Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

"Instant Messaging with Heaven" is a non-fiction book that teaches you about communicating with heaven and how to receive an instant answer. What questions would you ask that pertain to your life? Now you can get answers from above. "Instant Messaging with Heaven" informs you of who you can contact in heaven for help, what they can do for you, and how to practice your newfound gift of communicating with the other side. "Instant Messaging with Heaven" also teaches you how to test your new skills. There is also a short section on how to heal mild pain or a headache through communication, healing hands, and help from heaven. Lastly, the author has included a section on what it is like to almost die, and also photographs of a principality angel, cherubic angel, many spirit guides, orbs, and more in full color. "Instant Messaging with Heaven" is a powerful tool that will change your life forever. Are you ready?

"Extended Vacation: Home Never Looked So Good" is a comedy about an antagonistic Granny, who convinces her frugal Midwestern son-in-law and family to take her on a driving vacation to Mexico. Once there, the family van gets stolen with everything in it, including Granny. Now, the border patrol won't let them cross the border, until they can account for the missing van and Granny. Will Granny show up before the money runs out? All the hotels are booked solid with a toilet paper convention. Where will they stay? Let the comedy begin

Title: The History of Ufton Court ... in the county of Berks and of the Perkins family: compiled from ancient records by A. Mary Sharp. Illustrated.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The HISTORY OF EUROPE collection includes books from the British Library digitised by Microsoft. This collection includes works chronicling the development of Western civilisation to the modern age. Highlights include the development of language, political and educational systems, philosophy, science, and the arts. The selection documents periods of civil war, migration, shifts in power, Muslim expansion into Central Europe, complex feudal loyalties, the aristocracy of new nations, and European expansion into the New World. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Sharp, A. Mary; 1892. xvii. 276 p.; 4 . 010358.l.36.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This book collects three early texts with full illustrations on lacemaking: Old Point Lace, and How to Copy It (1878), by Daisy Waterhouse Hawkins; Point and Pillow Lace (1899), by A. Mary Sharp; Lace: Its Origin and History (1904), by Samuel L. Goldenberg. These texts review patterns, descriptions, and histories of a wide range of laces.

Day after day, week after week, month after month, year after year went by as the horror of addiction clung mercilessly to our sons. We had rescued and helped them, shamed and rejected them. We had prayed and sought counsel, argued and become numb. They entered treatment centers and recovery programs but nothing made any difference. We were on a bobsled of grief that was plummeting into hell with no way to stop it or get off. We railed at God, "So, what happened? Didn't we have an agreement? We did the best we could. How could you let this happen?" After the Locusts is based on a mother's true tale of how God mercifully redeemed her family after decades of addiction; proving faithful to His promise that He will restore the years of our lives that the locusts have eaten.

POINT AND PILLOW LACE X A ft ft MM CJ POINT AND PILLOW LACE A SHORT ACCOUNT OF VARIOUS KINDS ANCIENT AND MODERN, AND HOW TO RECOGNISE THEM BY MARY SHARP LONDON JOHN MURRAY, ALBEMARLE STREET PREFACE THE object of this little book is to supply to owners and lovers of Lace some clear information easily referred to, by means of which they can ascertain the true name and nature of any particular specimen. The valuable works of which a list is given on page xiii, as the authorities consulted, are some of them, especially the late Mrs. Pallisers History of Lace, almost exhaustive as to the historical records on the subject, and they also contain a great deal of interesting information concerning the various lace manufactures. Yet the writer has found, in common she believes with others, that a diligent search through many volumes and much inquiry of experts has been necessary before some particular piece of Lace could be identified, even if in the end that identification did not appear doubtful. In the present volume it is hoped that the simple statements distinguishing the features of each variety will enable the reader to recognise them readily, especially as each description is accompanied by an vi PREFACE illustration, on as large a scale as the size of the page will allow, so that the texture of the Lace may be the more easily seen. That description alone, however good, without il lustrations is very insufficient will readily be allowed by anyone who attempts the task of explaining in words the nature and peculiarities of any kind of Lace. Dr. Johnson gives as a definition of net, a texture woven with intersticial vacuities and of network, anything reticulated or decussated, at equaldistances, with interstices between the inter sections. Where the great lexicographer failed to make his meaning more intelligible to simple folk, lesser mortals may well be glacl to eke out their otherwise insufficient explanations by the help of the photographer. One difficulty attendant on the study of Lace must be mentioned. It is that at various times the same kinds of Lace were made in . different localities, each imitating the other. Thus Brussels and AlenQon copied Venice, and Italy in turn adopted the reseau ground in imitation of Flanders nor is the reason far to seek. The laws of supply and demand were in force three hundred years ago as now, and though we are apt to think of the countries of Europe, before the days of railways and steamboats, as isolated, yet PREFACE vii a very cursory study of history is enough to prove that it was far otherwise. The number of travellers was no doubt much less than at present, but the richer classes were socially in constant communication with each other everywhere, as is indeed evidenced by the prevalence of the same fashions in dress throughout Europe at any given time. No sooner did the ladies of Paris in the time of Henry the Fourth adopt the high ruff, than English ladies has tened to do the same and as soon as the Pillow laces of Genoa were admired and found suitable to the falling collars of the succeeding reigns, the lace workers of Flanders were quick in learning . to reproduce the style, in this case so exactly, that but little difference can now be detected between their work and that of the Italians. Lace also was largely made in convents and lace-making was taught in convent schools and the fact that nuns were of allnationalities helps to account for the cosmopolitan character of the Art. It will not be attempted here to decide from what locality any particular Lace may have come, but merely to state on good authority to what style it belongs, and to assist the reader, by a careful de scription of its details, to judge for himself or herself of its character. Of all the decorative works of Art viii PREFACE Lace is by far the most perishable indeed, it may be said that the more beautiful the Lace, the more delicate and more easily destroyed it is...