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Creative Autonomy, Copyright and Popular Music in Nigeria (Hardcover, 1st ed. 2020): Mary W. Gani Creative Autonomy, Copyright and Popular Music in Nigeria (Hardcover, 1st ed. 2020)
Mary W. Gani
R2,895 Discovery Miles 28 950 Ships in 10 - 15 working days

This book provides an in-depth analysis of the unique structure of the Nigerian popular music industry. It explores the dissonance between copyright's thematic support for creative autonomy and the practical ways in which the law allows singer-songwriters' (performing authors') creative autonomy to be subverted in their contractual relationships with record labels. The book establishes the concept of creative autonomy for performing authors as a key criterion for sustainable economic development, and makes innovative legal and policy recommendations to help stakeholders preserve it.

Black Music in Britain in the 21st Century (Hardcover): Monique Charles Black Music in Britain in the 21st Century (Hardcover)
Monique Charles; As told to Mary W. Gani
R4,061 Discovery Miles 40 610 Ships in 10 - 15 working days

Since the turn of the 21st century, there have been several genres birthed from or nurtured in Black Britain: funky & tribal House, Afrobeats, Grime, Afro Swing, UK Drill, Road Rap, Trap etc. This pioneering book brings together diverse diasporan sounds in conversation. A valuable resource for those interested in the study of 21st century Black music and related cultures in Britain, this book goes incorporates the significant Black Atlantean, global interactions within Black music across time and space. It examines and proposes theoretical approaches, contributing to building a holistic appreciation of 21st century Black British music and its multidimensional nature. This book proffers an academically curated, rigorous, holistic view of Black British music in the 21st century. Drawing from pioneering academics in the emerging field and industry professionals, the book will serve academic theory, as well as the views, debates and experiences of industry professionals in a complementary style that shows the synergies between diasporas and interdisciplinary conversations. The book is interdisciplinary. It draws from sociology, musicology and the emerging digital humanities fields, to make its arguments and develop a multi-disciplinary perspective about Black British music in the 21st century.

Creative Autonomy, Copyright and Popular Music in Nigeria (Paperback, 1st ed. 2020): Mary W. Gani Creative Autonomy, Copyright and Popular Music in Nigeria (Paperback, 1st ed. 2020)
Mary W. Gani
R2,872 Discovery Miles 28 720 Ships in 10 - 15 working days

This book provides an in-depth analysis of the unique structure of the Nigerian popular music industry. It explores the dissonance between copyright's thematic support for creative autonomy and the practical ways in which the law allows singer-songwriters' (performing authors') creative autonomy to be subverted in their contractual relationships with record labels. The book establishes the concept of creative autonomy for performing authors as a key criterion for sustainable economic development, and makes innovative legal and policy recommendations to help stakeholders preserve it.

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