Originally published in 1992, Nationalisms and Sexualities addresses questions of how notions of identity are shaped by discussions of nationalism and sexuality. The book looks at a variety of disciplinary and theoretical perspectives, on a wide range of geographical regions and historical moments. The volume departs from social scientific paradigms that treat nation and sexuality as discrete and autonomous entities. Its contributors respond instead to emerging issues that redefine the horizons of what is globally considered today as "the political": how the formation of sexual, gendered, racial, and/or class identities have contributed to the formation of sexual, gendered, racial, and/or class identities, and vice versa; how technologies of representation play a role in the constitution of national and sexual identities; how colonialism and postcolonialism have altered consolidations of national and sexual identities.

Drawing on a vast range of texts, including Angela Carter, David Cronenberg, Kristeva and Freud, Mary Russo explores the cultural associations with the grotesque, deeply embedded in western culture and consciousness.

This volume covers a range of subjects drawn from Italy and abroad to study the historical and contemporary formations of Italian national identity. In doing so, the work illuminates Italy past and present as well as the local and global dimensions of national identity in general. Whether considering opera or Ninja Turtles, the essays reveal how cultural identity is constructed and manipulated - an issue made urgent by the influx of African, Indochinese, and eastern European immigrants into Italy today. Exile, nationalism, and imagined communities are the topics of several essays, including Antonio Negri's reflection on his own experience of political and exile. Others focus on Italy's colonial "unconscious", Mussolini's adventures in north Africa, and racism from the late 19th century to the present. By analyzing Italy's European and Mediterranean identities, its highly regional character, its north-south economic imbalance, and its ethnic complexity, this interdisciplinary volume should inform and redirect our understanding of what constitutes "Italy".

Through the joyful spirit of an elf-like forest creature Wizahickon, she learns that fears do not need to be stifiled but can be the impetus for change and self-empowerment. The embedded message of fears challeneged slip into the child's unconscious, while the story produces a sense of fun and adventure.