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'the highest matter in the noblest form' John Donne's description
of the Psalms celebrates not only the perfection of the biblical
psalms but their translation into poetic form by the Sidneys, who
turned them into some of the most accomplished lyric poems of the
English Renaissance. Although it was not printed until the
nineteenth century, the Sidney Psalter was widely read in
manuscript and influenced poets from Donne and Herbert to Milton
and beyond. It turned these well-known and well-loved Psalms into
sophisticated verse, selecting or inventing a different stanza form
for each one. This variety of forms matches the appeal of their
content: there are Psalms of praise and blame, Psalms of cursing
and lamentation, Psalms of joy and exaltation, Psalms that recount
history, and Psalms that describe Creation or divine law. This is
the first complete edition of the Psalter for over forty years. The
Psalms are provided in an authoritative modernized text, with
helpful glosses and notes illuminating points of interpretation,
and an introduction setting the Psalms in their literary and
cultural contexts. ABOUT THE SERIES: For over 100 years Oxford
World's Classics has made available the widest range of literature
from around the globe. Each affordable volume reflects Oxford's
commitment to scholarship, providing the most accurate text plus a
wealth of other valuable features, including expert introductions
by leading authorities, helpful notes to clarify the text,
up-to-date bibliographies for further study, and much more.
Social convention may have prevented Renaissance women writers from openly taking part in the political and religious debates of their day, but they found varied and innovative ways of intervening indirectly. Isabella Whitney explored issues of sexual morality and her sense of exclusion from the vibrantly greedy and commercial London of the 1570s. Mary Sidney, sister of Sir Philip, produced powerful translations of Petrarch and the Psalms as well as original verse in order to mourn her late brother, develop his legacy and promote the Protestant cause. Aemilia Lanyer, probably the most obviously 'feminist' of these three, wrote poetry which defends Eve's actions in the Garden of Eden, celebrates female virtue and spirituality, and argues for the creation of a non-hierarchical community of 'good women'. All are strong and original voices which decisively alter our picture of the golden age of English Literature. This edition includes a critical introduction and explanatory notes
This scarce antiquarian book is a selection from Kessinger
Publishing's Legacy Reprint Series. Due to its age, it may contain
imperfections such as marks, notations, marginalia and flawed
pages. Because we believe this work is culturally important, we
have made it available as part of our commitment to protecting,
preserving, and promoting the world's literature. Kessinger
Publishing is the place to find hundreds of thousands of rare and
hard-to-find books with something of interest for everyone
This scarce antiquarian book is a selection from Kessinger
Publishing's Legacy Reprint Series. Due to its age, it may contain
imperfections such as marks, notations, marginalia and flawed
pages. Because we believe this work is culturally important, we
have made it available as part of our commitment to protecting,
preserving, and promoting the world's literature. Kessinger
Publishing is the place to find hundreds of thousands of rare and
hard-to-find books with something of interest for everyone
Mary Sidney Herbert, Countess of Pembroke, is the most important
Elizabethan woman writer and patron outside the royal family. By
astute use of the genres permitted to women, she supported the
Protestant cause, introduced continental literary genres, expanded
opportunities for later women writers, and influenced
seventeenth-century lyric and drama by such writers as John Donne,
George Herbert, Mary Wroth, and William Shakespeare. This scholarly
edition in two volumes is the first to include all her extant
works: Volume I prints her three original poems, the disputed
`Dolefull Lay of Clorinda', her translations from Petrarch, Mornay,
and Garnier, and all her known letters. Volume II contains her
metrical paraphrases of Psalms 44-150. The edition also provides a
biographical introduction, discussion of her sources and methods of
composition, textual annotation, and a detailed commentary.
Mary Sidney Herbert, Countess of Pembroke and sister to Sir Philip Sidney, is the most important woman writer of the Elizabethan era outside the royal family. This scholarly edition in two volumes is the first to include all her extant works: Volume I prints her three original poems, the disputed 'Dolefull Lay of Clorinda', her translations from Petrarch, Mornay, and Garnier, and all her known letters. Volume II contains her metrical paraphrases of Psalms 44-150. The edition also provides a biographical introduction, discussion of her sources and methods of composition, textual annotation, and a detailed commentary.
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