked, she is confronted by lions and within moments of becoming dinner, is saved by a lone traveler. The journey back to the cove is enlivened by animal encounters, and campfire stories that take her back to times long gone with glimpses into the unknown and savage secrets of Africa. Along the way a unique relationship develops with the man who saved her from the lions, but neither one wants to be the first to express their feelings, until an unexpected decision is made and changes everything.

The formative influences of Paris and France on the Anglo-Irish writer George Moore (1852-1933) cannot be underestimated. While the years Moore spent in Paris in the 1870s were seminal for his artistic awakening and development, the associations and friendships he formed in French literary and artistic circles exerted an enduring influence on his creative career. Moore maintained close ties with France throughout his life and his numerous contacts extended to social, musical and cultural spheres. He introduced the Impressionists to a British audience and his importation of French literary innovation into the English novel was remarkable. Exploring Moore's early years in Paris and his ongoing engagement with the experimental modernity of his French models, these essays offer new insights into this cosmopolitan writer's work. Moore emerges as a turn-of-the-century European artist whose eclectic writings reflect the complex evolution of literature from Naturalism to Modernism through Symbolism and Decadence.