Mary Shelley’s timeless gothic classic accompanied by the art of legendary illustrator Bernie Wrightson live on in this gorgeous illustrated adaptation of Frankenstein—featuring an introduction by Stephen King. Few works by comic book artists have earned the universal acclaim and reverence that Bernie Wrightson’s illustrated version of Mary Wollstonecraft Shelley’s Frankenstein was met with upon its original release in 1983, which vividly presented the timeless, terrifying tale of one man’s obsession to create life—and the monster that became his legacy. A generation later, this magnificent pairing of art and literature is still considered to be one of the greatest achievements made by any artist in the field. This book includes the complete text of the original groundbreaking novel and approximately fifty original full-page illustrations by Bernie Wrightson—created over a period of seven years—that continue to stun the world with their monumental beauty and uniqueness. This edition also contains introductions by #1 New York Times bestselling author Stephen King and author Mary Shelley, as well as supplemental material including a history of the novel, a chronology of Mary Shelley’s life and work, and the historical context of Frankenstein for readers.

"The art of travelling is only a branch of the art of thinking," Mary Wollstonecraft wrote in 1790 in a review of a travel narrative set in Ireland. A Short Residence was her own travel memoir, and became the work that Wollstonecraft most admired in her own lifetime. The text narrates Wollstonecraft's journey through Scandinavia, accompanied by her young daughter; the letters are addressed to an unnamed lover. Passionate and personal, the letters also explore the comparative political and social systems of Europe. The result is a travel book that is both as much a work of political thought as Wollstonecraft's more well-known treatises, and an innovative and influential work in the genre. This Broadview Edition provides a helpful introduction and extensive appendices that contextualise this remarkable text in relation to a number of key political and aesthetic debates.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.